Edition : Paris, 1685La seule oeuvre d'Honoré d'Ambruis qui nous soit parvenue, est un recueil de remarquables airs de cour. Cet ouvrage fait partie de la dizaine de livres d'airs de cour avec leurs doubles. Passage obligé pour celui qui s'intéresse au style de la première moitié et du milieu du XVIIème siècle français.Préface de Jean Saint-Arroman : l'agrémentation des airs de d'Ambruis / Voix Et…

Concert March. Par PASTORE CARMINE. Dedicated to the brave men and women of the armed forces, the stately tempo and moderate duration of this one keep it within reach of every Grade 1 band. Interesting harmonization and lots of attention to dynamics and articulations make it a good choice for the final piece at your young band’s first festival appearance. You may also wish to consider HONOR AND GL…

Par HONORE JEFFREY. / Feuillet / SATB

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

(Fulll Score). Par HALLATT CRAIG. A medley of songs honoring the brave soldiers of WWI arranged for concert band with optional SATB choir. This stately and regal arrangement features the songs Pack Up Your Troubles in Your Old Kit Bag; Keep the Fires Burning; It's a Long Way to Tipperary and I Vow to Thee, My Country. A full choir of herald brass adds to the pomp and fanfare. An excellent piece to…

Tuba Solo. Level: Grade 4. Published by Kendor Music Inc.

By Donald Martino. For Clarinet in Bb with Extensions. This edition: Part. Contemporary Classical. Contemporary Classical. Level: Conservatory. Sheet Music. Published by Dantalian, Inc.

(An Easter Musical). By Mary Kay Beall. Arranged by Stan Pethel. (2 Part Mixed). Daybreak Easter Choral. Sacred. Size 6.75x10.5 inches. 48 pages. Published by Daybreak Music.

Trombone. Curnow Play-Along Book. Play Along. BOOK W/CD. Size 9x12 inches. 16 pages. Published by Curnow Music.

By Mark Patterson. For Unison/2-part choir with piano and optional violin (or other C instrument). Octavo. Published by Chorister's Guild.

By Mark Hayes. For SATB choir and piano. Palm Sunday, Sacred. Sacred Anthem. Published by Exaltation Publications. (10/3691L)

(Kantate zum 14. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Grischkat, Hans. For Soli SATB, SATB Choir, 2 Oboes, Strings, Organ. BWV 17. Full score available separately - see item CA.3101700. Cantatas, Psalms, German; Stuttgart Urtext editions; Occa…

By Andrew Boysen. For Concert Band. Conservatory Editions. Grade 6. Score and set of parts

(A Collection of Six Pieces). By Johann Sebastian Bach (1685-1750). For unison/2-part choir. Sacred. Sacred Choral Collection

By Hal H. Hopson and Douglas E. Wagner. For handbells (2 octaves). Easy. Handbell collection

(March). By Karl L. King. Arranged by James Swearingen. Concert Band. Extra full score. Composed 1989

By William Hofeldt. For String Orchestra. Opus One Publications. Grade 1. Score

By Lloyd Larson. For SATB Choir. Sacred. Octavo

((March)). By Henry Fillmore (1881-1958). Edited by Robert E. Foster. Concert Band. For Concert Band. Henry Fillmore Band Series (An Authentic Fillmore Edition). Full Score. Standard notation. 19 pages

By Sydney Guillaume. For SATB choir, a cappella. Jo-Michael Scheibe Choral Series. Concert, General

By Margaret R Tucker. For handbells (3 octaves), handbells (4 octaves), and handbells (5 octaves). Level: Level 2. Handbell sheet. Published by Chorister's Guild.

14 Best-Selling Pieces from the Band Series. By Various. Edited by Andrew Balent. Arranged by Andrew Balent. For Percussion II. Classical. Level: Grade 2. Solo part. 16 pages. Published by Carl Fischer.

14 Best-Selling Pieces from the Band Series - Bass Clarinet, Grade 2. By Irving Berlin, Henry Fillmore, Gioachino Rossini, Eric Osterling. Edited by Andrew Balent. Arranged by Andrew Balent; Gerald Sebesky; James Swearingen; Lloyd Conley; Mitchell S. Bender. Text: Peter J. Wilhou…