Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities…

The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instrume…

Un an après leur composition, en 1866, Brahms populaires 16 'Valses', op. 39 pour piano à quatre mains ont été organisées par le compositeur pour piano solo, répondant ainsi à la demande de son éditeur pour une version simplifiée. Brahms lui-même décrit la première version comme étant adapté à 'mains raisonnable', qui est pour les joueurs compétents, et la version plus facile que 'peut-être pour p…

The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It wa…

Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the…

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted vio…

Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome …

D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande formation comprenant cors, trompettes et timbales, la Sérénade en Ré majeur de Johannes Brahms caresse le genre de la symphonie. Pourtant l'opus 11 de ce compositeur alors en plein essor avait tout d'abord commencé par quatre mouvements pour 'petit orchestre', avant de prendre la forme de la 'Sinfonie-Serenade' que nous…

Piano Solo. By Johannes Brahms. Piano Method. Size 9x12 inches. 56 pages. Published by Schirmer.

Composed by Johannes Brahms (1833-1897). Edited by E. V. Sauer. Masterworks; Piano Collection. Kalmus Edition. Masterwork; Romantic. Book. 184 pages. Kalmus Classic Edition #00-K03254. Published by Kalmus Classic Edition

Composed by Johannes Brahms (1833-1897). Edited by Hans-Christian Mueller. Arranged by Hans-Christian Mueller. With Standard notation. Wiener Urtext/Vienna Urtext #UT50040. Published by Wiener Urtext/Vienna Urtext

By Johannes Brahms. Edited by Friedlaender. For medium (low) voice, piano. 65 songs(Ger).Trost in Traenen,Schwermut,Serenade,Eine gute Nacht,Fruehlingstrost,An ein Bild,etc. Published by C.F. Peters.

For Clarinet, 2 Violins, Viola and Violoncello. By Johannes Brahms. Edited by A. Massimo Grassi. STUDY EDITION. Pages: VII and 65. Study score-no details. Published by G. Henle.

By Johannes Brahms. Edited by Thea Musgrave. For piano, 4 hands. Op.52a;65a. Published by C.F. Peters.

Composed by Johannes Brahms (1833-1897). Edited by Christian M. Schmidt. Arranged by Christian M. Schmidt. With Standard notation. Wiener Urtext/Vienna Urtext #UT50104. Published by Wiener Urtext/Vienna Urtext

By Johannes Brahms. Edited by G.Schumann. For violin, viola, violoncello, piano. (c). Published by C.F. Peters.

Study Score. By Johannes Brahms. Schott. Size 5.25x7.5 inches. 178 pages. Published by Eulenburg London (Schott).

By Johannes Brahms. Edited by R. Pascall. STUDY EDITION. Pages: V and 199. Study score-no details. Published by G. Henle.

By Johannes Brahms. Arranged by Richard Meyer. Music by Johannes Brahms / arr. Richard Meyer. For Full Orchestra. Full Orchestra. First Philharmonic. Level: 2 (grade 2). Conductor Score and Parts. 2 pages. Published by Alfred Publishing.

By Johannes Brahms. Viola and piano. Published by International Music Co.

By Johannes Brahms. Edited by L. C. Roesner, M. Struck. STUDY EDITION. Pages: XV and222. Urtext edition (Paper-bound). Published by G. Henle.

With 30 further Exercises, most of which published for the first time. Composed by Johannes Brahms (1833-1897). Edited by Johannes Behr. Arranged by Johannes Behr. Most of the 30 further exercises published for the first time. Romantic. Full score. With Standard notation. 112 pag…

By Johannes Brahms. Arranged by E.Power Biggs. For SATB, Organ. Organ Book. Opus 122. Published by Theodore Presser Company.

For the left hand alone. By Johannes Brahms. Editions Durand. Size 9x12 inches. 16 pages. Published by Durand.

Composed by Johannes Brahms (1833-1897). Edited by Imogen Fellinger. Arranged by Imogen Fellinger. Collection. With Standard notation. Wiener Urtext/Vienna Urtext #UT50044. Published by Wiener Urtext/Vienna Urtext