Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities…

The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instrume…

Un an après leur composition, en 1866, Brahms populaires 16 'Valses', op. 39 pour piano à quatre mains ont été organisées par le compositeur pour piano solo, répondant ainsi à la demande de son éditeur pour une version simplifiée. Brahms lui-même décrit la première version comme étant adapté à 'mains raisonnable', qui est pour les joueurs compétents, et la version plus facile que 'peut-être pour p…

The first three movements of Johannes Brahms' E minor Cello Sonata were composed in 1862, the last movement was written in 1865. During the first years of its performance the work was received with mixed enthusiasm. By the end of Brahms' life, however, it was widely performed and by the first decades of the 20th century it was firmly embedded in the repertoire of many distinguished cellists. It wa…

Brahms completed his Cello Sonata op. 99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the cello part and the composer himself was his partner at the piano. Even though the work was generally received positively, it took some years until it was fully appreciated and gained its irrevocable place in the…

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted vio…

Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome …

D'une durée de plus de quarante minutes et composée en 1858-59 pour une grande formation comprenant cors, trompettes et timbales, la Sérénade en Ré majeur de Johannes Brahms caresse le genre de la symphonie. Pourtant l'opus 11 de ce compositeur alors en plein essor avait tout d'abord commencé par quatre mouvements pour 'petit orchestre', avant de prendre la forme de la 'Sinfonie-Serenade' que nous…

(study score). By Johannes Brahms (1833-1897). For Solo Parts, Mixed Choir, Orchestra. Breitkopf Full Scores. Study score. 200 pages

Urtext based on the Brahms Complete Edition of the Gesellschaft der Musikfreunde in Vienna. Composed by Johannes Brahms (1833-1897). Partitur-Bibliothek (Score Library). The Double Concerto in A minor op. 102 is Brahms' last work for orchestra. He wrote it in Thun in summer 1887 …

2 violins, viola, cello and piano. By Johannes Brahms. Editions Durand. Size 9x12 inches. 88 pages. Published by Durand.

(study score). By Johannes Brahms (1833-1897). For orchestra. Breitkopf Full Scores. Parts, Urtext. 40 pages

(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra. Breitkopf Full Scores. Parts, Urtext. 104 pages

By Johannes Brahms. (SATB). Choral. Size 6.75x10.5 inches. 12 pages. Published by G. Schirmer.

(version for two hands). By Johannes Brahms (1833-1897). Edited by Hans Hoepfel. Arranged by Hans Hoepfel. For piano, 2-hands. SMP Level 9 (Advanced). Standard notation

By Johannes Brahms (1833-1897). Standard notation

By Johannes Brahms (1833-1897). Arranged by Luciano Berio. Standard notation

By Johannes Brahms (1833-1897). Romantic Choral Music; Secular Choral Music; Choral Collections for Mixed Choir. Score. 4 pages

(Herr, wie lange willst du mein so gar vergessen). By Johannes Brahms (1833-1897). Edited by Graulich, Gunter. For Strings version: SSA Choir, 2 Violins, Viola, Cello, Contrabass. Full score available separately - see item CA.4018200. Psalms, German; Occasions: Psalms. Level 2. P…

By Johannes Brahms. (SATB). Choral. Size 6.7x10.5 inches. 8 pages. Published by G. Schirmer.

Piano Duet. By Johannes Brahms. Arranged by Sigismondo Cesi. Piano Duet. Size 12x9 inches. 54 pages. Published by Ricordi.

By Johannes Brahms. Edited by Lunn. For SSAA, piano (organ). Op.12(Eng-Lat). Sacred Choral Works. Duration 4'30. Published by C.F. Peters.

By Johannes Brahms (1833-1897). Edited by Graulich, Gunter. Sacred, Motets; Occasions: Peace and Justice, Psalms, Mourning, Death; Use during church year: Holy Week. Score. 8 pages

By Johannes Brahms. (SATB a cappella). Choral. Festival. Size 6.75x10.5 inches. 16 pages. Published by Hal Leonard.

(Hungarian Dance No. 5, Lullaby Op. 49, No. 4, Finale from Symphony No. 1 - Full Score). By Johannes Brahms (1833-1897). Arranged by Joseph Compello. Concert Band. For Concert Band. Carl Fischer First Plus Performance Series. Grade 1.5. Full Score. Standard notation. 20 pages

(Hungarian Dance No. 5, Lullaby - Op. 49, No. 4, Finale from Symphony No. 1 - Full Score and Parts). By Johannes Brahms (1833-1897). Arranged by Joseph Compello. Concert Band. For Concert Band. Carl Fischer First Plus Performance Series. Grade 1.5. Score and Set of Parts. Standar…