Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par PAULET VINCENT. Cette pièce de 7 minutes pour 12 voix s'inscrit dans le programme 'Bach + 5', conçu par Catherine Simonpietri et commandé par l'ensemble Sequenza 9.3. Ce programme s'articulant autour des chorals sur Nun komm, der Heiden Heiland de J.S. Bach, c'est le texte de l'hymne d'Ambroise de Milan, dans la traduction allemande de Luther (c'est-à-dire le texte traité par Bach) qui est ici…

Par MINDY PAUL / SAMMUT ERIC. Métissages est né d'une rencontre artistique entre Paul Mindy et Eric Sammut. C'est tout naturellement que ces deux musiciens, par ailleurs passionnés de pédagogie, ont voulu créer une passerelle entre les classes de percussions traditionnelles et classiques. Les pièces présentées dans ce recueil sont de styles variés, offrant un large éventail de musiques : classique…

The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Composed by Hagood Hardy Weve Got Tonight Composed by Bob Seger Song From M*a*s*h (Suicide Is Painless) Composed by Johnny Mandel, Mike Altman Misty Composed by Erroll Garner, Johnny Burke Other Side…

By J. Paul Williams and Jim Ailor. For SATB Choir (SATB). Shawnee Press. Choral, Incorporating Hymn Tunes, Orchestration, Holy Week, Lent, Tracks and Sacred. 12 pages. Shawnee Press #A7367. Published by Shawnee Press

By Various. Arranged by Joan Frey Boytim. Vocal Collection. Size 9x12 inches. 144 pages. Published by G. Schirmer, Inc.

(Cash Flow -- Achieving Success in the Audio Industry). By Paul Terry, Tess Taylor, Steffen Franz, Gregory J. Gordon, and Steve Heithecker. Book; Books and DVDs; DVD; Pro Audio; Pro Audio Textbook; Reference Textbooks. Pyramind. 248 pages. Published by Alfred Music Publishing

By J. Paul Williams. For 2-part Choir. (TB or 2-part). Choral, Easter, Youth Choirs and Sacred. Sheet Music. Published by Shawnee Press.

By Barbara Furman, J. Paul Williams, and Patricia Mock. Arranged by Richard A. Nichols. For Choral (SATB). Glory Sound. Octavo. 8 pages. Published by GlorySound

((Incorporating All Day, All Night)). By J. Paul Williams and Patti Drennan. SATB. Glory Sound. 12 pages

By J. Jason Charnesky, music by Jean Paul Martini. Arranged by Bruce Trinkley. For Choir. (TBB). Choral Octavo. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

By J. Paul Williams. For SATB Choir. Choral, General Use, Orchestration, Tracks, Easter and Sacred. Sheet Music. Published by Shawnee Press.

(Score and Parts). By Adele. By Adele Adkins and Paul Epworth. Arranged by J.A.C. Redford. For Full Orchestra (Score & Parts). Symphony Pops. Published by Hal Leonard

Arranged by Fred Bock. Fred Bock Publications. Size 9.3x12 inches. 145 pages. Published by Fred Bock Music Company.

arr. Fred Bock. By Fred Bock. Fred Bock Publications. Size 9x12 inches. 46 pages. Published by Fred Bock Music Company.

By Various. Arranged by Joan Frey Boytim. Vocal Collection. Size 9x12 inches. 144 pages. Published by G. Schirmer, Inc.

By Dengler Williams. For SATB Choir. Sheet Music. Published by Harold Flammer Music.

By J. Paul Williams and Joseph M. Martin. For Choral (SATB). Glory Sound. Easter, Christmas, General Use, Patriotic Commemorations, Thanksgiving and Sacred. 8 pages. GlorySound #A7065. Published by GlorySound Easter, Christmas, General Use, Patriotic Commemorations, Thanksgivi…

By Anna Laura Page and J. Paul Williams. For Choir. (SATB). Choral Octavo. Level: Level 3 (grade L3). Choral Octavo. 8 pages. Published by Alfred Publishing.

Bass. By Various. Arranged by Max Spicker. Vocal Collection. Size 7x10.5 inches. 232 pages. Published by G. Schirmer, Inc.

By J. Paul Williams/Joseph Martin. For SATB choir. Octavo. 8 pages

By Patti Drennan; J Paul Williams. For unison/2-part choir. Christmas, Sacred. Cantata. Published by Triune Music Inc. (45/1070K)