Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Par REGNER HERMANN. Durée: 5' 45'',/ Recueil / Percussions (4 Joueurs)

/ Instruments A Percussions (4 Joueurs Ou Plus)

Par CALVIN JEAN-PHILIPPE. / Niveau : Difficile / Répertoire / Log Dr, Brake Percussions, 4 Cencerros, Darbukka,

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

/ Instruments A Percussions (4 Joueurs Ou Plus)

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Aus tiefer Not. Par RENTZSCH FRIEDHELM. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is…

Duo violoncelle et percussion.Nomenclature percussion :4 bongos, 4 rins chinois, 2 bols tibétains, tambour d'aisselle, 4 petites cymbales chinoises, marimba.Gabriel Bouchet a suivi ses études musicales au Conservatoire de Mulhouse où il obtint le premier prix de Piano, d'harmonie et de solfège.Percussion solo de l'Orchestre de la Radio de Strasbourg puis de l'Orchestre Philharmonique de Strasbourg…

By Kenneth Frazelle. For voice solo and orchestra (flute; 2.2 (English horn).2 (bass clarinet).2 - 4.2.3.0 - timpani, percussion, harp; strings). Study score. Composed 1991. Duration 23'

By Cage-Harrison. For percussion (4). Duration 6'. Published by C.F. Peters.

HANDBELLS. Published by Bourne Music Co.

(A Dog's World) Composed by George Crumb (1929-). Full score (2 copies necessary for performance) for guitar and percussion. With standard guitar notation (no tablature), percussion notation and performance notes. 11 pages. Published by C.F. Peters.

By Cage-Harrison. For percussion (4). Duration 6'. Published by C.F. Peters.

Arranged by Steven Mercurio. For solo voice, SATB chorus and orchestra (or piano) (solo voice, SATB chorus; 2.2.2.2 - 4.2.3.0 - timpani, organ (opt); strings). Choral. Composed 1998. Duration 3'

Come, All Ye Shepherds - for Handbells (4 Octaves, 21 Bells). By Anonymous. Arranged by Katherine Beard. Percussion ensemble. For Handbells. Christmas Bells Series. Performance score. 3 pages. Duration 1:30. Published by Theodore Presser Company.

(short concert piece for seven percussionists and piano). By Dan Locklair (1949-). For seven percussionists and piano (7 percussion [P1: 4 timpani; P2: suspended cymbal (large), bass drum; P3: tom-toms (4), temple blocks (5), finger cymbal; P4: crash cymbal, crotales (1 octave (b…

(Concerto for Saxophone Quartet and Band). By Victoria Bond. For saxophone quartet and band (saxophone quintet; 2(1).2(1, eb).3 (bass).2 - 4 horn, 3 cornets, 3 trumpets, 3 trombones, euphonium, tuba; string bass, timpani, 4 percussion). Study score. Composed 1983. Duration 6'

(Concerto for Orchestra). By Roberto Sierra. For orchestra (piccolo 2, 2 English horn, 2 bass clarinet; 2 contrabassoon; 4.3.3.1 - 4 percussion, piano, harp; strings). Study score. Composed 1999. Duration 18'

By Toshiro Mayuzumi. For 3333 5 saxophone (soprano, 2 alto, tenor, baritone) 4331 timpani, percussion (4), piano, celesta, harp, strings. Duration 11'. Published by C.F. Peters.

Handbells. Published by Bourne Music Co.

By Roberto Sierra. For orchestra (2(1).2(1).2(1).2(1) - 4.3.3.1 - timpani, percussion, harp, piano/celesta; strings). Study score. Composed 2007. Duration 18'

By Roberto Sierra. For orchestra (2(1).2(1).2(1).2(1) - 4.3.3.1 - timpani; 3 percussion, harp, piano; strings). Study score. Composed 2005. Duration 12'

By Richard Clarke. Arranged by Jeffrey Honore. For Voices: SATB, solo, assembly. Instruments: Flute, 4 handbells (instruments optional). Keyboard accompaniment. Choral Sacred. Level: easy. 7 pages. Published by GIA Publications.