Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again'? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression …

Par UEBAYASHI YUKO. Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi 's works have been met with much success in both Japan and France, Au Delà Du Temps for 2 Flutes and Piano being no exception. Flautist, Jean Ferrandis described Uebayashi 's music as 'gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tendern…

Instrumentation of Schubert‘s Song Cycle with 7 New Songs after Emily Dickinson. Par STAUD JOHANNES MARIA. At the suggestion of the great Schubert interpreter Christoph Prégardien, I have orchestrated Schubert’s large-scale song cycle “Die Schöne Müllerin” [The Lovely Maid of the Mill] (1823) for a 19-piece ensemble and combined it with seven of my own songs set to poems by Emily Dickinson (1830–1…

Excerpts from Movement 1. Par MOZART / STEPHEN BULLA. Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrange…

Par UEBAYASHI YUKO. Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi 's works have been met with much success in both Japan and France, Suite For Flute And Cello being no exception. Flautist, Jean Ferrandis described Uebayashi 's music as 'gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tenderness, humour, a…

Arr. Mike Hannickel. Par MOZART WOLFGANG AMADEUS. Any list of Mozart's greatest works should include this overture. Loved by millions, Mozart's Magic Flute is remarkable for so many reasons and worthy of study by every musician! Why should we deny young band students the joy of playing Mozart just because they don't happen to use a bow on their instruments? Mozart belongs to Everyone ! Skillfully …

Parti Orchestra. Par VIVALDI ANTONIO. The orchestral set contains: 3 copies of Vl I and 3 copies Vl II 2 copies of vla, 2 copies of cello 1 copy of organ, contrabass, trumpet and oboe. Today the Gloria RV 589 (BA 7674) is one of Vivaldi's best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the ; Gloria as a self-contained work …

Excerpts from Movement 1. Par MOZART WOLFGANG AMADEUS. Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrang…

Arr. Douglas Court. Par MOZART WOLFGANG AMADEUS. It has been said that the magic of Mozart’s music lies in its ability to truly and purely express the inner self. This delightful Grade 21/2 adaptation of a well-known theme from The Magic Flute will help your young musicians gain a deeper understanding of Mozart and the amazing gift that made him the incomparable master of flawless composition. In …

Performed by The Beatles. Piano/Vocal/Chords (Arrangements for piano and voice with guitar chords). Size 9.5x12.7 inches. 896 pages. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

The Vocal Library. Arranged by Richard Walters. (High Voice). Vocal Collection. Size 9x12 inches. 312 pages. Published by Hal Leonard Corporation.

The Vocal Library. Arranged by Richard Walters. (Low Voice). Vocal Collection. Size 9x12 inches. 312 pages. Published by Hal Leonard Corporation.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

Songbook for voice, piano and guitar chords. 252 pages. Published by Alfred Publishing.

E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 184 pages. Published by Hal Leonard.

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Christmas and holiday. 352 pages. 9x12 inches.

Composed by Various. For Vocal, Piano Accompaniment. Vocal Collection. Softcover. Published by Hal Leonard

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.