Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Easy-to-read, simplified arrangements of sixteen soul hits by Nina Simone, James Brown, Aretha Franklin, Ray Charles, Ben E. King, and more! All songs are arranged for Piano and Vocal with Guitar chord symbols. / Chant Et Piano

Thomas Campion's Never weather-beaten sail is a sprightly text that powerfully evokes the sailor's plea for God's calming presence upon the sea's unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices, the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea, the mellifluous soprano melody represents the boat's sails, and the bass s…

Par PARK OWAIN. 'My latest piece has a rather nice story attached to it. I was asked by my good friend Helen Charlston if I would set a poem she had written called ?18th April?. This date has special significance, as it was supposed to be her wedding day. Sadly, the wedding had to be postponed. During their time in isolation, Helen and fiancée Mike have been curating a wonderful series called #Lie…

' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple, suitable for regular liturgical use. There are, of course, many wonderful settings of this text already, not least those by William Byrd and Edward Elgar, both of which I sang as a boy. In this in…

The work was composed in 1992 for the 85th birthday of Kurtág's teacher, Sándor Veress. The ensemble of instruments is unusual: two basset horns and two quarter-tone pianos (the well-known predecessor of the latter is Charles Ives' Three Quarter-Tone Pieces for two pianos). The special tuning in this case is not that the tonality moves in an ultra-chromatic direction, rather that it makes the cont…

Piano. Composed by Bela Bartok (1881-1945). Edited by Laszlo Somfai. Sheet music. Henle Music Folios. Christmas, Classical. Softcover. G. Henle #HN1406. Published by G. Henle

By Mark Hayes. For Piano (Piano). Shawnee Press. Softcover. 72 pages

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Gospel. 216 pages. 9x12 inches. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Gospel. 272 pages. 9x12 inches. Published by Hal Leonard.

(with Give Me Jesus). By George Beverly Shea. By George Beverly Shea. Arranged by Joseph M. Martin. Shawnee Press. Octavo. 12 pages. Published by Shawnee Press (HL.35031690).

Written by Mark Levine. Instructional book (spiral bound). With instructional text, musical examples and black and white photos. 522 pages. Published by Sher Music Company.

The Phillip Keveren Series. Arranged by Phillip Keveren. Piano Solo Songbook. Softcover. 48 pages. Published by Hal Leonard

For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Gospel and worship. Series: Hal Leonard Fake Books. 295 pages. 9x12 inches. Published by Hal Leonard.

(2 Pianos, 4 Hands). Composed by Johannes Brahms (1833-1897). Edited by Johannes Behr, Johannes Umbreit, and Lars Vogt. For 2 Pianos, 4 Hands. Henle Music Folios. Softcover. 114 pages. G. Henle #HN1231. Published by G. Henle

Performed by John Denver. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and introductory text. Folk and soft rock. 256 pages. 9x12 inches. Published by Cherry Lane Music.…