/ Conducteur / niveau : Or:1 / Partition

Classiques pour Deux est un recueil qui rassemble six oeuvres d'exécution relativement aisée, même si elles s'installent parfois dans la durée, de compositeurs représentant les grands courants artistiques et donnant ainsi un aperçu du baroque (Haendel), du classicisme (Haydn, Mozart, Pleyel) et du romantisme (Schumann,Tchaïkovski). / 2 Flûtes Traversières / 16 pages / niveau : Facile - Elémentaire…

Cette belle mélodie cantabile a été composée par Schumann dans la mémoire de Mendelssohn. Cette édition pour trompette (ou cornet) et piano solo, fera une courte idéale à tout concert. / Trompette Et Piano / niveau : Elementaire / Partition

Romance n o 1 d'une série de trois romans écrits belle pour hautbois et piano de Schumann en 1849. / Hautbois Et Piano / niveau : Elementaire / Partition

Ein musikalischer Präzedenzfall. Par MATTER MICHAEL. Heutzutage würde man wohl von einem „Hype' sprechen: Als der unbekannte dänische Komponist Niels W. Gade Anfang der 1840er-Jahre seine ersten symphonischen Werke in Leipzig präsentiert, brandet ihm unverhofft Enthusiasmus entgegen. Maßgeblichen Anteil daran hat die spezifische Wahrnehmung seiner Musik, der Robert Schumann einen „entschieden nord…

German Romanticism (Chefs-d'oeuvre du romantisme allemand) rassemble un choix de morceaux signés des plus grands compositeurs de ce style, parmi lesquels figure - en termes d'histoire de la musique - l'Autrichien Franz Schubert. Avec Carl Maria von Weber, il représente les débuts du romantisme, tandis que Felix Mendelssohn et Robert Schumann appartiennent à l'apogée de la période romantique. Richa…

Par TIPPETT MICHAEL SIR. Like Robert Schumann who often favoured the horn, Sir Michael Tippett who died on 8 January 1998 makes full use of the instrument‘s tonal possibilities in this work. He translated the Romantic genre of horn quartet into a modern tonal language: 'All movements contain characteristic calls and triad arpeggios. Sometimes the call itself is the theme, as in the fugue. Sometime…

Although I never had any 'official' lessons with him, Heinz Holliger has become and will always remain a lifelong teacher to me. And we have developed a friendship that started 10 years ago, in Davos, where he heard me playing Robert Schumann's Fantasiestücke Op. 73 for the first time. Since then, we have performed together countless times, stood on (and behind) the stage, discussed, philosophized…

Raimund Wippermann, né en 1956, a étudié l'église et l'école de musique de Cologne et Düsseldorf ainsi que chorale à l'Académie de Stockholm musique. Depuis 2004, il a été directeur de la Robert Schumann Hochschule de Düsseldorf.Le désir de l'individu de croire à la présence de Dieu dans notre monde de la parole et de la musique et d'en faire 'chanter' à la fin - c'est l'intention à laquelle le pr…

Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on …

For 2 Violin, Viola, Violoncello and Piano. By Robert Schumann. Edited by E. Herttrich. Piano Qunitets. Pages: Scor = VI and 82 * Vl I, Vl II and Va Parts = 13 ea * Vc Part = 12. Urtext edition (Paper-bound). Published by G. Henle.

Edition for Clarinet in A and Piano - Revised Edition. By Robert Schumann. Edited by W. Boetticher, E. Herttrich. Clarinet. Pages: Score= V and 15 * Cl in A Part = 7. Urtext edition-paper bound. Published by G. Henle.

For Violin, Viola, Violoncello and Piano. By Robert Schumann. Edited by U. Leisinger. Piano Quartets. Pages: Score = VI and 62 * Vl and Va Parts = 13 ea * Vc Part = 12. Urtext edition (Paper-bound). Published by G. Henle.

Composed by Robert Schumann (1810-1856), edited by Wiltrud Haug-freienstein. Collection and set of performance parts for Viola and piano. With introductory text and performance notes. Urtext edition-paper bound. 33 pages. Published by G. Henle.

(Piano Solo). By Robert Schumann. Edited by Ernst Herttrich. For piano solo. This edition: HN244. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: 52. SMP Level 10 (Advanced). Urtext edition-paper bound. 60 pages. Published by G. Henle Verlag

Composed by Robert Schumann (1810-1856), edited by W. Boetticher. Collection for Piano (Harpsichord), 2-hands. Urtext edition-paper bound. 15 pages. Published by G. Henle.

Composed by Robert Schumann (1810-1856), arranged by Edwin Hughes. Piano duet (two copies needed for performance) for piano duet. Schirmer Library Vol.1358. With full score notation. 104 pages. Published by G. Schirmer, Inc.

Op. 73 - Version for Violoncello and Piano - Revised Edition. By Robert Schumann. Edited by E. Herttrich. Violoncello. Pages: Score = V and 15 * Vc Part = 7. Urtext edition-paper bound. Published by G. Henle.

At the Piano. Softcover. 60 pages. G. Henle #HN1818. Published by G. Henle

By Walter Noona. For piano. Educational piano collection. Published by Heritage Music Press.
Level: Level 3.

Early and Late Version. By Robert Schumann. Edited by Wolfgang Boetticher. Piano (Harpsichord), 2-hands. Pages: Early Version = 47, Late Version = 36. Urtext edition-paper bound. Published by G. Henle.

Composed by Robert Schumann (1810-1856), edited by W. Boetticher. Single piece for Piano (Harpsichord), 2-hands. With introductory text, performance notes and fingerings. Urtext edition-paper bound. 53 pages. Published by G. Henle.

Composed by Robert Schumann (1810-1856), edited by W. Boetticher. Single piece for Piano (Harpsichord), 2-hands. With introductory text, fingerings and performance notes. Urtext edition-paper bound. 45 pages. Published by G. Henle.

Fairy Tales, Op. 132 (Märchenerzählungen) (Clarinet in B-flat (Violin), Viola and Piano). By Robert Schumann. Edited by Ernst Herttrich. Score and Parts. Henle Music Folios. Softcover. 56 pages. G. Henle #HN917. Published by G. Henle