Jubel-Messe - WeV A.5, Offertorium WeV A.4, Op. 76. Par WEBER CARL MARIA VON. En qualité de maître de chapelle du théâtre de la cour royale de Dresde, Carl Maria von Weber avait pour première mission de développer l’opéra allemand à la cour. Mais il devait aussi écrire pour la messe toutes les trois semaines. Cela convenait parfaitement au compositeur d’opéra Weber qui considérait ses talents arti…

Jubel-Messe - WeV A.5, Offertorium WeV A.4, Op. 76. Par WEBER CARL MARIA VON. En qualité de maître de chapelle du théâtre de la cour royale de Dresde, Carl Maria von Weber avait pour première mission de développer l’opéra allemand à la cour. Mais il devait aussi écrire pour la messe toutes les trois semaines. Cela convenait parfaitement au compositeur d’opéra Weber qui considérait ses talents arti…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were eve…

La scène chorale est dans un état de changement! D'une part, les choeurs de plus en plus défaut dans les voix masculines, mais dans le même temps, des choeurs de plus en plus de femmes sont à la recherche de haute qualité au-delà de la littérature harmonisations de chansons folkloriques. Bärenreiter répond à ces tendances générales, avec la publication des dispositions pour trois parties choeur de…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

SATB choir accompanied and a cappella Fifty Christmas Carols. Composed by Bob, David, Hill, and Bob Chilcott. This edition: paperback. . . . for Choirs Collections. Oxford University Press #9780193551114. Published by Oxford University Press

Composed by Craig Courtney. Comfort / Healing / Hope; General; Lent. Octavo. Beckenhorst Press #BP2283. Published by Beckenhorst Press

By Harry Styles. By Thomas Hull, Tyler Johnson, and Harry Styles. Arranged by Mark A. Brymer. Pop Choral Series. British, British Rock, Pop, Pop/Rock, Rock, Show Choir, Surf. Octavo. 12 pages. Duration 155 seconds. Published by Hal Leonard

Composed by Larry Shackley. Choral collection. Singable Solutions. Sacred Choral, General, Holy Communion. Lorenz Publishing Company #45/1639L. Published by Lorenz Publishing Company

Choral Collection, Score. Hope Publishing Company #9103. Published by Hope Publishing Company

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: piano solo songbook. With introductory text, easy piano notation, fingerings, lyrics (on some songs), harmony part (for the teacher) and illustrations. Solos. 32 pages. 9x12 inches. Published by The …

By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. Full score available separately - see item CA.9100900. Church music of the Viennese Classical. Choral score. Language: Latin. Composed 1760/1768. 16 page…

Composed by John Rutter (1945-). For SATB choir and organ/string orchestra. This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 2.5 minutes. Published by Oxford University Press

Composed by Benj Pasek and Justin Paul. Arranged by Mac Huff. Pop Choral Series. Broadway, Show Choir, Pop, Inspirational, Movies. Octavo. 16 pages. Published by Hal Leonard

Composed by Don Besig. For SATB choir, piano (with optional flute). Sacred Anthem, General, Lent. Octavo. Lorenz Publishing Company #10/4705L. Published by Lorenz Publishing Company

By Thomas Fettke, David "Babyface" Foster, Carole Bayer Sager. Arranged by Thomas Fettke. For Choir. (SATB). Choral Octavo. With One Voice. Sacred. Choral Octavo. 12 pages. Published by Alfred Publishing.

Composed by John Rutter (1945-). For SATB choir and piano (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, percussion, drum, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 3.5 minutes. Publ…

By John Rutter (1945-). For Children's and/or SATB choir and keyboard/orchestra ([2.1.2.1-2.0.0.0], harp, strings). Upper Voices. Sacred Choral Leaflet. Vocal score. 12 pages. Duration 4.5'. Published by Oxford University Press

By Ken Dosso. For SAB choir and piano. Ready to Worship Series. Sacred Anthem, Eastertide, General, Lent. Octavo. Published by Lorenz Publishing Company

Composed by Ruth Elaine Schram. Singable Solutions. Sacred Anthem, Advent. Octavo. Lorenz Publishing Company #10/4871L. Published by Lorenz Publishing Company (LO.10-4871L).

From The Greatest Showman. Composed by Benj Pasek and Justin Paul. Arranged by Mac Huff. Pop Choral Series. Concert, Pop, Movies, Show Choir, Graduation, Broadway. Octavo. 20 pages. Published by Hal Leonard