Par CAMPBELL ELIZABETH. / Répertoire / SAB et Clavier

Bring an international flair to your holiday program with this joyous medley of four French carols. An IPA pronunciation guide is included for the few foreign words, and a festive concert band accompaniment allows the whole music department to participate. / Choeur SAB

Kyrie-Gloria-Messe (Lutherische Messe). Par BACH JOHANN SEBASTIAN. Neben der h-Moll-Messe existieren von Bach bekanntlich vier weitere, kleinere Messkompositionen, die sog. Lutherischen oder Kyrie-Gloria-Messen. Trotz ihrer hohen musikalischen Qualitäten, stehen sie oft im Schatten anderer Kirchenwerke Bachs. Mit ihrer jeweils sechssätzigen Anlage [bis 'Cum sancto spiritu'] hatten sie ihre spezifi…

Kantate Zum 3. Sonntag Nach Epiphanias. Par BACH JOHANN SEBASTIAN. Tonalité : a-Moll - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 72/ Répertoire / Solistes SAB, Choeur SATB, 2 Hautbois, Instruments

Über Die Nicht- Und Flüchtigkeit Des Menschlichen Lebens. Kantate Zum 24. Sonntag Nach Trinitatis. Par TELEMANN GEORG PHILIPP. The 'Trauer-Actus' is probably the earliest work in the Grimma collection of Telemann cantatas. Its textual and musical structur, and to no a less extent the composer's as yet imperfect technical mastery of his craft indicate that this work dates from Telemann's apprentice…

Kleine Passion nach dem Evangelisten Johannes. Par WEYRAUCH JOHANNES. Kleine Passion Nach Dem Evangelisten Johannes/ Répertoire / Choeur SAB, 2 Violons, Alto, Violoncelle, Contreba

A walking bass line, built on the blues scale, hints at jazz in the introduction of this fantastically fun arrangement of the traditional spiritual. Each of three verses develops further as the piece grows to its exciting final chords. An acoustic or electric bass part is included in the publication. / Choeur SAB

Par GOTTSCHICK FRIEDEMANN. Kirchenlieder, Sätze - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SAB

Par L'ESTRANGE ALEXANDER (Arr.). The poignant words of The Last Rose Of Summer, by Thomas Moore, match this Irish song’s mournful, drooping melody. After a temporarily uplifting modulation for the third verse, where the men of the choir echo the melody two measures behind, the arrangement ends as it began – in a solitary mood, with an empty, bare fifth. This piece is part of the Faber Choral Sing…

You've heard this famous spiritual before, but wait until you hear it in the skillful hands of Mark Hayes! The piano part offers a fun-filled adventure---challenging, yet doable. The choral parts are so compelling that choir members will beg to sing them again and again. Listeners will be hard pressed to sit quietly in their seats when these walls come a-tumblin' down! / Choeur SAB