Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …

Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonal…

Favoritchor/OrgelBc. Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz 's impressive and musically colourful setting of the Magnifcat from 1665 shows the …

Par JANSSON MARTEN. Tonight I Dance Alone for double choir a cappella consists of three poignant episodes from the life of an old man. We encounter him before his wedding, before celebrating his wedding anniversary and now as an elderly widower who says to his grandson: ; Soon we will dance in the God-light, My love and I. Soon will the moon be ours again, And the endless shining stars In the hall…

Magnificat and Nunc dimittis. Par PURCELL HENRY. The present 'Evening Service' is one of the few works in which Pucell sets to music portions of the liturgy, whereas most of the church music of the Master consists of anthems, i. e. cantata-like compositions with biblical text. The alternative between chorus (full) and soloists (verse), so characteristic of this composition, may if necessary be rep…

Rv 644. Par VIVALDI ANTONIO. Gattungen: Oratorien - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Frieden und Gerechtigkeit - Langue : Latin / Date parution : 1979-06-01/ Répertoire / Solistes SSMsAA (SATBarB), Choeur SATB, 2 Flûtes T

By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. Full score available separately - see item CA.9100900. Church music of the Viennese Classical. Choral score. Language: Latin. Composed 1760/1768. 16 page…

Composed by John Rutter (1945-). For SATB choir and organ/string orchestra. This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 2.5 minutes. Published by Oxford University Press

Composed by John Rutter (1945-). For SATB choir and piano (2 flutes, oboe, 2 clarinets, bassoon, 2 horns, percussion, drum, harp, strings). This edition: Paperback. Mixed Voices. John Rutter Anniversary Edition. Sacred. Level A (very easy). Vocal score. Duration 3.5 minutes. Publ…

By John Rutter (1945-). For Children's and/or SATB choir and keyboard/orchestra ([2.1.2.1-2.0.0.0], harp, strings). Upper Voices. Sacred Choral Leaflet. Vocal score. 12 pages. Duration 4.5'. Published by Oxford University Press

By Bob Chilcott. For SATB choir and percussion. This edition: BC117. Mixed Voices. Christmas Choral Leaflet. Vocal score. 12 pages. Duration 2.5'

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Heinz Moehn, Leopold Nowak. K. 626. For SATB solos, SATB choir and piano accompaniment. Urtext of the New Mozart Edition. Format: vocal score. With choral notation and piano reduction. Classical period. D Minor. Text lang…

(No. 4 of Four American Folk Hymns). By Mack Wilberg (1955-). For SATB choir and piano (4 hands)/orchestra/chamber orchestra/brass ensemble (Orchestra: 2.2.2.2-4.3.3.1-timpani.percussion-strings, Chamber orchestra: 3 trumpets, timpani, organ, strings, Brass: 4 horns, 3 trumpets, …

By Mark Hayes. For SATB choir, piano. Pentecost. Octavo. Published by Lorenz Publishing Company

Composed by John Rutter (1945-). For SA choir and piano ([2.1.2.1-2.0.0.0], percussion, harp, strings). This edition: Paperback. Upper Voices. Sacred. Level B (easy). Vocal score. Duration 3.5 minutes. Published by Oxford University Press

Composed by Giuseppe Verdi (1813-1901), edited by Kurt Soldan. For SATB solos, SATB choir and piano accompaniment. Format: vocal score. With choral notation, piano reduction and introductory text. Romantic period. Text language Latin. 144 pages. 7.5x10.5 inches. Published by C.F.…

By Hugh W. Dougall. Arranged by Barlow Bradford. Text: Theodore E. Curtis. For SATB Choir. Level: Medium / Difficult (accompaniment). Duration 4:35. Published by Jackman Music Corporation.

By John Rutter (1945-). For Soprano and Baritone solo voices, children's and SATB choirs, orchestra/chamber ensemble (Orchestra: [2.2.2.2-2.2.0.0], timpani, percussion (2 players).hp-str Chamber ensemble: fl, ob, cl, bsn, hn, timp, perc (1 or 2 players), hp

Erganzt von Robert D. Levin. By Wolfgang Amadeus Mozart. Arranged by Robert D. Levin. For Soli SATB, SATB Choir, 2 Bassethorn, 2 Bassoons, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 626. Full score available separately - see item CA.5162650. R…

Dramma per musica in tre atti. Klavierauszug nach dem Urtext der Hallischen H0ndel-Ausgabe (italienisch/deutsch). By George Frideric Handel. Edited by Siegfried Flesch. Arranged by Kroupova, Olga;T!Pel, Michael. For soprano solo (3), mezzo-soprano solo, alto solo, tenor solo, bas…

Arranged by Larry Shackley. For Choir. (SATB). Jazz/SwingStyle, Spiritual, Blues-Gospel-Spirituals and Sacred. Print Music Single (SATB). Published by Hope Publishing Company.

By Cindy Berry. For 2-part treble choir (optional bells) (2PT TREBLE). Shawnee Press. Choral. 8 pages

Composed by Mack Wilberg (1955-). Octavo for SATB choir and organ accompaniment (or 2 flutes, organ and strings). 13 pages. Published by Oxford University Press.