Lully, Lullay was written at the request of Philip Reed, music director of the Bury St Edmunds Bach Choir, which gave the first performance on 17 December 2011 at Holy Trinity Church, Long Melford, Suffolk. Inspired by the familiar medieval text of the Coventry Carol , it is sung a cappella and invokes the sense of a lullaby through its metre and lilting melody. The fragility and bittersweet tonal…

Favoritchor/OrgelBc. Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (Cello or Organ). My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz 's impressive and musically colourful setting of the Magnifcat from 1665 shows the …

Par JANSSON MARTEN. Tonight I Dance Alone for double choir a cappella consists of three poignant episodes from the life of an old man. We encounter him before his wedding, before celebrating his wedding anniversary and now as an elderly widower who says to his grandson: ; Soon we will dance in the God-light, My love and I. Soon will the moon be ours again, And the endless shining stars In the hall…

Magnificat and Nunc dimittis. Par PURCELL HENRY. The present 'Evening Service' is one of the few works in which Pucell sets to music portions of the liturgy, whereas most of the church music of the Master consists of anthems, i. e. cantata-like compositions with biblical text. The alternative between chorus (full) and soloists (verse), so characteristic of this composition, may if necessary be rep…

Rv 644. Par VIVALDI ANTONIO. Gattungen: Oratorien - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Frieden und Gerechtigkeit - Langue : Latin / Date parution : 1979-06-01/ Répertoire / Solistes SSMsAA (SATBarB), Choeur SATB, 2 Flûtes T

Rv 644. Par VIVALDI ANTONIO. Gattungen: Oratorien - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Anlässe: Frieden und Gerechtigkeit - Langue : Latin / Date parution : 1979-06-01/ Répertoire / Solistes SSMsAA (SATBarB), Choeur SATB, 2 Flûtes T

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…