Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Tonalité : Es-Dur -. Par MENDELSSOHN-BARTHOLDY FELIX. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin / Messe / Répertoire / Solistes SSATB, Choeur SATB, 2 Flûtes Traversières

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' (Ps 109 [110]) und 'Beatus vir' (Ps 111 [112]) liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische (für ihn also heimatliche) Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt Poensgen. For Soli ATB, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: D

(Heiligmesse). By Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For Soli SSATBB, SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Clarinos/Trumpets, Timpani, 2 Violins, Viola, Basso continuo, [2 Horns]. This edition: Paperbound. Stuttgart Urtext. Study Score / Miniature…

By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. For Soli SSATB, SATB choir, 2 flutes (horn), 2 oboes, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. Score available separately - see item CA.3911500. C. Vocal Score. Cantatas;…

(Choralkantate). By Dieterich Buxtehude. Edited by Thomas Schlage. Arranged by Paul Horn. For SSATB choir, 2 violin, violone, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.3603400. Cantatas; Peace and justice. Choral score. Language: German. B…

By Wilhelm Berger. For SSATBB choir. Choral score. Language: German. Opus 54, No. 2. Published by Berliner Chormusik Verlag

(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt Poensgen. For Soli ATB, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Praise and thanks. Full score. Language: English/German. Composed …

By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Paul Horn. For SSATB vocal soli, SSATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. D-Dur (D major). Stuttgart Urtext editions. Score availa…

By Stephen Mager. For SSATB choir and piano/orchestra ([2, 1, 1, 1-2, 0, 0, 0], percussion (triangle, glockenspiel), harp, strings). Mixed Voices. Christmas, Choral Leaflet. Vocal score. 16 pages. Published by Oxford University Press

By Johann Kuhnau / Anonymous. Arranged by Johann Sebastian Bach. For SSATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. Score available separately - see item CA.3500100. Lent and Passiontide, Holy Week. Part: cello/double bass. Language: German/English. 4 pages. Published by…

By Johann Kuhnau / Anonymous. Arranged by Johann Sebastian Bach. For SSATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. Score available separately - see item CA.3500100. Lent and Passiontide, Holy Week. Part: violin 2. Language: German/English. 4 pages. Published by Carus Ve…

By Dietrich Buxtehude (1637-1707). Edited by Friedrich Ehrlinger. For SSATB Choir, 2 Trumpets, 2 Violins, 2 Violas, Cello, Basso continuo (3 Violins, Viola). This edition: Paperbound. C-Dur (C major). Stuttgart Urtext editions. Cantatas. Full score. Language: Latin. BuxWV 43. 16 …

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Pietro Zappala. For Soli SSATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass. This edition: Paperbound. Es-Dur (E-flat major). Stuttgart Urtext editio…

By Eriks Esenvalds. For SSSATB voice soli, SSAATTBB double choir and pipe, bass drum, accordion, 2 kokles. Sheet Music. Composed 2005. Duration 7 minutes 30 seconds. Published by Musica Baltica

By Gerre Hancock (1934-). For SSATB choir, Horn in F, 2 Trombones, opt. Timpani, Organ. Choral, Pentecost. Medium / Difficult. Choral score. Published by Paraclete Press

By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Amadeus Mozart. Arranged by Alois Schmitt. For Solo voices, Choir / Piano (Chorus and piano). Classical; Sacred/Hymns. Vocal Score. Text Language: Latin. Composed 1783/1901. 148 pages. Duration 76 minutes. Published by Se…

By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. For Soli SSATB, SATBB choir, 2 flutes, 2 bassoons, 2 oboes, 2 violins, viola, basso continuo. This edition: paperbound. TVWV 7:7. Score available separately - see item CA.3911400. Psalms, Latin. Piano/Vocal score. La…