Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Tonalité : Es-Dur -. Par MENDELSSOHN-BARTHOLDY FELIX. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin / Messe / Répertoire / Solistes SSATB, Choeur SATB, 2 Flûtes Traversières

The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV ar…

Beatus Vir. Par VIVALDI ANTONIO. Mit 'Dixit Dominus' (Ps 109 [110]) und 'Beatus vir' (Ps 111 [112]) liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentalen Satzart 'in due Cori' knüpft Vivaldi an die alte venezianische (für ihn also heimatliche) Tradition festlich-mehrchörigen Musizierens an, deren Techniken der freilic…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Par BUXTEHUDE DIETRICH. This work has survived in an autograph, unfortunately undated, preserved in the Düben Collection. The cantata is a setting of Ecclesiasticus 50, verses 24–26. This composition is one of the most richly scored vocal compositions of Buxtehude. A ritornello, which includes a fanfare of trumpets, and a longer vocal section based on “Nun danket alle Gott” create the work’s struc…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

Weihnachtskantate. Par MENDELSSOHN-BARTHOLDY FELIX / LUTHER MARTIN. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas b…

By Stephen Mager. For SSATB choir and piano/orchestra ([2, 1, 1, 1-2, 0, 0, 0], percussion (triangle, glockenspiel), harp, strings). Mixed Voices. Christmas, Choral Leaflet. Vocal score. 16 pages. Published by Oxford University Press

By Johann Kuhnau / Anonymous. Arranged by Johann Sebastian Bach. For SSATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. Score available separately - see item CA.3500100. Lent and Passiontide, Holy Week. Part: cello/double bass. Language: German/English. 4 pages. Published by…

By Johann Kuhnau / Anonymous. Arranged by Johann Sebastian Bach. For SSATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. Score available separately - see item CA.3500100. Lent and Passiontide, Holy Week. Part: violin 2. Language: German/English. 4 pages. Published by Carus Ve…

By Dietrich Buxtehude (1637-1707). Edited by Friedrich Ehrlinger. For SSATB Choir, 2 Trumpets, 2 Violins, 2 Violas, Cello, Basso continuo (3 Violins, Viola). This edition: Paperbound. C-Dur (C major). Stuttgart Urtext editions. Cantatas. Full score. Language: Latin. BuxWV 43. 16 …

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Pietro Zappala. For Soli SSATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass. This edition: Paperbound. Es-Dur (E-flat major). Stuttgart Urtext editio…

By Eriks Esenvalds. For SSSATB voice soli, SSAATTBB double choir and pipe, bass drum, accordion, 2 kokles. Sheet Music. Composed 2005. Duration 7 minutes 30 seconds. Published by Musica Baltica

By Gerre Hancock (1934-). For SSATB choir, Horn in F, 2 Trombones, opt. Timpani, Organ. Choral, Pentecost. Medium / Difficult. Choral score. Published by Paraclete Press

By Wolfgang Amadeus Mozart (1756-1791). Edited by Wolfgang Amadeus Mozart. Arranged by Alois Schmitt. For Solo voices, Choir / Piano (Chorus and piano). Classical; Sacred/Hymns. Vocal Score. Text Language: Latin. Composed 1783/1901. 148 pages. Duration 76 minutes. Published by Se…

By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. For Soli SSATB, SATBB choir, 2 flutes, 2 bassoons, 2 oboes, 2 violins, viola, basso continuo. This edition: paperbound. TVWV 7:7. Score available separately - see item CA.3911400. Psalms, Latin. Piano/Vocal score. La…

(aus: Geistliche Chormusik). By Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSATB Choir. SWV 371 (op. 11 no. 3). Full score available separately - see item CA.2037100. Sacred, Motets; Stuttgart Urtext editions; Occasions: Peace and Justice; …

(aus: Psalmen Davids). By Heinrich Schutz (1585-1672). Edited by Gunter Graulich. Arranged by Paul Horn. For SSAT/ATBarB Favorit-Chor (Antiphonal/Chamber Choir), Contrabass, Organ, [Capell-Chor: SSATB, 5 Instr]. SWV 27 (op. 2 no. 6). Occasions: Chamber Choir - Recommended by Frie…

By Alexander Wagner. For SSATB Choir. Use during church year: Lent and Passiontide. Score. Language: German. 2 pages. Published by Carus Verlag

By Heinrich Bach. For Soli SSATB, SSATB Choir, 2 Violins, 2 Violas, Basso continuo. This edition: paperbound. Genres: Sacred Concertos, German Psalms; Use / Occasion: Praise and thanks. Score. Language: German/English. 40 pages. Duration 6 min. Published by Carus Verlag

By Johann Sebastian Bach (1685-1750). Edited by Gunter Graulich. Arranged by Paul Horn. For SSATB Choir, [5 Instruments, Basso continuo]. BWV 227. Full score available separately - see item CA.3122700. Sacred, Chamber Choir - Recommended by Frieder Bernius; Motets; Stuttgart Urte…

(Oratorische Passion nach Matthaus). By Johann Valentin Meder (1649-1719). For soloists (TB), mixed choir (SSATB), 2 treble recorders, 2 oboes, strings and basso continuo. Das Chorwerk. Score. 96 pages. Published by Moseler Verlag

By Heinrich Ignaz Franz von Biber (1644-1704). Edited by Armin Kircher. Arranged by Paul Horn. For Soli SSATB, SSATB Choir, 2 Clarinos/Trumpets, 3 Trumpets, 3 Trombones, Timpani, 2 Violins, 3 Viola, Basso continuo (Cello/Bassoon/Contrabass, Organ). This edition: paperbound. Full …

By William Clayton. Arranged by A. Laurence Lyon. For SSATB choir. Medium / Medium-Difficult (accompaniment). Octavo. Duration 2:45. Published by Jackman Music Corporation

(Motette Nr. 2 aus 'Israelsbrunnlein'. Urtext der Neuen Schein-Ausgabe). By Johann Hermann Schein (1586-1630). Edited by Adam Adrio. For Mixed Choir-SSATB, Basso Continuo. Sacred. Singing Score; Playing Score. Published by Baerenreiter Verlag