Kantate Zum 3. Sonntag Nach Trinitatis Und Für Alle Zeit. Par BACH JOHANN SEBASTIAN. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cöthen parts placed afterwards in brackets./ Répertoire / Sol…

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …

Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …

op. 147 - C minor. Par SCHUMANN ROBERT. jeu de parties séparées, matériel d'orchestre complet . A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The m…

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…

Miserere mei arranged for soloists (SSA) and two choirs (SATB, STB) by Alexander Campkin. / SSA/SATB/STB

Par BACH JOHANN SEBASTIAN. Piano scores for mixed choir, solo voice and piano. Soli: STB and Choir: SATB/ Répertoire / Soliste, Choeur Mixte et Orchestre

By Franz Schubert. Edited by Paul, Bernhard. For Soli STB, SATB Choir, [2 Trumpets, Timpani], 2 Violins, Viola, Cello/Contrabass, Organ. D 167. Masses, Latin; Stuttgart Urtext editions. Score. Language: Latin. 88 pages. Duration 25 min. Published by Carus Verlag (German import).

Erganzt und herausgegeben von Robert D. Levin. By Wolfgang Amadeus Mozart. Edited by Levin, Robert D. For Soli SSTB, SATB/SATB Choir Flute, 2 Oboes, 2 Bassoons, 2 Horns, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. KV 427. Full score available sepa…

(Cantata for the 3rd Sunday after Epiphany). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For STB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo, organ obligato. This edition: Paperbound. German title: …

(Feast of the Annunciation). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For STB vocal soli, SATB choir, 2 horns, 2 oboe d'caccia, 2 violin solo, 2 violins, viola, basso continuo. This edition: Paperbound. F-Dur (F major). Germa…

(Hymne). By Hector Berlioz (1803-1869). Edited by Denis McCaldin. For tenor voice solo, double STB choir, SA children's choir, 4 flutes, 2 oboes, 2 clarinets, 4 bassoons, 4 horns, saxhorn, 2 trumpets, 2 cornets, 3 trombones, ophicleide, tuba, timpani, per Score

By Franz Schubert (1797-1828). Edited by Bernhard Paul. For Soli STB, SATB Choir, [2 Trumpets, Timpani], 2 Violins, Viola, Cello/Contrabass, Organ. This edition: Paperbound. G-Dur (G major). Stuttgart Urtext editions. Score available separately - see item CA.4067500. Masses, Lati…

By Gioachino Rossini (1792-1868). Edited by Klaus Doge. For Soli SSTB, Choir SSTB, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horn, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass. This edition: paperbound. Full score available separately - see item CA.70…

By Franz Joseph Haydn. Edited by Burmeister. For STB soli, SATB, 3223 (contrabassoon) 2230 timpani, strings. Hob.XXI:2(Ger-Eng). Sacred Choral Works. Duration 105'. Published by C.F. Peters.

By W Harris. For Mixed Choir and Organ. E12. Published by Oxford University Press.

By Ralph Vaughan Williams. For Mixed Choir and Organ. Published by Oxford University Press.

By George Frideric Handel. For Choir. (SATB or SSAATTBB with SSTB Soli). Choral Extended Work (Miniature Score). Masterwork. Miniature Score. 280 pages. Published by Alfred Publishing.

By Hector Berlioz (1803-1869). Arranged by Chalres Malherbe. Choir and piano. For STBB Vocal Soli, Choir, Piano. This edition: Paperback. Original Works, Opera (complete), Transcriptions. Romantic Period; French, Mythology/Legends. Large Vocal Score. 308 pages. Published by Seren…

(Trilogie sacree). By Hector Berlioz (1803-1869). Edited by Prevost, Paul. For Soli STBarB, SATB Choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ. Full score available separately -…

Composed by Hugo Distler (1908-1942). For mixed choir. Stapled. Chorlieder (Choral). Level 2. Choral score. Opus 19. Published by Baerenreiter Verlag

(Cantata for the 3rd Sanday after Trinity/all occasions). Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Editi…

(Cantata for the 3rd Sanday after Trinity/all occasions). Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Editi…

(Cantata for the 3rd Sanday after Trinity/all occasions). Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Editi…

(Cantata for the 3rd Sanday after Trinity/all occasions). Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Editi…