Arr. Henk Hogestein. Par MOZART WOLFGANG AMADEUS. Salzburg, die bezaubernde österreichische Stadt an der Salzach verdankt ihre Berühmtheit vor allem den jährlich stattfindenden Salzburger Festspielen. Charming Salzburg basiert auf einem Thema aus der Zauberflöte, der letzten Oper von Mozart, die von vielen auch für seine beste gehalten wird. Henk Hogesteins Bearbeitung ist somit eine charmante Hul…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling …

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

(Parts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Felix Loy. For Bassoon, Oboe, Chamber Ensemble, Horn (Parts). Henle Music Folios. G. Henle #HN1191. Published by G. Henle

Composed by Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB vocal soli, SATB choir, 2 clarinos/trumpets, 2 trumpets, (3 trombones), timpani, 2 violins, basso continuo. This edition: Paperbound. Sacred music from Salzburg. German title: Requiem in c (Schrattenbac…

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Armin Kircher. German title: Mozart, Geistliche Musik. Postcard. 2 pages. Published by Carus Verlag

Composed by Mark Sedio. For organ, optional flute. Medium. Published by MorningStar Music Publishers

(Schopfungsmesse). Composed by Franz Joseph Haydn (1732-1809). Edited by Armin Kircher. Arranged by Luigi Gatti. For SATB vocal soli, SATB choir, 2 flutes, 2 horns, 2 trumpets, timpani, 2 violins, 2 viola, basso continuo. This edition: Paperbound. A-Dur (A major). Sacred music fr…

(12 Musikstucke fur das Hornwerk ( Salzburger Stier ) der Festung Hohensalzburg). Composed by Leopold Mozart / Johann Ernst Eberlin. Edited by Franz Haselbock. For organ (harpsichord/piano). Level 2. 16 pages. Published by Doblinger Music Publishers

Composed by Robin Dinda. Easy to medium. Collection. Published by Wayne Leupold Editions

Composed by Michael Haydn (1737-1806). Edited by Martin Banner. For SATB choir and keyboard. Octavo. 19 pages. Published by Alliance Music Publications

By Johann Joseph Vilsmayr. Edited by Alessandro Bares. For solo violin. This edition: Paperback. I piaceri del violino. Baroque. Published by Musedita Edizioni Musicali

By Leopold Mozart (1719-1787). Edited by Adriano Cirillo. For Keyboard. Playing score. 16(vi) pages. Published by Edition HH Music Publishers

For Organ. Hymn preludes. Sacred. Intermediate. Book. Published by Kevin Mayhew Publishers Textbook Sacred

By J. William Greene. For organ. Collection. 24 pages. Published by Concordia Publishing House

(Still, Still, Still). Arranged by Robert Sheldon. Concert Band. Concert Band; Part(s); Score. Sound Innovations for Band. Christmas; Folk; Sacred; Winter. Grade 1. 138 pages. Published by Alfred Music Publishing

By Georg Muffat. Edited by Alessandro Bares. For 2 violins, 2 violas and basso continuo. This edition: Paperback. Concerto de' varii stromenti. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

By Johann Ernst Eberlin (1702-1762). Edited by Armin Kircher. For Soli SATB, SATB Choir, Organ. This edition: Paperbound. Masses, Latin. Full score. Language: Latin. 24 pages. Published by Carus Verlag