Arr. Henk Hogestein. Par MOZART WOLFGANG AMADEUS. Salzburg, die bezaubernde österreichische Stadt an der Salzach verdankt ihre Berühmtheit vor allem den jährlich stattfindenden Salzburger Festspielen. Charming Salzburg basiert auf einem Thema aus der Zauberflöte, der letzten Oper von Mozart, die von vielen auch für seine beste gehalten wird. Henk Hogesteins Bearbeitung ist somit eine charmante Hul…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium Zum Ostersonntag. Par EBERLIN JOHANN ERNST. Eberlin’s programmatic setting of the offertory “Terra tremuit” was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 [Vulgata 75], with their vivid description of the earth trembling and falling …

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

Offertorium für Weihnachten. Par EBERLIN JOHANN ERNST. Next to Leopold Mozart, Wolfgang Amadeus Mozart and Johann Michael Haydn, Johann Ernst Eberlin is regarded as one of the most important musicians who worked at the Court of the Archbishop in the 18th century. As Court Music Director, organist and composer he had a lasting influence on musical life in both Salzburg, as well as in the entire sou…

By Fiala Josef. Czech title: Dv dueta (pro hoboj a violu / violoncello). Published by Praha (Czech import).

(Deutsches Ordinarium). By Josef Friedrich Doppelbauer. Mass. For congregation, SATB choir, brass and organ. Organ score

(Accompaniment: Organ). Sacred. Level: Medium Adult. Published by Hinshaw Music Inc.

By Leopold Mozart (1719-1787). For Soli SATB, SATB Choir, Flute, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. This edition: paperbound. Masses, Latin; Sacred Music from Salzburg. Score. Language: Latin. 256 pages. Duration 50 min

By Michael Haydn (1737-1806). Edited by Sherman, Charles H.. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, 2 Trumpets, (3 Trombones), Timpani, 2 Violins, Basso continuo. This edition: paperbound. MH 155. Requiem; Sacred Music from Salzburg; Occasions: Mourning, Death. Level 3. …

(Musik-Geschichten aus dem 20. Jahrhundert). By Armin Diedrichsen; Jochem Wolff. Paperbound

By Wolfgang Amadeus Mozart. Arranged by Walter J. Halen. For String Orchestra. String Orchestra Music. Concert and Contest. Full Score and Set of Parts. Published by Wingert-Jones Publications.
Level: Easy.

By Mike Mower. (Flute). Boosey and Hawkes Chamber Music. BOOK W/CD. Size 9x12 inches. 24 pages. Published by Boosey and Hawkes.

By Lois Fyfe. (2 part). H.T. Fitzsimons Co. Sacred. Size 6.8x10 inches. 37 pages. Published by Fred Bock Music Company.

For Organ. Hymns: Last verse arrangements. Sacred. Beginning-Intermediate. Book

(for Horn and Orchestra). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Marco Tamanini. For horn and concert band. Grade 3. Full score and set of parts. Duration 5:30

(for Horn and Orchestra). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Marco Tamanini. For horn and concert band. Grade 3. Full score. Duration 5:30

By Anonymous. Chamber Music (Strings & Piano). For 2 violins and basso continuo. 2/2/1-2/1-2

By Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir, Bassoon, 2 Trumpets, 2 Trombones, Timpani, 2 Violins, Basso continuo. MH 15. Full score available separately - see item CA.5030500. Masses, Latin; Sacred Music from Salzburg; Occasions: Feasts of the Bless…

By Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir, Bassoon, 2 Trumpets, 2 Trombones, Timpani, 2 Violins, Basso continuo. MH 15. Full score available separately - see item CA.5030500. Masses, Latin; Sacred Music from Salzburg; Occasions: Feasts of the Bless…

By Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir, Bassoon, 2 Trumpets, 2 Trombones, Timpani, 2 Violins, Basso continuo. MH 15. Full score available separately - see item CA.5030500. Masses, Latin; Sacred Music from Salzburg; Occasions: Feasts of the Bless…

By Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir, Bassoon, 2 Trumpets, 2 Trombones, Timpani, 2 Violins, Basso continuo. MH 15. Full score available separately - see item CA.5030500. Masses, Latin; Sacred Music from Salzburg; Occasions: Feasts of the Bless…

By Michael Haydn. Edited by Sherman, Charles H. For Soli SATB, SATB Choir, Bassoon, 2 Trumpets, 2 Trombones, Timpani, 2 Violins, Basso continuo. MH 15. Full score available separately - see item CA.5030500. Masses, Latin; Sacred Music from Salzburg; Occasions: Feasts of the Bless…