Cette nouvelle édition de l'intégrale de la musique pour piano d'Erik Satie, en trois volumes, est une version totalement révisée et regravée de l'édition centenaire de son oeuvre pianistique. Elle revient aux sources manuscrites et premières éditions des pièces de Satie, et offre aux interprètes des textes musicaux fi ables et pertinents. Ces volumes proposent toutes les pièces pour piano solo, o…

Cette nouvelle édition de l'intégrale de la musique pour piano d'Erik Satie, en trois volumes, est une version totalement révisée et regravée de l'édition centenaire de son oeuvre pianistique. Elle revient aux sources manuscrites et premières éditions des pièces de Satie, et offre aux interprètes des textes musicaux fi ables et pertinents. Ces volumes proposent toutes les pièces pour piano solo, o…

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals, giving it the grotesque title 'Embryons desséchés? (Dessicated Embryos)(BA 10811). The atmospheric cycle 'Avant-dernières Pensées? (Next-to-last Thoughts) (BA 10849) of 1915, with its underlaid words, likewise belongs to Satie's 'story pieces'. The notatio…

The atmospheric cycle 'Avant-dernières Pensées? (Next-to-last Thoughts) of 1915, with its underlaid words, likewise belongs to Satie's 'story pieces'. The curious performance instructions in these three miniatures, all based on ostinato figures, amusingly lampoon the ideal of Romantic expressiveness. This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie sc…

The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Sat…

Satie's progressive incidental music of 1891-92, though explicitly aimed against French 'Wagnérisme?, is not intended as a parody. Commissioned by the Rosicrucian master and ardent Wagnerian Joséphin Péladan, this plain, purely instrumental music proceeds independently from the dramatic action. For the first time, this pioneering Urtext edition on Satie's incidental music evaluates a previously ne…

La scène musicale a pris connaissance d'Erik Satie (1866-1925) tout d'un coup: La première mondiale de son ballet 'Parade' sur le 18 mai 1917 [siehe dt. Texte!] A causé tout un scandale. La production qui a impliqué Sergey Diaghilev avec son 'Ballets Russes', Pablo Picasso (décors et costumes), Jean Cocteau (histoire) ainsi que Léonide Massine (chorégraphie) divise la scène musicale de Paris, mais…

La scène musicale a pris connaissance d'Erik Satie (1866-1925) tout d'un coup: La première mondiale de 'Parade' son ballet le 18 mai 1917 [siehe dt. Texte!] Causé tout un scandale. La production qui a impliqué Serge de Diaghilev avec son 'Ballets Russes', Pablo Picasso (décors et costumes), Jean Cocteau (histoire) ainsi que Léonide Massine (chorégraphie) divisé la scène musicale de Paris, mais fai…

Voice and Piano. By Thomas Pasatieri. Vocal Collection. Size 9x12 inches. Published by G. Schirmer, Inc.

Edited by Guy/Mcarthur. For Piano. Contents include: Minuet in G Major, Minuet in G Minor, Prelude in C Major (Bach); Peasant's Flute Song (Bartok); Ode to Joy (Beethoven); Sonatina in A Minor (Benda); Melody (Bloch); Ballade Op. 100 No. 15 (Burgmuller); Waltz in A Minor Op. Post…

(From the Baroque to the 20th Century). Arranged by William Ryden. For Trombone, Baritone B.C., Bassoon, Tuba. Mixed Instruments - Flexible Instrumentation. Classical Instrumental Ensembles for All. Masterwork. 24 pages. Published by Alfred Publishing.

Voice and Piano. By Erik Satie. Vocal Solo. Size 9x12 inches. 7 pages. Published by Salabert.

To Baker Street and Bach . By John Harle. (Saxophone). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 20 pages. Published by Boosey & Hawkes.

By Thomas Pasatieri. Standard notation

For Clarinet and Piano or Guitar - Volume 2. By Erik Satie; Franz Schubert; Frederic Chopin; Georg Philipp Telemann; Johann Sebastian Bach. Arranged by Kalmen Opperman. For Clarinet Solo, Guitar, Piano. Score and parts. 96 pages. Published by Carl Fischer.

Composed by Thomas Pasatieri. 'Credo' from the Latin Mass. Premiere: University of Kentucky Symphony, Lexington, KY. Contemporary. Full score (study). With Standard notation. Composed 2012. 104 pages. Theodore Presser Company #416-41477. Published by Theodore Presser Company (PR.…

Composed by Erik Satie (1866-1925). Score & parts. Published by Editions Marc Reift (MA.EMR-3530).

Composed by Erik Satie (1866-1925). Arranged by Bob Phillips. Full Orchestra; Masterworks; Performance Music Ensemble; Single Titles; SmartMusic. Belwin Beginning Full Orchestra. 20th Century; Masterwork Arrangement; Romantic. Part(s); Score. 120 pages. Duration 2:30. Belwin Musi…

Composed by Erik Satie (1866-1925). Arranged by Michel Trux. Classical. Score and set of parts. Published by FLEX Editions (FL.FX071453).

A Suite for Piano Solo. Composed by Samuel Adler. Solo part. With Standard notation. 16 pages. Duration 9 minutes. Theodore Presser Company #110-41819. Published by Theodore Presser Company (PR.110418190).

Composed by William Bolcom. E.B. Marks. Softcover. 60 pages. Published by Edward B. Marks Music

Revised and Edited by Robert Orledge. Composed by Erik Satie (1866-1925). Edited by Robert Orledge. Piano. Softcover. 214 pages. Editions Salabert #SLB5961. Published by Editions Salabert (HL.50600629).

Composed by Erik Satie (1866-1925). Arranged by Ralph Sauer. Impressionist. Solo part and piano accompaniment. Published by Cherry Classics (CY.CC2442).

Revised and Edited by Robert Orledge. Composed by Erik Satie (1866-1925). Piano. Softcover. 240 pages. Editions Salabert #SLB5960. Published by Editions Salabert (HL.50600628).