Cette nouvelle édition de l'intégrale de la musique pour piano d'Erik Satie, en trois volumes, est une version totalement révisée et regravée de l'édition centenaire de son oeuvre pianistique. Elle revient aux sources manuscrites et premières éditions des pièces de Satie, et offre aux interprètes des textes musicaux fi ables et pertinents. Ces volumes proposent toutes les pièces pour piano solo, o…

Cette nouvelle édition de l'intégrale de la musique pour piano d'Erik Satie, en trois volumes, est une version totalement révisée et regravée de l'édition centenaire de son oeuvre pianistique. Elle revient aux sources manuscrites et premières éditions des pièces de Satie, et offre aux interprètes des textes musicaux fi ables et pertinents. Ces volumes proposent toutes les pièces pour piano solo, o…

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals, giving it the grotesque title 'Embryons desséchés? (Dessicated Embryos)(BA 10811). The atmospheric cycle 'Avant-dernières Pensées? (Next-to-last Thoughts) (BA 10849) of 1915, with its underlaid words, likewise belongs to Satie's 'story pieces'. The notatio…

The atmospheric cycle 'Avant-dernières Pensées? (Next-to-last Thoughts) of 1915, with its underlaid words, likewise belongs to Satie's 'story pieces'. The curious performance instructions in these three miniatures, all based on ostinato figures, amusingly lampoon the ideal of Romantic expressiveness. This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie sc…

The music scene took notice of Erik Satie (1866-1925) all of a sudden: The world premiere of his ballet 'Parade' on 18 May 1917 caused quite a scandal. The production which involved Sergey Diaghilev with his 'Ballets Russes', Pablo Picasso (scenery and costumes), Jean Cocteau (story) as well as Léonide Massine (choreography) divided the music scene of Paris, yet made the composer widely known. Sat…

Satie's progressive incidental music of 1891-92, though explicitly aimed against French 'Wagnérisme?, is not intended as a parody. Commissioned by the Rosicrucian master and ardent Wagnerian Joséphin Péladan, this plain, purely instrumental music proceeds independently from the dramatic action. For the first time, this pioneering Urtext edition on Satie's incidental music evaluates a previously ne…

La scène musicale a pris connaissance d'Erik Satie (1866-1925) tout d'un coup: La première mondiale de son ballet 'Parade' sur le 18 mai 1917 [siehe dt. Texte!] A causé tout un scandale. La production qui a impliqué Sergey Diaghilev avec son 'Ballets Russes', Pablo Picasso (décors et costumes), Jean Cocteau (histoire) ainsi que Léonide Massine (chorégraphie) divise la scène musicale de Paris, mais…

La scène musicale a pris connaissance d'Erik Satie (1866-1925) tout d'un coup: La première mondiale de 'Parade' son ballet le 18 mai 1917 [siehe dt. Texte!] Causé tout un scandale. La production qui a impliqué Serge de Diaghilev avec son 'Ballets Russes', Pablo Picasso (décors et costumes), Jean Cocteau (histoire) ainsi que Léonide Massine (chorégraphie) divisé la scène musicale de Paris, mais fai…

Voice and Piano. By Erik Satie. Vocal Collection. Size 9x12 inches. 48 pages. Published by Salabert.

Piano Solo. By Erik Satie. Piano Collection. Size 9x12 inches. 48 pages. Published by Salabert.

Piano Solo. By Erik Satie. Piano Collection. Size 9x12 inches. 84 pages. Published by Associated.

Composed by Erik Satie (1866-1925), arranged by Max Hirschfield. For piano. Format: piano solo single. Impressionistic and 20th century. D Major. 3 pages. 9x12 inches. Published by Marks.

Book/Online Audio. Composed by Various. Edited by Linda Rutherford. Arranged by Don Jaeger. Master Solos. Play Along. Softcover Audio Online. 32 pages. Published by Hal Leonard

(For Voice and Piano). By Thomas Pasatieri. For Soprano, Piano. The first three performances of the cycle were by sopranos Judith Beckmann, Chloe Owen and Carol Neblett with the composer at the piano. Classical. Piano/Vocal Score. Standard notation. 30 pages

By Erik Satie (1866-1925). Arranged by David Marlatt. For F Horn and Keyboard. Brass - French Horn Solo; Masterworks; Solo. Romantic. Part(s). Duration 00:08:35

By Erik Satie (1866-1925). Arranged by David Marlatt. For 5 Clarinets. Masterworks; Woodwind - Clarinet Quintet. 20th Century; Masterwork; Romantic. Score and set of parts. Duration 3:55

Vocal Score. By Thomas Pasatieri. (SATB). Choral Large Works. Size 9x12 inches. Published by G. Schirmer, Inc.

By Erik Satie (1866 - 1925). Arranged by David Marlatt. For Alto Saxophone and Keyboard. Woodwind - Alto Saxophone Solo. Romantic. Level: Easy-Medium. Duration 00:08:35. Published by Eighth Note Publications.

By Erik Satie. Edited by Benjamin-Gunnar Cohrs. String Orchestra. For string orchestra. Extra cello part. Published by Doblinger (Austrian import).

Inspired by "Gymnopedie No. 1" by Erik Satie - for SATB Voices with Keyboard. By Franz Xaver Gruber. Arranged by Greg Gilpin; Larry Clark. Text: Franz Gruber. SATB chorus and keyboard. For SATB, Keyboard. Sacred, choral. Choral Part(s). 7 pages. Published by Carl Fischer.

By Erik Satie. Arranged by Bill Molenhof. For Marimba. Level: intermediate. Solo. Published by HoneyRock.

By Erik Satie. For guitar. Published by Berben.

By Erik Satie. Arranged by Peter Rauch. For Tuba Quartet (EETT). Level: Grade 3. Published by Cimarron Music Press.

By Howard Helvey. For 2-Part Mixed Choir. (2-part Mixed). Sacred Octavos. Octavo. Published by Beckenhorst Press.

By Erik Satie. Published by Universal Edition.

At Christmas - for Solo Instruments and Play-Along CD with Concert Band (Flute Book). By Sean O'Loughlin. Arranged by Andrew Balent; Joseph Compello; Larry Clark; Sean O'loughlin. For Flute. Score and Audio CD. 16 pages. Published by Carl Fischer.