for 2 Violins, Viola and Violoncello. Par SCHUMANN ROBERT. 'The next I'll do is 3 violin quartets' wrote Schumann to Clara Wieck in 1838, stating his reasons in a letter dated 17 March 1838: 'The thought of the quartets gives me pleasure. The piano is getting too narrow for me. In composing now I often hear a lot of things that I can barely suggest. For instance, it is remarkable how I invent almo…

Par SCHUMANN ROBERT. Des fiançailles secrètes, une fiancée dont le père compose, et plusieurs maisons d’édition en concurrence … tels sont les «ingrédients» de la genèse complexe de l’oeuvre. L’amour juvénile, fougueux, voué par Schumann à Ernestine von Fricken est de courte durée, mais incite le compositeur à écrire en 1837 des «Variations pathétiques» sur un thème fourni par le père de la jeune …

Arranged For Clarinet, Flûte, Harp And Two Violas. Par SCHUMANN ROBERT. Dans la période précédant l'année de Schumann 2010, Reimann maintenant présente une des oeuvres de la littérature de la clarinette dans un arrangement tonalement sublime pour clarinette, flûte, harpe et deux altos dans laquelle Reimann standards a laissé inchangé complètement la partie solo originale. Reimann a écrit l'arrange…

D'Après Le Manuscrit Autographe / Urtext Edition. Par SCHUMANN ROBERT. Les ' scènes de la forêt ' (Waldszenen, op.82) ont été composées à Dresde,du 29 décembre 1848 au 6 Janvier 1849. Si l'on excepte l'album pour la jeunesse op. 68, Schumann avait délaissé le piano presque complètement depuis le ' Carnaval de Vienne op 26 ' et les ' Romances op 28 ' composées en 1839. À cette époque, Schumann est …

Motet after Friedrich Ruckert. Par SCHUMANN ROBERT. At first described as a 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of the University's St. Pauli choral society in Leipzig. He wrote the organ version specifically for this performance for he had originally planned an …

Par SCHUMANN ROBERT. Vers le milieu de sa vie, Schumann a connu une période prolongée où il s’est intéressé d’avantage aux formations instrumentales plus étoffées. Il a certes écrit aussi des morceaux séparés pour piano solo, mais sans les publier tout d’abord. Ce n’est qu’après le grand succès rencontré par l’«Album pour la jeunesse» qu’il a repris certains d’entre eux pour les rassembler égaleme…

Par SCHUMANN CAMILLO. Within the extensive ?uvre for organ left behind by Camillo Schumann, his 6 Organ Sonatas form an independent corpus. Although living and composing at a time when the music of Webern and Schönberg had long since abandoned the traditional paths of music, Camillo Schumann pursues in an astonishingly consistent manner in the tradition of the great Romantics, in particular that o…

Motet after Friedrich Rückert for Double Male Choir (Organ ad lib.). Par SCHUMANN ROBERT. At first described as a 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of the University's St. Pauli choral society in Leipzig. He wrote the organ version specifically for this perform…

Famous Tunes Disguised in the Styles of Classical Composers. Edited by Bruce Adolphe. LKM Music. Softcover. Hal Leonard #S410030. Published by Hal Leonard

(A Piano Course to Bring Out the Music in Every Young Child) Written by Christine H. Barden, E. L. Lancaster, Gayle Kowalchyk. Instructional book for piano. With introductory text, instructional text, illustrations and musical examples. 48 pages. Published by Alfred Publishing.

Developing Artist Original Keyboard Classics Intermediate Level. Edited by Joanne Smith, Nancy Faber, and Randall Faber. Faber Piano Adventures. Classical, Supplementary. Softcover Audio Online. 88 pages. Faber Piano Adventures #FF1056. Published by Faber Piano Adventures

Composed by Johannes Brahms (1833-1897). Edited by Katrin Eich. For Piano. Henle Music Folios. Softcover. G. Henle #HN1215. Published by G. Henle

For 2 Violin, Viola, Violoncello and Piano. By Robert Schumann. Edited by E. Herttrich. Piano Qunitets. Pages: Scor = VI and 82 * Vl I, Vl II and Va Parts = 13 ea * Vc Part = 12. Urtext edition (Paper-bound). Published by G. Henle.

Developing Artist Original Keyboard Classics. Edited by Nancy Faber and Randall Faber. Faber Piano Adventures. Classical, Supplementary. Softcover Audio Online. 48 pages. Faber Piano Adventures #FF1034. Published by Faber Piano Adventures

Edited by Denes Agay. For piano. Format: piano solo book. With fingerings. Baroque, Classical Period and Romantic Period. 80 pages. 9x12 inches. Published by Yorktown Music Press. (MS.YK21376) A selected repertoire of classical pieces for the beginning pianist. Includes inventi…

Edition for Clarinet in A and Piano - Revised Edition. By Robert Schumann. Edited by W. Boetticher, E. Herttrich. Clarinet. Pages: Score= V and 15 * Cl in A Part = 7. Urtext edition-paper bound. Published by G. Henle.

Edited by Ernst Herttrich. Arranged by Klaus Schilde. This edition: Paperback/Soft Cover. Sheet music. Henle Music Folios. Classical. Softcover. Op. 49, op. 66. G. Henle #HN957. Published by G. Henle

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

For Piano/Vocal/Guitar. This edition: Piano/Vocal/Guitar. Personality Book. Rock. Book. 84 pages. Published by Alfred Music Publishing

By Francis Poulenc ; Millan Sachania (Editor). For Clarinet, Piano Accompaniment. 20th Century. Sheet Music. 36 pages. Published by Chester Music.

For Violin, Viola, Violoncello and Piano. By Robert Schumann. Edited by U. Leisinger. Piano Quartets. Pages: Score = VI and 62 * Vl and Va Parts = 13 ea * Vc Part = 12. Urtext edition (Paper-bound). Published by G. Henle.