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| Beatus Vir Rv 597 (VIVALDI ANTONIO) Piano, Voix Ricordi
The present reduction derives from the critical edition of the full score published in this catalog in 2002 (PR 1367). The Beatus vir in C major RV 597 is composed on Psalm 111, is a prominent member of a group of around 13 sacred vocal works by Vivaldi composed in a period running from the second half of the 1720s into the early 1730s even if it is not possible to establish their right destinatio…
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| School Of Bowing Technique Op. 2 (SEVCIK OTAKAR) Violon Barenreiter
The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in…
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| Symphony C Minor Op. 27 'Asrael' (SUK JOSEF) Orchestre [Partition] Barenreiter
Par SUK JOSEF. Le Matériel est disponible à la location seulement. Replaces H 3978. Roughly eight months after the death of Antonín Dvorák (1 May 1904), his son-in-law Josef Suk began to compose a funeral symphony. While he was working on it fate struck a second time with the death of his beloved wife, Otilie. He dedicated the five-movement symphony to Dvorák and his daughter Otilie and named it a…
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| Sonata E Minor, Op. 38/1 (ROMBERG BERNHARD-HEINRICH) Violoncelle, Piano Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a v…
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| Six Suites for Violoncello solo BWV 1007-1012 Set 2 Volumes (BACH JOHANN SEBASTIAN) Violoncelle [Partition] Barenreiter
Par BACH JOHANN SEBASTIAN. In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autogra…
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| School Of Bowing Technique Op. 2 (SEVCIK OTAKAR) Violon Barenreiter
The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in…
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| Polonaises (CHOPIN FREDERIC) Piano seul Wiener Urtext
Edited From The Sources And Provided With Fingerings And Notes On Interpretation By Christian Ubber. Par CHOPIN FREDERIC. The polonaises are regarded as one of the most important genres in the compositional oeuvre of Frédéric Chopin, some of them even as some of his most popular compositions. Their spectrum ranges from early works which can even be played by advanced beginners (e.g. Polonaise in B…
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| PIANO QUARTET E FLAT MAJOR OP (DVORAK ANTONIN) (DVORAK ANTONIN) Piano Quatuor: piano, 2 violons, violoncelle [Partition] G. Henle
Par DVORAK ANTONIN. For several years following composition of his first piano quartet, Dvorák?s publisher Simrock pushed him to compose a follow-up piece in the genre. The work, written during a few short weeks in summer 1889, fulfilled Simrock?s wishes. With his op. 87, Dvorák delivered a challenging and mature work in which a mastery of form is combined with memorable themes and surprising harm…
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| Piano Variations Vol.II (BEETHOVEN LUDWIG VAN) Piano seul G. Henle
Par BEETHOVEN LUDWIG VAN. The variation genre occupied Beethoven his whole artistic life. Collected in the second volume of G. Henle Publishers’ complete edition of Piano variations are compositions from his middle and later Vienna years written between 1799 and 1823. Among them are groundbreaking works such as the two sets of variations on original themes opp. 34 and 35, the Variations in C minor…
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| Sonate Pour Piano En Sol M Op. 78 D 894 (SCHUBERT FRANZ) Piano seul Barenreiter
replaces BA 5630 Schubert's tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata', to quote the heading of its first movement. His first reviewer noted that 'the beloved and talented Lieder composer has presented the music world with a fantasy in which he lets his inventiveness loose. He presents the pianist with a harmonic indulgence without however amassing t…
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| Symphony F Major Hob. I:89 (HAYDN JOSEPH) Orchestre Barenreiter
Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the 'Paris? symphonies (Hob. I:82-87) and their 'London? counterparts (Hob. I: 93-104) - the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece, possibly owing to deadline press…
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| Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE) Violon et Piano [Partition] Barenreiter
In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months b…
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| Symphonic Extracts From The Conducting Score: Les Fêtes De L'Hymen Et De L'Amour (RAMEAU JEAN-PHILIPPE) Orchestre Barenreiter
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tig…
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| School Of Bowing Technique Op. 2 (SEVCIK OTAKAR) Violon Barenreiter
The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in…
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| Werke Für Tasteninstrumente 3 (SWEELINCK JAN PIETERSZOON) Orgue ou Clavecin [Partition] Breitkopf and Hartel
Choral- und Psalmvariationen. Par SWEELINCK JAN PIETERSZOON. With Volume 3 of Sweelinck's complete works for keyboard instruments, 'Chorale and Psalm Variations, ' editor Harald Vogel presents a group of works that can enhance many of today's religious services. Vogel's approach to the fundamental issues of performance practice in this edition is exceptionally knowledgeable. He begins by supplying…
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| St. John Passion "O Mensch, bewein" BWV 245.2 (BACH JOHANN SEBASTIAN) Voix et Orchestre [Partition] Barenreiter
Par BACH JOHANN SEBASTIAN. The St. John Passion, Bach’s first passion oratorio, can hardly be understood as “one” work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer‘s direction and for every one of these occasions it was revised – sometimes quite substantially.
This edition presents the St. John Passion in its second version of 17…
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