Par ZEMLINSKY ALEXANDER. La musique d’Alexander Zemlinsky est longtemps injustement restée dans l’ombre de la deuxième École de Vienne, considérée comme «plus progressiste». Certes, Zemlinsky était amicalement très proche de l’une des personnalités les plus en vue de cette école, Arnold Schönberg, mais il n’a jamais franchi le pas de la radicalité dodécaphonique. Il n’en composa pas pour autant de…

Overture. Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which wa…

Arrangeur: Hartmut Schick. Par DVORAK ANTONIN. When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic” style, quickly achieved international renown and has remained among one of the most popular string quartets by Dvorák. The authoritative Dvorák scholar Hartmut Schick has…

Par BACH JOHANN SEBASTIAN. Bach’s Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-movement partitas, composed in Leipzig between 1726 and 1730, published in individual editions. This culminated in their publication in an anthology that proudly sports the opus n…

Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists…

Par CARCASSI MATTEO. The first and foremost edition of these ever popular studies, which are to be found in almost every syllabus where the guitar is taught. Selected by the Examination Board of the Royal Schools of Music London 2009. This new expanded and revised edition is the only publication to reconcile the early sources of these Etudes with present day playing techniques. Several earlier edi…

2016 marks the first centenary of the death of Max Reger. In addition to his best-known field of creativity - organ music - his choral compositions form another major part of his oeuvre.This edition contains a selection of his sacred a cappella choral works. Their scoring, level of difficulty and length make them ideal for choirs who are wary of tackling the large-scale op. 110 motets. For the fir…

Par MARTINU BOHUSLAV. Bohuslav Martinu composed the one-act opera 'Mariken de Nimègue' based on a medieval Dutch Marian miracle during his stay in Paris in 1933 to a French text by Henri Ghéon. This is the unpublished and unperformed first version of the opera. The second and final version was created in 1934, which Martinu included in his Czech-language opera cycle 'Hry o Marii' (Marian Plays) H …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Bach's Inventions and Sinfonias are rightly considered as indispensable to every pianist. In his famous preface to the collection, Bach himself called it an 'Instruction? which teaches students and keyboard lovers to 'treat correctly? both two and three voices, to 'achieve a singing style in playing? and to 'acquire a strong foretaste of composition?. To this end, Bach created timelessly beautiful…

Voice solo, assembly, piano accompaniment, guitar, 2 C instruments, cello - Early intermediate

SKU: GI.G-10707

Musical Resource for Meditation and Worship. Composed by Dónal O'Connor. Arranged by Kiran Young Wimberly. Sacred. With guitar chord names. 120 pages. GIA…

Composed by ABRSM. Book. ABRSM (Associated Board of the Royal Schools of Music) #9781786014580. Published by ABRSM (Associated Board of the Royal Schools of Music)

By Olivia Rodrigo. Piano/Vocal/Guitar Artist Songbook. Pop. Softcover. 72 pages. Published by Hal Leonard

(33 Selections of Praise Songs with Hymns). Arranged by Victor Labenske. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Contemporary Christian; Hymn; Sacred. Early Advanced; Late Intermediate. 124 pages. Published by Alfred Music

(Revised Edition - Piano Solo). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Scheideler. For Piano Solo (Piano). Henle Music Folios. SMP Level 9 (Advanced). Softcover. G. Henle #HN589. Published by G. Henle

(Book Only). By Leonard Bernstein (1918-1990). Edited by Richard Walters and Todd Levy. For Clarinet, Piano. Boosey & Hawkes Chamber Music. 32 pages. Boosey & Hawkes #M051107476. Published by Boosey & Hawkes

Compiled and edited by Barbara Barber. Instructional book for violin. With fingerings and progress chart. 36 pages. Published by Preludio Music Inc.

Written by Mark Levine. Instructional book (spiral bound). With instructional text, musical examples and black and white photos. 522 pages. Published by Sher Music Company.

(Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Norbert Müllemann. For Piano. Henle Music Folios. Softcover. 35 pages. G. Henle #HN557. Published by G. Henle

10 Hymn Arrangements Based on the Theme of Peace. Arranged by Melody Bober. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Hymn; Peace/Brotherhood; Sacred. 36 pages. Published by Alfred Music

Composed by Domenico Scarlatti (1685-1757). Edited by Susanne Cox. For Piano. Henle Music Folios. Softcover. G. Henle #HN581. Published by G. Henle

Arrangement for Violoncello and Piano by the Composer. By Edward Elgar. Edited by Jonathan Del Mar. For Cello Solo, piano. Piano Reduction/Vocal Score; Urtext Edition. Op. 85. Duration 25'. Published by Baerenreiter-Ausgaben (German import). (BA9040 90)