Par NELSON FRANK. Les notes dites «mortes» à la basse, appelées aussi «notes fantômes» (ou «ghost notes» en anglais) sont pourtant bien vivantes au contraire... tout du moins bien audibles ! Elles contribuent en effet considérablement à faire groover une ligne de basse et peuvent, à elles seules, en modifier le caractère rythmique. Les intégrer à votre jeu apportera ainsi relief et consistance à v…

Par ROSSI WYNN-ANNE. Beginning with hammers, dampers, and strings, students will become familiar with the inside working of the piano. The focus is then on the damper pedal highlighting skills such as adjusting bench distance, keeping the heel down, and finding the pedal 'floor'. Good habits that develop proper pedal technique are reinforced with a variety of pedal exercises and pieces. / Niveau :…

Par SPARKE PHILIP. This work was commissioned for The Berkshire Young Musicians Trust (England), who required a testing piece for the woodwind section of their concert band. The piece opens with a strong unison passage based on the interval of a fifth and develops with a passionate legato. This is followed by the main vivo section of the work based on the earlier 'fifth' figures. A bridge passage …

Par VAN DER ROOST JAN. Jan Van der Roost originally composed each and every note of ‘Slavia’ (as in case in ‘Puszta’, ‘Rikudim’ and ‘A Highland Rhapsody’). Consequently, ‘Slavia’ does not contain any arrangement of existing tunes, but is an original composition ‘in the style of…’. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza, there is a second m…

Par VERSCHAEVE MICHEL. 'Du point de vue spectacle, l'opéra-comique français est, dans l'ensemble, une réussite, et la musique y joue un rôle souvent fort plaisant. Tout cela est vif, alerte, spirituel, habile, parfois pétillant - cela chante dans toutes les mémoires, et il n'est nul besoin de connaître le rudiment du solfège pour s'en délecter. La musique, presque uniquement mélodique, encore qu'e…

Grateful Dead wrote timeless music steeped not just in psychedelia, but blues, country, bluegrass, folk, pop, and more, boasting a fervent following any classic band would envy. This folio contains authentic guitar transcriptions of 14 of the band's best-known songs, drawn from various career-spanning classic albums, including favorites Workingman's Dead and American Beauty. Also included is an in…

Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosph…

In Fa Op.X N.5 - Rv 442, F.Vi-1 - Tomo 46 - . Par VIVALDI ANTONIO. Vivaldi's Concerto in F RV 433 for Flute, Strings, and Basso Continuo. Called in both cases 'La tempesta di mare, ' the work's opening Allegro has a characteristic thumping unison repeated-note theme with the flute soloist trading short lines in imitation with the orchestral violins in the outer sections and warbling maniacally abo…

Ursula Mamlok was born in Berlin in 1923, but was forced to emigrate via Ecuador to New York in 1939 because of her Jewish descent. In 2006 she returned to the city where she was born.Fünf Phantasiestücke, composed in 2012/13 for a small mixed ensemble consisting of oboe, violin, viola and violoncello, draws its appeal from the broad spectrum of emotions, feelings and states described musically in…

Par SANTANA CARLOS. Carlos Santana's instantly recognisable guitar style brought the rhythms of Afro-Cuban music to generations of people who might otherwise never have heard them. His soulful playing has inspired guitarists the world over for the last three decades, and continues to do so today. This guitar workshop is a powerful tool that will help you extend your stockpile of licks and fills an…

By Bob Chilcott. For SATB choir and percussion. This edition: BC117. Mixed Voices. Christmas Choral Leaflet. Vocal score. 12 pages. Duration 2.5'

(33 Selections of Praise Songs with Hymns). Arranged by Victor Labenske. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Contemporary Christian; Hymn; Sacred. Early Advanced; Late Intermediate. 124 pages. Published by Alfred Music

By Brant Adams. For flute, performance/accompaniment CD. Sacred instrumental. Published by Exaltation Publications.

(A sacred oratorio). By George Frideric Handel (1685-1759). Edited by Watkins Shaw. For soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir and piano accompaniment. Novello Handel Edition. Baroque, Choral, Christmas and Easter. Difficulty: medium. V…

(Easy Piano). Arranged by Carol Tornquist. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection. The Giant Book of Sheet Music. Contemporary Christian; Sacred. Easy Piano. 148 pages. Published by Alfred Music

By George Winston. Songbook for solo piano. Exact transcriptions from the recordings, authorized by George Winston. 104 pages. Published by Hal Leonard.

Alto Sax. Arranged by Various. Book; CD; Instrumental Series; Play- Along; Worship Resources. Instrumental Solo Series. Contemporary Christian; Pop; Sacred. 32 pages. Published by Alfred Music

By Brant Adams. For trumpet and piano. Sacred instrumental. Published by Exaltation Publications.

By Roger Ames. Edited by James Jordan. For Piano. Music Education. Instructional. Text language: English. 72 pages. Published by GIA Publications.

Voice and Piano. By Various. Vocal Collection. Size 9x12 inches. 240 pages. Published by Schirmer.

33 Traditional Hymns Arranged in a Variety of Styles for Solo Piano. Arranged by Victor Labenske. For Piano. Piano Collection. Sacred Performer Collections. 0. Sacred. Level: Intermediate / Late Intermediate (grade 6). Book. 128 pages. Published by Alfred Publishing.

Composed by Dominick DiOrio (1984-). Oxford Sacred. Octavo. Published by Oxford University Press

Composed by Frederic Chopin (1810-1849), edited by Carl Mikuli. For piano. Format: piano solo book. With fingerings and introductory text. Romantic period and studies. 177 pages. 9x12 inches. Published by Dover Publications

(Eight Traditional Song Arrangements for Voice and Piano). Arranged by Mark Hayes. For Medium-Low Voice Solo and Piano Accompaniment. Sacred; Gospel. Collection with accompaniment CD. 64 pages. Published by Lorenz Publishing Company

Arranged by Tom Fettke. For Piano. Piano Collection. Sacred Performer Collections. Sacred. Level: Late Intermediate / Early Advanced (grade 6/6 ). Book. 40 pages. Published by Alfred Publishing.

Piano/Vocal/Guitar. Composed by various artists and composers. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords; Worship Resources. Contemporary Christian; Sacred. 256 pages. Published by Alfred Music