Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Kantate Zum Sonntag Palmarum. Par TELEMANN GEORG PHILIPP. This cantata belongs to the annual cycle “Musicalisches Lob Gottes in der Gemeine des Herrn' printed in 1744, from which the “Biblische Sprüche' [see p. 12] are also taken. As with the choruses, in the arias Telemann allows for a great deal of freedom in the forces employed, whether with regard to the octave ranges of the voices, or the opt…

This compilation containing 16 easy duets for clarinet or other instruments in the same key are based on the 12-bar blues, one of the cornerstones of modern popular music of northamerican origin. The duets feature grooves and riffs characteristic of different styles for the players to get familiar with the most essential basic vocabulary of jazz, swing, rock, funk, boogie and other genres.Duets #1…

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christ…

Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…

Par MANTOVANI BRUNO. After Eclair de lune for three principal snare drums, three ensembles and electronics, and after my Concerto for two violas written for Tabea Zimmermann and Antoine Tamestit, I felt compelled to compose a new work for double soloist, and ended up choosing the piano. First of all from a desire to write for Varduhi Yeritsyan and François-Frédéric Guy, but also because the confro…

h-Moll. Par TELEMANN GEORG PHILIPP. Telemann’s unusually lightly scored Kyrie-Gloria Mass is a work of his Leipzig period [1701–1705]. In seven movements the young composer knew how to create with the voice [a–d2] and the small instrumental ensemble a rich palette of forms and affections. / Messe / Répertoire / Solo à (B), 2 Violons et Basse Continue

Par BERNICCHIA J.F.. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Suite d'automne (violon I, violon II, Alto, violoncelle) de Bernicchia J-F. qui a été composé pour Ensemble Instrumental et Petit Orchestre / Niveau : 2ème Cycle…

Par LEMAITRE DOMINIQUE. / Ensemble instrumental / Date parution : 2023-03-21/ Répertoire / Clarinette en Sib et 2 Trios

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …