Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely perf…

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely perf…

Par KINROSS JOHN. John Kinross (b. Edinburgh 1848, d. London 1890) John Kinross’ music has become not merely neglected – it has become virtually invisible. Contemporary reports tell that he was, firstly, an extremely talented and successful piano teacher in Dundee, then a freelance composer and pianist in London. He wrote a substantial number of compositions for the young pianist; these works d…

Par KINROSS JOHN. John Kinross (b. Edinburgh 1848, d. London 1890) John Kinross’ music has become not merely neglected – it has become virtually invisible. Contemporary reports tell that he was, firstly, an extremely talented and successful piano teacher in Dundee, then a freelance composer and pianist in London. He wrote a substantial number of compositions for the young pianist; these works d…

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melody, tonality and texture. His collection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays, and have proved to be great critical successes still widely perf…

Par ROSSINI GIOACHINO. La 'Petite Messe solennelle' est le plus beau travail ces dernières années de Rossini. Il a composé entre 1863 et 1864 à l'âge de 71 ans à titre de commission pour la comtesse Louise Pillet-Will pour la consécration de sa chapelle privée, où le travail a reçu sa première représentation en Mars 1864. Avec le 'Stabat mater', la masse est l'une des oeuvres sacrées mostimportant…

Volume 20 - Sez. Prima - Partitura in 2 Vol. + Commento Critico / Ed. Critica A. Zedda. Par ROSSINI GIOACHINO. Vol.20 - Sez. Prima - Partitura In 2 Vol. + Commento Critico / Ed. Critica A. Zedda / Opéra-opérette / Date parution : 1905-06-21/ Répertoire / Solistes, Choeur et Orchestre

Par ROSSINI GIOACHINO. Italian / Opéra-opérette / Date parution : 1905-06-27/ Répertoire / Solistes, Choeur et Orchestre

Volume 18 - Sez. Prima - Partitura in 2 Vol. e Commento Critico / Ed. Critica Gossett, Scipioni. Par ROSSINI GIOACHINO. Vol.18 - Sez. Prima - Partitura In 2 Vol. E Commento Critico / Ed. Critica Gossett, Scipioni / Opéra-opérette / Date parution : 1905-06-25/ Répertoire / Solistes, Choeur et Orchestre

Estrella de Soria (Grosse romantische Oper in 3 Akten). By Franz Berwald (1796-1868). Edited by Nils Castegren. For 3 soprano voice solos, 2 tenor voice solos, baritone voice solo, 2 bass voice solos, mixed choir, ballett, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 tr…

By George Frideric Handel (1685-1759). Edited by Adolf Hoffmann; Hans Ferdinand Redlich. For Violin Solo/Tutti 1. Single Part. Op. 6/5

By Johann Sebastian Bach. Edited by Neumann, Buszin(Urtext). For SATB-SATB, 2 oboe, english horn (bassoon I), bassoon II, 2 violin, viola, violoncello, contrabass, cembalo. BWV 228.Figured bass realized by Fritz Oberdoerffer,instrumental parts edited by Hugh Ross(Eng-Ger). Sacred…

By Johann Sebastian Bach. Edited by Neumann, Buszin(Urtext). For SATB-SATB, 2 oboe, english horn (bassoon I), bassoon II, 2 violin, viola, violoncello, contrabass, cembalo. BWV 225.Figured bass realized by Fritz Oberdoerffer,instrumental parts edited by Hugh Ross(Eng-Ger). Sacred…

By George Frideric Handel (1685-1759). Edited by Frederik Hudson. For Oboe (2), Bassoon (2). Wind Parts. Op. 3/6

By George Frideric Handel (1685-1759). Edited by Frederik Hudson. For Cello 1/2. Single Part. HWV 313

(Ein Lehrgang in ansteigender Schwierigkeit, aufbauend auf dem Lehrgang fur Sopranblockflote. 109 Ubungs- und Spielstucke. Volksweisen, Kanons, kleine Werke grosser Meister. 1-3 Instrumente. Griffbilder, Griff- und Trillertabellen). Edited by Joachim Stave. For Alto Recorder (F,G…

(9 Kompositionen. Urtext der Lechner-Gesamtausgabe). By Leonhard Lechner. Edited by Konrad Ameln; Uwe Martin. For Mixed Choir. Leonhard Lechner Werke. Band 14. Score; Urtext Edition; Collection; Complete Edition (cloth bound)

(Aus tiefer Not schrei ich zu dir - Ein feste Burg - O Mensch, bewein dein Sunde gross - Wenn mein Stundlein vorhanden ist). By Hans Leo Hassler (1564-1612). Edited by Ralf von Saalfeld. For Mixed Choir-SATB. Chor-Archiv. Singing Score

By Wynn-Anne Rossi. For Piano. Duet or Duo; Piano Duet (1 Piano, 4 Hands); Sheet. Signature Series. Latin; Recital. Intermediate. 12 pages

(Grosses Potpourri). By Hans Schneider. Edited by Willy Meyer. Accordion. For accordion. 15 pages

By Various. Arranged by Lloyd Larson. Vocal Duets - Lloyd Larson. Contemporary, Sacred. Book & Accompaniment CD. 76 pages

(From Moses in Egypt for Mixed Voices, Optional Soloists and Piano). By Gioachino Rossini (1792-1868). For Mixed Voices, Optional Soloists, and Piano. Choral octavo. Standard notation. Duration 4:30

By Rossi. From the Classical Repertoire series. Published by Broude Brothers.

By Gioachino Rossini (1792-1868). Edited by Patricia B. Brauner. Opera. Study Score; Urtext Edition (paperbound)

Roy Clark's Bluegrass Banjo Bible by Roy Clark. For banjo. This edition: Paperback. Instructional. Method. Book. Text Language: English. 140 pages. Published by Santorella Publications