Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work [the basis of the parody] was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen [1718, BWV 66a], with a text by Christian Friedrich Hunold, alias Menantes./ Réper…

Kantate Zum 3. Advent. Par BACH JOHANN SEBASTIAN. Original version with text by Salomo Franck, Weimar 1716 [lost]; later revison Leipzig 1723; reconstruction: Diethard Hellman/ Répertoire / Solistes SATB, Choeur SATB, ou 2 HautboiSBasson, I

Kantate Zum 3. Advent. Par BACH JOHANN SEBASTIAN. Original version with text by Salomo Franck, Weimar 1716 (lost); later revison Leipzig 1723; reconstruction: Diethard Hellman/ Répertoire / Solistes SATB, Choeur SATB, ou 2 HautboiSBasson, I

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work [the basis of the parody] was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen [1718, BWV 66a], with a text by Christian Friedrich Hunold, alias Menantes./ Réper…

Kantate Zum 3. Advent. Par BACH JOHANN SEBASTIAN. Original version with text by Salomo Franck, Weimar 1716 [lost]; later revison Leipzig 1723; reconstruction: Diethard Hellman/ Répertoire / Solistes SATB, Choeur SATB, (2 Hautbois), Basson,

Kantate Zum 3. Advent. Par BACH JOHANN SEBASTIAN. Original version with text by Salomo Franck, Weimar 1716 [lost]; later revison Leipzig 1723; reconstruction: Diethard Hellman/ Répertoire / Solistes SATB, Choeur SATB, (2 Hautbois), Basson,

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work (the basis of the parody) was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen (1718, BWV 66a), with a text by Christian Friedrich Hunold, alias Menantes./ Réper…

for Double Choir and Orchestra. Par ROXANNA PANUFNIK. Across the Line of Dreams by Roxanna Panufnik is a 17-minute work with a text by Jessica Duchen for double choir and orchestra. The work in three parts celebrates the stories of two extraordinary women Harriet Tubman and Rani Lakshmibai. It requires two conductors. Each heroine is represented by one conductor, one choir and half of the orchestr…

Le nouveau Robert Schumann Edition (RSA) est conçu comme une édition historico-critique des oeuvres recueillies. Ils seront soigneusement étudiés et préparés selon des techniques musicologiques et rédactionnelles actuelles et présentés dans leur intégralité. Brouillons, des croquis et des fragments, bref, tout ce qui est parvenu à nous comme étant authentiquement par Schumann et qui, dans la plupa…

(full score and parts). Par MEALOR PAUL. For treble voices and two harps, a short two-and-a-half-minute work commissioned by the North Wales International Music Festival. First performed on 30th September 2023 at St Asaph Cathedral by NEW Sinfonia and NEW Voices conducted by Robert Guy. Text by Mealor’s long-time collaborator, Grahame Davies. / Date parution : 2024-04-27/ Répertoire / Voix Aiguës…