Par JARRELL MICHAEL. Composition works like an arborescent structure. At each ramification you choose a path, which depends on the whole dynamic of the whole piece. Doing this, you leave quite a lot of ideas and fragments behind. Nachlese is a german term already used by Goethe for the idea of 'reading again', referring to, commenting something... The idea of this cycle (Nachlese) is to come back…

Tonalité : D-Dur - Op.: 86 -. Par DVORAK ANTONIN. With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorák’s D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immedi…

St. Michael. Par BOURGEOIS LOUIS. The French composer Louis Bourgeois lived from c. 1510 to 1560. Bourgeois was cantor in Geneva and, commissioned by John Calvin, he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms, he made some four-part arrangements, which were denounced and even resulted in his imprisonment for a day. Later, Bourg…

Op. 38. Par ELGAR EDWARD. This is the best of me, wrote Edward Elgar after the final measure of his Dream of Gerontius. Premiered in 1900, in Great Britain the work has long been a standard work in the repertoire of large oratorio choirs. Elgar?s moving, poetic setting of the eponymous poem by Cardinal John Henry Newman is about a dying man and his journey beyond death to God. Before the eyes of t…

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

Par BUXTEHUDE DIETRICH. This cantata combines two texts: “Erhalt uns Herr bei deinem Wort” and “Verleih uns Frieden gnädiglich. ” The Lübeckisches Gesangbuch of 1703 included both hymns, with a verse by Johann Walter added, to the melody “Erhalt uns Herr. ” This was the basis for Buxtehude’s composition. The copy of the tabulature of this cantata in the Düben Collection can be dated to the summer …

St. Michael. Par BOURGEOIS LOUIS. The French composer Louis Bourgeois lived from c. 1510 to 1560. Bourgeois was cantor in Geneva and, commissioned by John Calvin, he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms, he made some four-part arrangements, which were denounced and even resulted in his imprisonment for a day. Later, Bourg…

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. With introductory text, instructional text, illustrations, easy piano notation, fingerings, lyrics (on some songs) and harmony part (for the teacher). Learn To Play. 48 pages. 9x1…

(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format: piano solo songbook. With introductory text, instructional text, big note notation, easy piano notation, fingerings, lyrics (on most songs), guitar tablature (for the teacher) and illustrations. Solo…

(Leading To Mastery Of The Instrument) Written by John W. Schaum. Instructional book for piano. With fingerings, instructional text, illustrations and introductory text. 48 pages. Published by Alfred Publishing.

By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 19. Urtext edition-paper bound. Published by G. Henle.

(Eight seasonal carols for mixed choir). Composed by Charles Wood. Edited by John Rutter. For SATB choir, a cappella. Mixed Voices. Vocal score. Published by Oxford University Press

Arranged by Evelyn R. Larter. For SATB choir, piano, flute. Octavo. 8 pages. Published by Augsburg Fortress

With Performance Notes. By Johann Sebastian Bach. Edited by R. Steglich. Piano (Harpsichord), 2-hands. Pages: 65. Urtext edition-cloth bound. Published by G. Henle.

By James Hopkins. Arranged by James Hopkins. Text: R. Robinson. For SATB choir and Organ. (Mixed Voices). General. Choral. Published by E.C. Schirmer Publishing.

(The Story of Marshall's First Combo). By John R. Wiley, foreword by Jim Marshall. For Guitar. Book; Guitar Reference; Reference Textbooks. Blue Book. Pop; Pop/Rock; Rock. Published by Alfred Music

(From 5th Harpsichord Suite) Composed by George Frideric Handel (1685-1759), arranged by R. Bernard Fitzgerald. Set of performance parts (includes separate pull-out trumpet part) for Bb trumpet (cornet) and piano. With solo part, piano accompaniment and introductory text. F Major…

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: Urtext edition. Score and parts in slipcover. Published by Baerenreiter Verlag (BA.BA9574).

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 44. Published by Baerenreiter Verlag (BA.BA10424).

For 2 Violins, Viola and Violoncello. By Ludwig van Beethoven. Edited by R. Cadenbach. String Quartets. Pages: Vl I Part = VI and 16 * Vl II Part = 10 * Va Part = 10 * Vc Part = 10. Urtext edition (Paper-bound). Published by G. Henle.