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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
59.00 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
26.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
9.20 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
70.50 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
28.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
9.20 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
23.00 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
14.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Missa In C (MOZART WOLFGANG AMADEUS)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines [Partition]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …
9.20 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Selected Piano Pieces (SCHUBERT FRANZ)
Piano seul [Partition]
Barenreiter
Par SCHUBERT FRANZ. This collection appears as part of a series of popular works from the Bärenreiter catalogue celebrating the 100th anniversary of the publishing house. It presents two popular pieces from the 'Moments Musicaux' op. 94 as well as the much played Allegretto in C major and the Hungarian Melody in B minor. The four pieces are taken from the Bärenreiter Urtext editions of the 'Moment…
6.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock |
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| Christmas Surprises Band 1 (ARMAN HOWARD)
Chorale SATB
SATB A Cappella
Breitkopf and Hartel
Par ARMAN HOWARD. Howard Arman, director of the Bavarian Radio Choir, has been actively engaged with international Christmas carols through various Christmas-related CD productions of his choir in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du fröhliche [O, you joyful], St…
20.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Christmas Surprises Band 2 (ARMAN HOWARD)
Chorale SATB
SATB A Cappella
Breitkopf and Hartel
Par ARMAN HOWARD. Howard Arman, director of the Bavarian Radio Choir, has been actively engaged with international Christmas carols through various Christmas-related CD productions of his choir in the past years. This has resulted in a number of original arrangements for four- to eight-part mixed choir a cappella, shedding new light on well-known classics such as O du fröhliche [O, you joyful], St…
23.90 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Suite for cello and string orchestra (1967)
Violoncelle, Piano [Partition]
Fennica Gehrman
Par YAGLING VICTORIA. Victoria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpie…
23.10 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Just For Fun Band 1 (MOSER JURGEN)
1 Piano, 4 mains [Partition]
Schott
Cette collection de piano duos de styles populaires vise à ajouter diverses à des cours de piano en fournissant des pièces attrayants dans un idiome pop. La partie pour le premier joueur (Primo) est conservée plus simple que l'accompagnement, afin que les diverses combinaisons de joueurs sont possibles : étudiant (mélodie) et enseignant (accompagnement) ou deux étudiants de différentes normes de j…
17.80 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Slavonic Rhapsody In A Flat Major Op. 45/3 Violoncelle - 2 Ex. Minimum (DVORAK ANTONIN)
Violoncelle (Partie Séparée)
Barenreiter
Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editio…
5.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Slavonic Rhapsody In A Flat Major Op. 45/3 Violon 1 - 3 Ex. Minimum (DVORAK ANTONIN)
Violon
Barenreiter
Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editio…
5.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Slavonic Rhapsody In A Flat Major Op. 45/3 (DVORAK ANTONIN)
Orchestre
Barenreiter
Score. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editions. The…
50.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Slavonic Rhapsody In A Flat Major Op. 45/3 Violon 2 - 3 Ex. Minimum (DVORAK ANTONIN)
Violon
Barenreiter
Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editio…
5.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Slavonic Rhapsody In A Flat Major Op. 45/3 (DVORAK ANTONIN)
Contrebasse (Partie séparée) [Partition]
Barenreiter
Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editio…
5.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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| Slavonic Rhapsody In A Flat Major Op. 45/3 (DVORAK ANTONIN)
Set d'Instruments à Vent [Partition]
Barenreiter
Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies” op. 45 in 1878, initiating his so-called 'Slavonic period”. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number.
Now the 'Slavonic Rhapsodies” are being issued separately in scholarly-critical editio…
87.00 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur |
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English
version
