Par TAVERNIER JEAN-CLAUDE. No. 1 (for 2 timpani and drum kit); No. 2 (for xylophone and vibraphone) / Classique / Feuillet / 2 Percussions

/ Brass Quartet, 2 Trompettes Et 2 Trombones

Par RUHM GERHARD. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani./ Répertoire / 6 à 8 Ténors, 4 à 6 Altos, 2 Pianos, Vibraphone, C

Par AHO KALEVI. Kalevi Aho's Double concerto for two bassoons and orchestra (2016) was premiered in Warsaw, Poland with Bram van Sambeek and Leszek Wachnik as soloists. This product is the solo part (one copy, includes both solo bassoon parts). The study score is available for sale (ISMN 9790550116641). Performance material is available for hire from the publisher. Duration: 29'. Instrumenta…

Par STRAVINSKY IGOR. Détails de la formation instrumentale: Picc. - 2 Fl - 2 Hautbois - Cor Anglais - 2 Clar in A - 2 Bassoons - 4 Horns in F - 4 Trumpets in C - 3 Trombones - Tuba - Timpani - Double Basses - Durée: 20' - Format: New Edition portrait/ Répertoire / Ensemble à vent et Piano

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Composed by Gene Milford. Score and part(s). 20 146 pages. Duration 2 minutes, 38 seconds. Carl Fischer #YPS0164. Published by Carl Fischer (CF.YPS164).

March. Composed by James Meredith. Score and part(s). 16 198 pages. Duration 2 minutes, 25 seconds. Carl Fischer #SPS0069. Published by Carl Fischer (CF.SPS69).

Composed by Euday Bowman. Arranged by Jerry Nowak. Score and part(s). 20 186 pages. Duration 2 minutes, 20 seconds. Carl Fischer #SPS0066. Published by Carl Fischer (CF.SPS66).

Composed by Sean O'Loughlin. Score and part(s). 12 130 pages. Duration 1 minute, 59 seconds. Carl Fischer #PPS0039. Published by Carl Fischer (CF.PPS39).

Composed by Carl Strommen. Score and part(s). 12 124 pages. Duration 1 minute, 53 seconds. Carl Fischer #PPS0036. Published by Carl Fischer (CF.PPS36).

Composed by James Meredith. Score and part(s). 12 122 pages. Duration 2 minutes, 14 seconds. Carl Fischer #PPS0035. Published by Carl Fischer (CF.PPS35).

Composed by Joseph Compello. Score and part(s). 12 126 pages. Duration 1 minute, 55 seconds. Carl Fischer #PPS0034. Published by Carl Fischer (CF.PPS34).

Composed by Peter Terry. Score and part(s). 12 126 pages. Duration 1 minute, 57 seconds. Carl Fischer #PPS0033. Published by Carl Fischer (CF.PPS33).

Composed by Larry Clark. Score and part(s). 16 130 pages. Duration 3 minutes, 26 seconds. Carl Fischer #FPS0135. Published by Carl Fischer (CF.FPS135).

Composed by Carol Brittin Chambers. Score and part(s). 12 116 pages. Duration 2 minutes, 58 seconds. Carl Fischer #FPS0134. Published by Carl Fischer (CF.FPS134).

Composed by Peter Terry. Score and part(s). 12 122 pages. Duration 2 minutes, 17 seconds. Carl Fischer #FPS0133. Published by Carl Fischer (CF.FPS133).

Composed by Joseph Compello. Score and part(s). 20 118 pages. Duration 2 minutes, 47 seconds. Carl Fischer #FPS0132. Published by Carl Fischer (CF.FPS132).

Composed by Tyler Arcari. Score and part(s). 12 122 pages. Duration 1 minute, 51 seconds. Carl Fischer #FPS0131. Published by Carl Fischer (CF.FPS131).

Composed by Bill Calhoun. Score and part(s). 12 120 pages. Duration 2 minutes, 58 seconds. Carl Fischer #FPS0130. Published by Carl Fischer (CF.FPS130).

Anthem of Hope. Composed by Larry Clark. Score and part(s). 28 290 pages. Duration 5 minutes, 38 seconds. Carl Fischer #CPS0189. Published by Carl Fischer (CF.CPS189).

Composed by Ed Kiefer. Score and part(s). 32 164 pages. Duration 4 minutes, 11 seconds. Carl Fischer #CPS0186. Published by Carl Fischer (CF.CPS186).

Composed by Gene Milford. Score and part(s). 32 160 pages. Duration 5 minutes, 2 seconds. Carl Fischer #CPS0180. Published by Carl Fischer (CF.CPS180).

March. Composed by John Philip Sousa (1854-1932). Arranged by Andrew Balent. Score and part(s). 20 262 pages. Duration 3 minutes, 40 seconds. Carl Fischer #CPS0178. Published by Carl Fischer (CF.CPS178).

Composed by Richard Summers. Score and part(s). 8 114 pages. Duration 1 minute, 58 seconds. Carl Fischer #BPS0098. Published by Carl Fischer (CF.BPS98).

Arranged by Sean O'Loughlin. Score and part(s). 16 122 pages. Duration 2 minutes, 36 seconds. Carl Fischer #BPS0102. Published by Carl Fischer (CF.BPS102).