Par TAVERNIER JEAN-CLAUDE. No. 1 (for 2 timpani and drum kit); No. 2 (for xylophone and vibraphone) / Classique / Feuillet / 2 Percussions

/ Brass Quartet, 2 Trompettes Et 2 Trombones

Par RUHM GERHARD. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani./ Répertoire / 6 à 8 Ténors, 4 à 6 Altos, 2 Pianos, Vibraphone, C

Par AHO KALEVI. Kalevi Aho's Double concerto for two bassoons and orchestra (2016) was premiered in Warsaw, Poland with Bram van Sambeek and Leszek Wachnik as soloists. This product is the solo part (one copy, includes both solo bassoon parts). The study score is available for sale (ISMN 9790550116641). Performance material is available for hire from the publisher. Duration: 29'. Instrumenta…

Par STRAVINSKY IGOR. Détails de la formation instrumentale: Picc. - 2 Fl - 2 Hautbois - Cor Anglais - 2 Clar in A - 2 Bassoons - 4 Horns in F - 4 Trumpets in C - 3 Trombones - Tuba - Timpani - Double Basses - Durée: 20' - Format: New Edition portrait/ Répertoire / Ensemble à vent et Piano

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

(Cantata for the 1st day of Christmas). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 3 oboes, bassoon, 4 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbou full score Cantatas, Chr…

(Cantata for the 3rd Sanday after Trinity/all occasions). By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo. This e full score Cantatas

By Anton Diabelli (1781-1858). For Soli SATB, SATB Choir, Flute, 2 Clarinets, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ [1 Flute, 2 Horns]. This edition: Paperbound. Es-Dur (E-flat major). German title: Messe in Es rev.2001. Part: reduction for pian…

(Ascension oratorio). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. D-Dur (D major). Stuttgart Urtext Vocal Score Cantatas, Or…

(Cantata for the 12th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For ATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. C-Dur (C major). German Vocal Score Cantatas, Wh…

(Missa in C). By Ignaz Holzbauer (1711-1783). Edited by Jochen Reutter. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, Basso continuo. This edition: Paperbound. C-Dur (C major). Mo Vocal Score Masses, Lati…

By Charles Francois Gounod (1818-1893). For [3.2.2.4-4.2.2 Cornet.3.0], Timpani, Percussion. This edition: Urtext. Orchestral. Set of wind parts. Published by Edition Peters set of wind parts Orchestral

(For Mixed Chorus, Brass, and Timpani). By Traditional. Arranged by Jerome Epstein. For Trumpet, SATB. Revels Choral Series. Standard notation. 2 pages. Duration 3 minutes, 45 seconds. Published by Thorpe Music

By Franz Joseph Haydn (1732-1809). Edited by Howard Chandler Robbins Landon; Karl Heinz Fussl; Christa Landon. For flute/2 oboes/2 clarinets/2 bassoons/2 horns/2 clarions/timpani. This edition: Stapled, Urtext edition. Stapled. Urtext from: Joseph Haydn W Set of wind parts

By Wolfgang Amadeus Mozart (1756-1791). Edited by H. C. Robbins Landon. For flute, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani. This edition: Stapled, Urtext edition. Stapled. Set of wind parts. No. 39. Published by Baerenreiter Verlag (BA.BA472 Set of wind parts

By Wolfgang Amadeus Mozart (1756-1791). Edited by Walter Senn. For 2 oboes/2 horns/2 trumpets/3 trombones/timpani. This edition: Stapled, Urtext edition. Stapled. Set of wind parts. KV 262 (246a). Published by Baerenreiter Verlag Set of wind parts

(Cantatas I-III). By Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo. Stu Part Sacred, Oratorios; …

By Larry King. For unison voices, optional SATB choir, brass quartet - 2 trumpets, 2 trombones, timpani. Mass. Sacred. Easy. 20 pages. Published by GIA Publications . Sacred.

By Josef Gabriel Rheinberger. Edited by Han Theill. For 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Piano. This edition: Complete edition, linen cover. As-Dur (A-flat major). . complete edition.

By Franz Joseph Haydn (1732-1809). Edited by James Dack; Marianne Helms. For oboe 1/oboe 2/clarinet 1/clarinet 2/horn 1/horn 2/timpani. This edition: Stapled, Urtext edition. Stapled. Urtext from: Joseph Haydn Werke, G. Henle Verlag Munich. Set of wind pa. Set of wind parts.

By Cathy Moklebust. For handbells (3-5 octaves) (with optional SATB, organ, 2 trumpets, 2 trombones, timpani). Christmas, Sacred. Level 3. Full score. Published by Chorister's Guild . full score. Christmas, Sacred.

By John Purifoy. For SATB choir (with optional 2 trumpets, trombone, tuba, timpani). Sacred Anthem, Eastertide. Octavo. Published by Exaltation Publications . Octavo. Sacred Anthem, Eastertide.

By Mary Mcdonald. For SATB choir. General. Octavo. Published by Hope Publishing Company

(An Easter Introit). By Jay L. Althouse. For SATB choir with optional brass quintet and timpani (2 Bb trumpets, french horn, trombone, tuba and timpani). Introit. Easter. Score and instrumental parts. Published by Hope Publishing Company

By Jonathan Willcocks. For timpani, 2 trumpet, 2 trombone. Eastertide. Instrumental parts and score. Published by Lorenz Publishing Company