Par TAVERNIER JEAN-CLAUDE. No. 1 (for 2 timpani and drum kit); No. 2 (for xylophone and vibraphone) / Classique / Feuillet / 2 Percussions

/ Brass Quartet, 2 Trompettes Et 2 Trombones

Par RUHM GERHARD. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani./ Répertoire / 6 à 8 Ténors, 4 à 6 Altos, 2 Pianos, Vibraphone, C

Par AHO KALEVI. Kalevi Aho's Double concerto for two bassoons and orchestra (2016) was premiered in Warsaw, Poland with Bram van Sambeek and Leszek Wachnik as soloists. This product is the solo part (one copy, includes both solo bassoon parts). The study score is available for sale (ISMN 9790550116641). Performance material is available for hire from the publisher. Duration: 29'. Instrumenta…

Par STRAVINSKY IGOR. Détails de la formation instrumentale: Picc. - 2 Fl - 2 Hautbois - Cor Anglais - 2 Clar in A - 2 Bassoons - 4 Horns in F - 4 Trumpets in C - 3 Trombones - Tuba - Timpani - Double Basses - Durée: 20' - Format: New Edition portrait/ Répertoire / Ensemble à vent et Piano

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

By Adam Miller. For Percussion Ensemble (Bells (may double or substitute Vibraphone), Xylophone (may double or substitute Marimba), Percussion 1 (Wind Chimes, Triangle, Tambourine), Percussion 2 (Snare Drum, Suspended Cymbal), Percussion 3 (Bass Drum), Timpani (2)). Ignite Series…

By Roland Barrett. For Percussion Ensemble (Bells and Vibraslap, Xylophone and Singing Bowls, Vibraphone, Marimba 1 (4-octave) and Wind Chimes, Marimba 2 (5-octave), Chimes and Woodblock, Timpani (5), Percussion 1 (Wind Chimes, Snare Drum, Bongos or Congas, Suspended Cymbal, Wood…

By George Frideric Handel (1685-1759). Arranged by Keith Terrett. For Brass Quintet and optional Timpani. Baroque. Advanced. Score and parts. Published by Cherry Classics

By Stuart Hine. Arranged by Mary Mcdonald. For Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, Trumpet 2 & 3, Horn 1 & 2 (opt. Alto Sax), Trombone 1 & 2 (opt. Tenor Sax/Baritone T.C.), Trombone III/Tuba, Percussion, Timpani, Harp, Piano, Violin 1, Violin 2, Viola, Cello and String …

(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt Poensgen. For Soli ATB, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Praise and thanks. Full score. Language: English/German. Composed …

(for percussion ensemble). By Maurice Ravel (1875-1937). Arranged by Ralph Hardimon. Percussion Ensemble. For glockenspiel, xylophone, 2 vibraphones, 3 marimbas (4.3 octave - low A), 5 timpani, triangle (8 players). Advanced. Score and parts on CD-ROM. 20 pages. Duration 3'30 . P…

By Daniel E. Forrest, Jr.. Arranged by Dan Forrest. For TTB choir (2 flutes, oboe, 2 clarinets in B-flat, bassoon, 2 horns in F, 2 trumpets, 3 trombones, tuba, timpani, percussion, harp, violin I and II, viola, cello and double bass). Sacred, Christmas. Full orchestral score and …

(For Brass Ensemble). By Samuel Adler. Brass ensemble. For 3 Trumpets in Bb, 3 Horns in F, 2 Trombones, Tuba, 5 Timpani. World Premiere: Cincinnati University Youth Wind Ensemble, Cincinnati, OH. Contemporary. Intermediate - Advanced. Score and part(s). Standard notation. Compose…

(wind set). By Johannes Brahms (1833-1897). Edited by Robert Pascall. For 2.2.2.2.Contrabassoon.-4.2.3.0.-Timpani-Strings. This edition: Urtext. Wind set. Opus 90. 152 pages. Published by Breitkopf and Haertel

(contrabass). By Johannes Brahms (1833-1897). Edited by Robert Pascall. For 2.2.2.2.Contrabassoon.-4.2.3.0.-Timpani-Strings. This edition: Urtext. Individual part. Opus 90. 12 pages. Published by Breitkopf and Haertel

(cello). By Johannes Brahms (1833-1897). Edited by Robert Pascall. For 2.2.2.2.Contrabassoon.-4.2.3.0.-Timpani-Strings. This edition: Urtext. Individual part. Opus 90. 16 pages. Published by Breitkopf and Haertel

(viola). By Johannes Brahms (1833-1897). Edited by Robert Pascall. For 2.2.2.2.Contrabassoon.-4.2.3.0.-Timpani-Strings. This edition: Urtext. Individual part. Opus 90. 16 pages. Published by Breitkopf and Haertel