Par TAVERNIER JEAN-CLAUDE. No. 1 (for 2 timpani and drum kit); No. 2 (for xylophone and vibraphone) / Classique / Feuillet / 2 Percussions

/ Brass Quartet, 2 Trompettes Et 2 Trombones

Par RUHM GERHARD. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani./ Répertoire / 6 à 8 Ténors, 4 à 6 Altos, 2 Pianos, Vibraphone, C

Par AHO KALEVI. Kalevi Aho's Double concerto for two bassoons and orchestra (2016) was premiered in Warsaw, Poland with Bram van Sambeek and Leszek Wachnik as soloists. This product is the solo part (one copy, includes both solo bassoon parts). The study score is available for sale (ISMN 9790550116641). Performance material is available for hire from the publisher. Duration: 29'. Instrumenta…

Par STRAVINSKY IGOR. Détails de la formation instrumentale: Picc. - 2 Fl - 2 Hautbois - Cor Anglais - 2 Clar in A - 2 Bassoons - 4 Horns in F - 4 Trumpets in C - 3 Trombones - Tuba - Timpani - Double Basses - Durée: 20' - Format: New Edition portrait/ Répertoire / Ensemble à vent et Piano

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

(Kantate zum Erntedankfest (Tempore Messis) und andere Dankfeiern). By Georg Philipp Telemann (1681-1767). Edited by Jurgen Neubacher. For Soli SATB, SATB Choir, Flute (Recorder), 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. This edition: paperbound. TVWV 1:1166. Score …

By Leopold Mozart (1719-1787). For Soli SATB, SATB Choir, Flute, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. This edition: paperbound. Score available separately - see item CA.2700800. Masses, Latin; Salzburg Sacred Music. Piano/Vocal score. Language: Latin. 7…

(Chiemsee-Messe). By Michael Haydn (1737-1806). Edited by Armin Kircher. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. This edition: paperbound. MH 546. Score available separately - see item CA.5454600. Latin Masses. Piano/Vocal score. Langua…

(Waisenhausmesse). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mathias Siedel. For Soli SATB, SATB Choir, 2 Oboes, 2 Clarinos/Trumpets, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, 2 Violas, Basso continuo. This edition: paperbound. KV 139 (114a). Score available separate…

By Chris Brooks. For concert percussion ensemble (10-12 players: Bells, Xylophone, 4 Octave Marimba, (2) Snare Drums, (3) Timpani, Bass Drum, Crash Cymbals, Suspended Cymbal, Triangle, Optional Gong). Grade 1. Score and parts. Duration 3:17. Published by Row-Loff Publications

By Jonathan Willcocks. For SATB choir and organ (brass quartet, timpani). Choral Music. Easter. Medium. Published by MorningStar Music Publishers

By K. Lee Scott. For 2 trumpets, 2 horns, 2 trombones, timpani and percussion. Chamber Music. Christmas. Medium. Published by MorningStar Music Publishers

By Michael Burkhardt. For organ, brass quartet, congregation, timpani, (handbells 2-5 octaves). Chamber Music. Festive Hymn Settings. Medium. Published by MorningStar Music Publishers

By Carl F. Schalk. For SATB choir, congregation, organ, 2 trumpets, 2 trombones and timpani. General. Augsburg Choral Library. Anthem. Complete Score/Octavo. Published by Augsburg Fortress

(A Celebration Of The Risen Lord). By Stan Pethel. For flute, oboe, clarinet, horn, trumpet, trombone, timpani, percussion (bells, suspended cymbal), piano, violin 1/2, viola, cello, contrabass. Cantata. Choral: Easter. Performance CD. Published by Lorenz Publishing Company

(March). By Theodore Mesang. Arranged by Quincy C. Hilliard. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Baritone (Bass Clef), Tuba, Mallet Percussion, Tim…

By C. P. E. Bach. Edited by Darvas. For STB voice soli, SATB choir, [2.2.0.1-2.3.0.0], Timpani, Harpsichord, Organ, Strings. (Text Language: German). Choral. Full score. Duration 85 minutes. Published by Edition Kunzelmann