Par TAVERNIER JEAN-CLAUDE. No. 1 (for 2 timpani and drum kit); No. 2 (for xylophone and vibraphone) / Classique / Feuillet / 2 Percussions

/ Brass Quartet, 2 Trompettes Et 2 Trombones

Par RUHM GERHARD. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani./ Répertoire / 6 à 8 Ténors, 4 à 6 Altos, 2 Pianos, Vibraphone, C

Par AHO KALEVI. Kalevi Aho's Double concerto for two bassoons and orchestra (2016) was premiered in Warsaw, Poland with Bram van Sambeek and Leszek Wachnik as soloists. This product is the solo part (one copy, includes both solo bassoon parts). The study score is available for sale (ISMN 9790550116641). Performance material is available for hire from the publisher. Duration: 29'. Instrumenta…

Par STRAVINSKY IGOR. Détails de la formation instrumentale: Picc. - 2 Fl - 2 Hautbois - Cor Anglais - 2 Clar in A - 2 Bassoons - 4 Horns in F - 4 Trumpets in C - 3 Trombones - Tuba - Timpani - Double Basses - Durée: 20' - Format: New Edition portrait/ Répertoire / Ensemble à vent et Piano

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

Arranged by David Clydesdale. For Choir and flute 1, 2; oboe; clarinet; bassoon; french horn 1, 2; french horn 3; trumpet 1, 2; trumpet 3; trombone 1, 2; trombone 3/tuba; *violin 1, 2; *viola; cello; string bass; percussion 1, 2, 3; timpani; rhythm; drums; string reduction (*simp…

By Heinrich von Herzogenberg (1843-1900) and Heinrich von Herzogenberg. Edited by Bernd Wiechert. For Soli SATB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 3 Bassoon, 4 Horn, 2 Trumpets, 3 Trombones, Tuba, Timpani, 2 Violins, Viola, Cello, Contrabass, [Organ]. This edition: pape…

By Antonin Dvorak (1841-1904). Edited by Klaus Doge. For Orchestra version: Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 3 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ; Organ version: Soli SATB, SATB Choir, Organ. This edition: paperbound. Fu…

By Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB Choir, 2 Oboes, 2 Clarinos/Trumpets, 2 Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones colla parte]. This edition: paperbound. MH 182. Latin Masses. Score. Language: Latin. Composed 1772. 72 pages. Du…

By Michael Haydn (1737-1806). Edited by Jaeger. For Soli, SATB Choir, [0.2.0.0-2.2.2.0], Timpani, Strings, Organ. Choral. Full Score. Text Language: Latin. Published by Edition Kunzelmann

By Antonio Vivaldi (1678-1741). For Soli SSMsAA [SATBarB], SATB Choir, 2 Flutes, 2 Oboes, 2 Trumpets, Timpani, Salmoe, Mandolin, 4 Theorbo, Vada, 2 Violins, Viola, Basso continuo. RV 644. Full score available separately - see item CA.4001000. Genres: Oratorios; Stuttgart Urtext E…

By Antonio Vivaldi (1678-1741). For Soli SSMsAA [SATBarB], SATB Choir, 2 Flutes, 2 Oboes, 2 Trumpets, Timpani, Salmoe, Mandolin, 4 Theorbo, Vada, 2 Violins, Viola, Basso continuo. This edition: paperbound. RV 644. Full score available separately - see item CA.4001000. Genres: Ora…

By Johannes Brahms (1833-1897). Edited by Gunter Graulich. Arranged by Volker Blumenthaler. For SATBB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 3 Trombones, Tuba, Timpani. Full score available separately - see item CA.4018100. Mourning, Death. Level 3. Set of instrumental…

(Peter's Reflection on the Life Death & Resurrection). By Lloyd Larson. Orchestra. For Flute 1 & 2, Oboe/English Horn, Clarinet 1 & 2, Bassoon, Horn 1 & 2, Trumpet 1,2, & 3, Trombone 1 & 2, Tuba, Timpani, Percussion 1 & 2 (Finger Cymbals, Suspended Cymbal, Triangle, Mark Tree, Gl…

(Spatzenmesse). By Wolfgang Amadeus Mozart (1756-1791). Edited by Berthold Over. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. KV 220 (196b). Full score available separately - see item CA.4062600. Latin Masses; Stuttgart Urtext…

(Spatzenmesse). By Wolfgang Amadeus Mozart (1756-1791). Edited by Berthold Over. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. KV 220 (196b). Full score available separately - see item CA.4062600. Latin Masses; Stuttgart Urtext…

(Spatzenmesse). By Wolfgang Amadeus Mozart (1756-1791). Edited by Berthold Over. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. KV 220 (196b). Full score available separately - see item CA.4062600. Latin Masses; Stuttgart Urtext…

(Spatzenmesse). By Wolfgang Amadeus Mozart (1756-1791). Edited by Berthold Over. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. KV 220 (196b). Full score available separately - see item CA.4062600. Latin Masses; Stuttgart Urtext…

(Spatzenmesse). By Wolfgang Amadeus Mozart (1756-1791). Edited by Berthold Over. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. KV 220 (196b). Full score available separately - see item CA.4062600. Latin Masses; Stuttgart Urtext…

By Franz Schubert (1797-1828). Edited by Manuela Jahrmarker. For Soli SATB, SATB Choir, 2 Oboes, 2 Bassoons, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ, [2 Horns, 3 Trombones]. This edition: paperbound. D 324. Full score available separately - see item CA.4065…

By Wolfgang Amadeus Mozart (1756-1791). For Solo Soprano, SATB Choir, 2 Flutes, 2 Horns, 2 Trumpets, Timpani, 2 Violins, 2 Violas, Cello/Bassoon/Contrabass, Organ. This edition: paperbound. KV 117 (66a = 47b). Stuttgart Urtext Editions; Use / Occasion: Praise and thanks; Use duri…