Par TAVERNIER JEAN-CLAUDE. No. 1 (for 2 timpani and drum kit); No. 2 (for xylophone and vibraphone) / Classique / Feuillet / 2 Percussions

/ Brass Quartet, 2 Trompettes Et 2 Trombones

Par RUHM GERHARD. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani. Full Score of Gerhard Rühm's work for 6-8 Tenors, 4-6 Violas, 2 Pianos, Vibraphone, Glockenspiel and Timpani./ Répertoire / 6 à 8 Ténors, 4 à 6 Altos, 2 Pianos, Vibraphone, C

Par AHO KALEVI. Kalevi Aho's Double concerto for two bassoons and orchestra (2016) was premiered in Warsaw, Poland with Bram van Sambeek and Leszek Wachnik as soloists. This product is the solo part (one copy, includes both solo bassoon parts). The study score is available for sale (ISMN 9790550116641). Performance material is available for hire from the publisher. Duration: 29'. Instrumenta…

Par STRAVINSKY IGOR. Détails de la formation instrumentale: Picc. - 2 Fl - 2 Hautbois - Cor Anglais - 2 Clar in A - 2 Bassoons - 4 Horns in F - 4 Trumpets in C - 3 Trombones - Tuba - Timpani - Double Basses - Durée: 20' - Format: New Edition portrait/ Répertoire / Ensemble à vent et Piano

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Offertorium De Beata Maria Virgine. Par MOZART LEOPOLD. In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region. The Salzburg Cathedral seems an obvious choice, which the 'solemn' or…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Chiemsee-Messe. Par HAYDN JOHANN MICHAEL. Among Haydn’s over thirty settings of the Latin Ordinary, the Missa in honorem Sanctae Ursula occupies an outstanding position, which, according to the autograph, was completed on 5 August 1793. This Mass has been referred to as the most “Mozartian” of all his masses. With its song-like melodic character, the unity of the motivic material and the harmonius…

By George Frideric Handel (1685-1759). Edited by Christine Martin. Arranged by Paul Horn. For Soli ST, SATB Choir, Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola, Basso continuo. HWV 76. Full score available separately - see item CA.1037200. Cantatas; Use during church yea…

(aus: h-Moll-Messe). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SSSATTB Choir, 3 Trumpets, Timpani, 3 Oboes, 2 Violins, Viola, Basso continuo. BWV 232. Full score available separately - see item CA.3123250. Mass Sections; Stuttgart Urtext editions. Leve…

By Karl Ditters Von Dittersdorf (1739-1799). Edited by Johannes Kirner. For Soli SATB, SATB Choir, 2 Oboes, 2 Clarinets, 2 Trombones, Timpani, Violin solo, 2 Violins, Basso continuo. This edition: paperbound. KreD 326. Full score available separately - see item CA.2703500. Latin …

By Heinrich Ignaz Franz von Biber (1644-1704). Edited by Armin Kircher. Arranged by Paul Horn. For Soli SSATB, SSATB Choir, 2 Clarinos/Trumpets, 3 Trumpets, 3 Trombones, Timpani, 2 Violins, 3 Viola, Basso continuo (Cello/Bassoon/Contrabass, Organ). This edition: paperbound. Full …

By Wolfgang Amadeus Mozart (1756-1791). Edited by Christine Martin. Arranged by Volker Blumenthaler. For Soli SATB, SATB Choir, 2 Oboes, 2 Horns, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 262. Full score available separat…

(Kantate zum Michaelistag). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. Arranged by Paul Horn. For Soli SATB, SATB Choir, 3 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola, Violone, Basso continuo. This edition: paperbound. BWV 149. Full score availabl…

(Oratorienfragment. Teil I: Die Geburt Christi; Teil II: Das Leiden Christi). By Felix Bartholdy Mendelssohn (1809-1847). Edited by R. Larry Todd. For Tenor Solo, SATTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola…

By Anton Cajetan Adlgasser. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, Trb alto, 2 Violins, Basso continuo, [2 Trombones]. This edition: paperbound. Sacred Music from Salzburg. Score. Language: Latin. 72 pages. Duration 19 min. Published by Carus Verlag

(Offertorium de Beata Maria Virgine). By Leopold Mozart (1719-1787). Edited by Armin Kircher. Arranged by Paul Horn. For Solo Soprano, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Full score available separately - see item CA.2728900. Sacred Music from Sal…

(Pauken-Messe). By Franz Joseph Haydn (1732-1809). Edited by Wolfgang Hochstein. For Soli SATB, SATB Choir, Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. Hob. XXII:9. Full score available separately - see item CA…

(aus: Biblische Lieder). By Antonin Dvorak (1841-1904). Arranged by Jarmil Burghauser. For Alto Solo, SATB Choir, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. Full score available separately - see item CA.7007300. Genres: German Psalms; Use / Occasion: Praise and thanks, …

By Chris Brooks. Concert Ensemble. For percussion ensemble (14-15 players: Bells, Xylophone, Marimba, Vibes, (4) Timpani, Pang Cymbal, Suspended Cymbal, Anvil, Triangle, Shakers, (2) Congas, Large Tom, Cowbell, Tambourine, (3) Temple Blocks, Glass Bottle). Arizona State Solo and …

By Antonin Dvorak (1841-1904). Arranged by John R. Hearnes. Concert Ensemble. For percussion ensemble (13 players: Bells, Xylophone, (2) Vibes, (2) Marimbas (1, 4 octave, 1, 4 1/2 octave), (2) Timpani (26 , 29 ), Chimes, Snare Drum, (2) Tambourines, Claves, Bass Drum, Crash Cymba…

By Franz Schubert (1797-1828). Edited by Werner Bodendorff. For Solo Soprano, SATB Choir, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Cello/Contrabass, Organ. D 460. Full score available separately - see item CA.7004700. Stuttgart Urtext Editions; Use / Occasion: Tantum ergo. Level …

By Chris Crockarell. Concert Ensemble. For percussion ensemble (9 players: Bells, Xylophone, Marimba, Vibes, (2) Suspended Cymbals, (3) Timpani, Sleigh Bells, (3) Toms, Shaker, Vibraslap, Triangle, Wood Block, Tambourine, Crash Cymbals, Snare Drum, Mark Tree, Chimes, Small P. A. …

By Michael Burkhardt. For SATB choir, organ, congregation, brass quartet, timpani (handbells 2-octaves). Choral Music. Medium-Easy/Medium. Published by MorningStar Music Publishers