Par JOHNSON TIMOTHY. Based on the African-American spiritual “Ev’ry Time I Feel the Spirit”, Feel the Spirit captures the essence of the traditional spiritual. These songs were created by African-Americans oppressed by slavery. A deeply religious people, the slaves would use singing as an expression of both their enthusiastic joy and profound sadness. Feel the Spirit enables you to play a great go…

Par JOHNSON TIMOTHY. Based on the African-American spiritual “Ev’ry Time I Feel the Spirit”, Feel the Spirit captures the essence of the traditional spiritual. These songs were created by African-Americans oppressed by slavery. A deeply religious people, the slaves would use singing as an expression of both their enthusiastic joy and profound sadness. Feel the Spirit enables you to play a great go…

After a twelve-year interval, Dvo?ák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethove…

Arrangeur: Florian Bramböck. Par DIVERS AUTEURS / BRAMBOCK FLORIAN (ARR.). When you explore the contents of this book you will immerse yourself in the exotic world of Afro-Latin-Jazz, an exciting form of music fusing African and Caribbean dance rhythms with American Jazz. Latin music has roots not only in Central and South-American folk music but is also strongly influenced by music from Africa.…

This original piece is in a style reminiscent of the music of the rich cultural heritage of the Appalachian Mountain area. Music is an important part of the Appalachian way of life. In fact, Appalachian music is one of the best-known manifestations of the culture. Traditional Appalachian music is derived primarily from the English and Scottish ballad tradition and Irish and Scottish fiddle music. …

Par SUKURA AARON BEBE. This collection is the result of a collaboration between Ghanaian xylophone master Aaron Bebe Sukura and American percussionist Patrick Roulet. It includes traditional songs performed on the gyil (pronounced “jeel”), a single-row xylophone of the Lobi and Dagara people of Ghana and Burkina Faso. Aaron Bebe Sukura, a Senior Instructor at the University of Ghana, was born in t…

By Uzee Brown. Arranged by Jr. Uzee Brown. Text: Traditional African-American. For TTBB Chorus and piano reduction. African American Church Music Series. Sacred. Level: Medum. Text language: English. 20 pages. Published by GIA Publications.

From the Renaissance to the Romantic Periods. Arranged by William Ryden. For Percussion. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. Sacred. Book. 24 pages. Published by Alfred Publishing.

Arranged by Kevin Mixon. Traditional. For String Orchestra. String Orchestra. Belwin Beginning String Orchestra. Level: 2 (grade 2). Conductor Score. 8 pages. Published by Alfred Publishing.

Arranged by Kevin Mixon. Traditional. For String Orchestra. String Orchestra. Belwin Beginning String Orchestra. Level: 2 (grade 2). Conductor Score & Parts. 38 pages. Published by Alfred Publishing.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Alto Saxophone (E-Flat Saxes & E-Flat Clarinets). Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

Arranged by Kevin Mixon. Traditional. For Concert Band. Concert Band. Belwin Beginning Band. Multicultural. Level: 1 (Very Easy) (grade 1). Conductor Score & Parts. 66 pages. Published by Alfred Publishing.

Arranged by Kevin Mixon. Traditional. For Concert Band. Concert Band. Belwin Beginning Band. Level: 1 (Very Easy) (grade 1). Conductor Score. 12 pages. Published by Alfred Publishing.

By African American Spiritual. Arranged by Rory; Daigle Cooney. For Voices: SATB, solo. Instruments: Violin (instruments required). Keyboard accompaniment. Christmas Sacred. Level: easy. 4 pages. Published by GIA Publications.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Cello/Bass. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

By African-American Spiritual. Arranged by Carla Giomo. For Voices: SATB. Piano. Choral Sacred. Level: easy. 9 pages. Published by GIA Publications.

By Traditional Spiritual. Arranged by Undine Smith Moore. For Voices: SATB, soprano and tenor solos. African American Church Music Series Sacred. Level: easy. 6 pages. Published by GIA Publications.

By African American Spiritual. Arranged by Larry Harris. For Voices: SATB, solo. Piano reduction. Choral Sacred. Level: easy. 2 pages. Published by GIA Publications.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Flute, Piccolo. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

By African American Spiritual. Arranged by Frederick B. Young. For Voices: SATB. African American Church Music Series Sacred. Level: easy. 5 pages. Published by GIA Publications.

By Glenn L. Jones. For Voices: SATB. Piano reduction. African American Church Music Series Sacred. 7 pages. Published by GIA Publications.
Level: easy.

By African American Spiritual. Arranged by Anne Heider. For Voices: SSAATTBB. Piano reduction. Christmas Sacred. 11 pages. Published by GIA Publications.
Level: medium.

By Tammy Waldrop. For handbells (2-3 octaves) / handchimes (2-3 octaves). Handbell sheet. Published by Lorenz Publishing Company. (20/1380L)
Level: Level 2.