Par ANGER VIOLAINE. «Voyez ce corps!» A la derniêre scêne de Roméo et Juliette, Capulets et Montaigus, accourus au tombeau, sont face à  l'évidence: ce drame est le résultat de leurs vaines luttes fratricides. Dans l'oeuvre d'Hector Berlioz, le père Laurence désigne les deux amants dont ils voient horrifiés que «le sang fume encore!». Or, il n'y a aucun corps sur scêne puisque Roméo et Juliette n'…

Par CHARBONNIER. As a significant string player, Jean-Louis Charbonnier had extensive knowledge of the musical family and was significantly instrumental in the revival of the Viola de Gamba. He compiled numerous, prolific books for the instrument, Play and Learn the Viola de Gamba being no exception. The Viola de Gamba characteristically has straight back and six or seven strings. However, Charbon…

for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he …

Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosph…

10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). Music by Aleksey Igudesman is now also available for viola players! 'Violin and Viola and more” features a selection of well-known pieces from his duet series ' and More' arranged for violin and viola in moderate difficulty. The edition includes helpful remarks on background and characteristics of every piece. Thus, style-appropriate interpre…

Par WIENIAWSKI / KAMASA. In addition to the numerous violin pieces in H. Wieniawski's compositional output there is only one piee for viola and piano, ''Reverie'', which is without opus number. The ''Dream'' ost probably comes from that period when Wieniawski stayed in London (1858-1859) and, apart from his regular concert activities, took part in chamber concerts, which were very popular at that …

Par CHOSTAKOVITCH DIMITRI. Shostakovich's last work, the Sonata For Viola And Piano Op. 147, is a superbly crafted Sonata in three movements with, unusually, a slow Adagio movement for the third. It was dedicated to the violist Fyodor Druzhinin, a professor of the Moscow Tchaikovsky Conservatory and a member of the Beethoven String Quartet, a renowned Moscow ensemble that played at the premieres o…

Stand: November 1993. B. Hauptfächer/ Recueil / Alto

Par MILHAUD DARIUS. Second of the series of ; Four Faces by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers …

A Progressive Collection Celebrating 29 Female Composers. Composed by compiled, edited by Karen Marshall, and Written. Graded Standard Repertoire; Masterworks; Piano Collection; Piano Resources. Classical; Masterwork. Book. Faber Music #12-0571542379. Published by Faber…

By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano for Adults). Bastien Piano. Method. Level: Book A,1. Music Book. Size 232. Published by Neil A. Kjos Music Company.

Set of Parts. By Samuel Barber. String. Size 9x12 inches. Published by G. Schirmer, Inc.

Composed by John Williams. For flute I,II, piccolo (flute III), oboe I,II, Bb clarinet I,II, Bb bass clarinet, bassoon I,II, F horn, Bb trumpet I-III, trombone I,II, bass trombone, tuba, timpani, percussion I,II, harp, piano/celeste, violin I,II, viola, cello and contrabass. From…

For 2 Violin, Viola, Violoncello and Piano. By Robert Schumann. Edited by E. Herttrich. Piano Qunitets. Pages: Scor = VI and 82 * Vl I, Vl II and Va Parts = 13 ea * Vc Part = 12. Urtext edition (Paper-bound). Published by G. Henle.

By Antonin Dvorak (1841-1904). This edition: Urtext edition. Stapled. Score with parts. Published by Baerenreiter Verlag

By Johann Sebastian; Gounod Bach. Arranged by Richard Proulx. For Voices: SATB (or unison). Instruments: String quartet (2 violins, viola, cello, bass); organ (instruments optional). Choral Sacred. Level: easy. 5 pages. Published by GIA Publications.

Alto Sax. Arranged by Various. Book; CD; Instrumental Series; Play- Along; Worship Resources. Instrumental Solo Series. Contemporary Christian; Pop; Sacred. 32 pages. Published by Alfred Music

Composed by Johann Sebastian Bach (1685-1750), edited by Simon Rowland-jones. BWV 1007-1012. Viola solo book for viola (unaccompanied). With introductory text, performance notes and critical commentary. 88 pages. Published by C.F. Peters.

Score and Parts. By Dmitri Shostakovich. Ensemble. Size 9.25x12.5 inches. 112 pages. Published by Sikorski.

Composed by Johannes Brahms (1833-1897), edited by Gewandhaus Quartet. Opus 18. Set of performance parts (parts only, score not included) for 2 violins, 2 violas and 2 cellos. Bb Major. 72 pages. Published by C.F. Peters.