Dvorák's 'Requiem?, for soloists, choir and orchestra, is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber orchestra based on the full score from the 'Complete Edition of the Works by Antonín Dvorák?.The arrangement dispenses with all the brass instruments except for a single horn- all th…

For All Instruments With Guitar Chords. Par BIELEFELD ROBERT. Players of all kinds of instruments including flute, fiddle, mandolin, recorder, whistle, guitar, harp and more can use this collection of music which is popular at modern renaissance festivals. The music is presented simply, with melody lines and chord symbols, allowing for a wide range of interpretation. In addition to many period dan…

Oratorio for Solo Tenor, Solo Violin, SATB, Children's Choir and Orchestra of Strings, Harp and Perc. Par ROTH ALEC. Alec Roth’s The Traveller is an oratorio for solo tenor, solo violin, SATB choir, children’s choir and an orchestra of strings, harp and percussion. In addition to writing six new poems for the piece, Vikram Seth has made English translations of twenty Indian texts from a rich varie…

Par SANTAMARIA MONGO. Sofrito is a Latin jazz classic made famous by legendary percussionist Mongo Santamaria. Michael Mossman's smoldering arrangement features a moderate chacha groove and plenty of ensemble excitement throughout. With feature spots for the rhythm section, space for open solos, and even optional band vocals, this one churns from beginning to end! The recording is courtesy of the …

Spectacle musical d'apre's l'aventure de l'Ae'ropostale 'Avec ses nombreux choeurs et solos accompagnés dans un style symphonique, cette partition est adaptée aux possibilités vocales des collégiens et lycéens et peut être présentée au public avec mise en scène ou en version de concert, L'oeuvre évoque en plusieurs tableaux la formidable aventure humaine de l'Aéropostale, Sommaire 1 - S'envoler ve…

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use …

With Transcriptions From A Drop Of The Pure. Par BAUGHMAN STEVE. Traditionally the role of the guitar in Celtic music has been confined to accompaniment of lead instruments or a vocalist. In this book Steve Baughman suggests ways to break free of this mold, allowing the guitarist to internalize techniques that make the expression of Celtic melodies a pleasant endeavor. Divided into two sections, t…

Par LÉVINAS. Ecrire un concerto aujourd'huiLa constitution de l'orchestre symphonique a obéi depuis la fin du XVIII siècle d'une part à la structure du système tonal, et d'autre part au développement de la recherche du timbre par les compositeurs, en étroite relation avec l'évolution des lutheries. Le concept même d'orchestration aurait débuté à la fin du baroque avec les fils Bach, Mannheim et Mo…

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