Par ALBENIZ / GRUSZKA. / Répertoire / Guitare

Par SZYMANOWSKI KARL / KOCHANSKI. / Répertoire / Violon et Piano

Par SZYMANOWSKI KARL. / Répertoire / Piano

Par WIENIAWSKI. Wariacje na temat w asny'' op. 15 powsta y w 1854 i w tym samym roku ukaza y si drukiem, wydane przez firm Breitkopf und Hartel w Lipsku. Kompozycja oparta na technice wariacyjnej posiada nietypow form. Temat z trzema wariacjami (w dur) poprzedza molowy wst p z elementami kadencji. Fragment ten pojawia si ponownie po wariacjach, po czym nast puje fina w formie b yskotliwego walca, …

Par DOBRZYNSKI IGNACY FELIKS. Dobrzynski’s Two Mazurkas are worthy of pianists’ attention. Despite the considerable simplification of means and the use of a conventional form, the composer succeeded in creating miniatures not devoid of charm, elegance and a certain unpretentious freshness. Their performance does not require advanced skill, so they may represent valuable additions to the repertoire…

for Piano Op. 5. Par GARSCIA. Set on the ABRSM Grade 2 Piano syllabus. / Répertoire d'Examen / Répertoire / Piano

Par . It is ten well-known, beautiful and interesting works from the musical canon which today cannot be found on the obligatory programme of double bass competitions and also in school curriculum. We can only play them for pleasure! But is that not what teaching music is all about – to provide the pupil with pleasure from playing and hearing the most beautiful works in the history of music. These…

An Allegory For Reed Trio. Par WIDLAK. / Répertoire / Hautbois, Clarinette et Basson

Par KILAR WOJCIECH. / Répertoire / Quatuor à Cordes