Jouer avec Happy et Artie, ils continuent leur excursion en blues brouillage et d'improvisation et recevoir certains conseils importants, des perspectives fascinantes et sage conseils sur les techniques de blues. Tout un tas de chansons sont enseignées, couvrant une large variété de touches et ajustements apportés, chacun offrant différentes possibilités de licks, des solos et des patrons de la ba…

Partition pour chant, guitare ou piano Support : Partition Date de parution : 15/02/2005 Contenu : Abc - Ain't no Mountain high enough - Ain't nothing like the Real Thing - Ain't too Proud to Beg - Baby I need your Loving - Baby Love - Ben - Dancing in the Street - Easy - Get Ready - Heat Wave (Love is like a Heat Wave) - I Can't help myself (Sugar Pie, Honey Bunch) - I Heard a Symphony - I Heard…

In this series, pop hits receive unexpected fresh treatments. Uniquely reimagined and crafted for intermediate piano solo, these favorites have been All Jazzed Up! Play 12 tunes from the legendary record label: Ain't Nothing Like the Real Thing - How Sweet It Is (To Be Loved by You) - I Heard It Through the Grapevine - I Want You Back - Let's Get It On - My Girl - Overjoyed - Papa Was a Rollin' St…

Authentiques transcriptions guitare (notations standards et tablatures) de l'album 'It Won't Be Soon Before Long' de Marron 5. / Guitare

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …