(VENDEURS EUROPEENS) - PARTITIONS : Purcell |  Di-Arezzo | The Hal Leonard Classical Guitar Method
A Beginner's Guide with Step-by-Step Instruction and Over 25 Pieces to Study and Play. The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use beginner's guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to teach you the basics of the classical style and technique. The accompanying CD features all the pieces in the book for demonstration and play along. Includes pieces by Beethoven, Bach, Mozart, Schumann, Giuliani, Carcassi, Bathioli, Aguado, Tarrega, Purcell, and more. Includes all the basics plus info on PIMA technique, two- and three-part music, time signatures, key signatures, articulation, free stroke, rest stroke, composers, and much more. Does NOT include tablature. 17.90 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition |  | | Musicroom | 2 Pieces (Air & Hornpipe)
| | | Musicroom | 2 Trumpets Tunes And Ayres Brass Quartet/Score And Parts(Ption/Pties)Mfb124
| | | Musicroom | 3 Sonates Pour 2 Flutes A Bec Alto Et Basse Continue (Mm3)
| |  Musicroom | 50 Baroque Solos For Classical Guitar
50 fantastic guitar solos in notes and tab from 18 Baroque composers, including Bach, Corelli, Couperin, Handel, Purcell, Rameau, Scarlatti, Telemann and others.
18.10 EUR - Voir plus - Acheter en ligne Voir couverture |  |  Di-Arezzo | 50 Baroque Solos For Classical Guitar Guitar CD
50 fantastic guitar solos in notes and tab from 18 Baroque composers, including Bach, Corelli, Couperin, Handel, Purcell, Rameau, Scarlatti, Telemann and others / Classique / Arangeur: Mark Phillips / Partition CD / 20.00 EUR - Voir plus - Acheter en ligne Voir couverture |  |  Musicroom | A Keyboard Anthology: First Series Book I Grades 1-2
Vingt-deux morceaux s'etendant de la période Baroque à la fin de la période Romantique, édités par Howard Ferguson pour l'ABRSM. Inclues des oeuvres de Purcell, Haydn, Schumann et Tchaikovsky. 11.10 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |  Musicroom | A Keyboard Anthology: Second Series Book 1 - Grades 1/2
Another wonderful collection of Keyboard music from the significant periods and composers, all in easy arrangements. In all there are twenty-one pieces here, from Purcell and Teleman to Standford and Goedicke, each has been carefully edited for the ABRSM by Howard Ferguson. 11.10 EUR - Voir plus - Acheter en ligne Voir couverture | |  Musicroom | A Keyboard Anthology: Third Series Book I Grades 1-2 Voir couverture | |  Musicroom | A Modern Approach to Classical Guitar: Repertoire
A graded anthology of solo pieces ranging from easy to intermediate level. This collection can serve as a supplement to Books Two and Three of A Modern Approach to Classical Guitar or to any classical guitar method. It features works by Calvi, Carcassi, Caroso, Carulli, Diabelli, Purcell, Sor, Telemann, and others. The CD includes 48 trades for demonstration and play-along. 16.40 EUR - Voir plus - Acheter en ligne Voir couverture |  |  Di-Arezzo | A Purcell Anthology
Purcell, Henry / This anthology contains all Purcell's most popular anthems, covering the whole range of full, verse, and symphony anthems. The collection consists entirely of new and specially prepared performing editions, with fully realized organ parts and easily playable score reductions of the anthems with strings. String parts for O sing unto the Lord and Rejoice in the Lord Alway are available for hire. 24.30 EUR - Voir plus - Acheter en ligne Voir couverture | |  Musicroom | A Purcell Organ Album
This is a marvellous collection of pieces by Henry Purcell newly arranged for the Organ by concert organist Martin Setchell. Purcell's music is perfectly suited to the Organ, and a number of his pieces have long been popular with players. This volume brings together a range of well-known pieces - trumpet tunes, the Rondeau from Abdelazer, Dido's Lament, and movements from The Fairy Queen - and combines these with a wonderful selection of lesser-known pieces from across Purcell's work. There are sprightly tunes and hornpipes from the stage works, lovely reflective songs and airs, and a wide range of dances and chaconnes. The result is a set of pieces with wise and varied church and concert use, perfectly accessible to intermediate players, and making a valuable addition to any organist's repertoire.Martin Setchell is Associate Professor of Music, University Organist, and tutor in Organ at the University of Canterbury, School Of Music, New Zealand. He combines his university teaching and research career with a busy and international schedule of recitals and concerts as soloist, accompanist, and continuo player on Organ and Harpsichord. 21.40 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |  Musicroom | ABRSM First Discovery: Henry Purcell Voir couverture |  | | Musicroom | Allegro And Air Fr.King Arthur Brass Quartet/Score And Parts(Ption/Pties)Mfb114
| |  Musicroom | Anthony Payne: The Enchantress Plays
Work for Bassoon and Piano. The Enchantress Plays was commissioned by the Park Lane Group for the PLG Young Artists Series. It was first performed on 8th January 1991 at the Purcell Room, London. Duration 8 minutes. Suitable for advanced players.
16.40 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |  Musicroom | Antonio Cesti: Il Tito (Score/Vocal Score) - Opera
Opera in three acts, edited by Alan Curtis. This opera was first performed in Venice in 1666. It may with justice be considered to be the finest opera written between Monteverdi's 'Poppea' and the dramatic works of the mature Purcell. Having in 1983 presided over the first modern revival of 'Il Tito' in Innsbruck, the city of its original commissioning, Alan Curtis has now produced the first complete performing edition to be drawn from available sources. 98.90 EUR - Voir plus - Acheter en ligne Voir couverture | |  Musicroom | Arco Anthems Voir couverture Extrait de partition | | | Musicroom | Bach,js Purcell,h Two Contrasts Organ
| |  Musicroom | Baroque Brass Voir couverture | |  Musicroom | Baroque Keyboard Pieces Book 2
An introduction to the Baroque style with 47 moderately easy pieces fully annotated and with performing notes. Edited by Richard Jones. Includes works by Purcell, Handel, Bach and Arne. 16.90 EUR - Voir plus - Acheter en ligne | |  Musicroom | Benjamin Britten: Chorale After An Old French Carol
La chorale de Britten est un arrangement d'un chant français datant du XVIIème siècle, nommé Romancero, plus connu sous le nom de Picardy. Le texte est de W.H. Auden. Le morceau fut interprété pour la première fois par les chanteurs de Purcell en Décembre 1961 à Londres. Un accompagnement au piano est inclus pour les répétitions. 3.30 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |  Musicroom | Benjamin Britten: The Purcell Collection - High Voice
Most of the distinctive Purcell realizations by Benjamin Britten, vocal parts edited by Peter Pears, have been out of print for some years. This new edition collects 50 selections for medium/low voice. Includes 9 songs from Harmonia Sacra, 24 solo songs and six duets from Orpheus Britannicus, ?The Queen's Epicedium? and selections from Dido and Aeneas and The Fairy Queen.Si vous entendez dans l?un de vos CD, une batterie groover comme jamais ou un solo sorti de nulle part, il y a fort à parier que c?est Claude Salmiéri.UNE BATTERIE QUI CHANTEJean-Jacques Goldman, Renaud, Ray Charles, entre autres, ont fait appel à ses baguettes, sans oublier Michel Berger dont il fut l?un des plus proches et indispensables collaborateurs.Aujourd?hui, il choisit d?orienter sa carrière vers le jazz, style qu?il affectionne depuis toujours et dans lequel il excelle tout particulièrement. Là encore toutes ses qualités restent au service de la musique.Premier numéro de la collection : 'A la rencontre de Claude Salmiéri.'LA PREMIÈRE PARTIE vous emmènera dans une interview sincère, touchante, rythmée d?anecdotes inédites sur sa carrière de plus de 30 ans.EN SECONDE PARTIE, Claude SALMIERI vous révèle ses plus grandes astuces et secrets qui vous permettront de travailler ce magnifique instrument qu?est la batterie, de vous préparer à un concert, à une séance studio?LA DERNIÈRE PARTIE est une invitation à un « petit live » entre amis triés sur le volet, où la batterie occupe naturellement la place de vedette incontestée.ers l?audio et la vidéoPour les cours de musique, les auditions, le travail quotidien ? FINALEp>Box-type speakers for richer soundHigh-volume box-type speakers underneath the keyboard output rich, beautiful Piano sound. Speakers can be installed so they are pointing inwards or outwards.Versatile features to support Piano lessonsYou can turn off the left hand part or right part during playback of a Music Library tune, and play along with the remaining part.Duet mode allows two people to play within the same range. In the Duet Mode, the left (soft) pedal functions as aimaire, en collège, en lycée, FINALE 2009 est l?outil essentiel de votre pédagogie.L?éducation musicale
37.90 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |  Musicroom | Benjamin Britten: The Purcell Collection - Medium/Low Voice
Most of the distinctive Purcell realizations by Benjamin Britten, vocal parts edited by Peter Pears, have been out of print for some years. This new edition collects 45 selections for medium/low voice. Includes 9 songs from Harmonia Sacra, 24 solo songs and six duets from Orpheus Britannicus, ?The Queen's Epicedium? and selections from Dido and Aeneas and The Fairy Queen.by Rossini, Schumann and Johann Strauss.Composer biographies and extensive teaching notes on each piece are included together with a CD recording of all of the works in the anthology, performed by Jens Franke. moreover great fun since his instruction is crystal clear and very practical to use. has toured extensively with many top artists and has been involved in a wide range of recording and song-writing projects.and directed the operetta Maria de Buenos Aires from the Accordion. He has been a professor at the Royal Danish Academy of Music and regularly gives masterclasses at music institutions worldwide.provide very brief background information: eg texts (with translation where appropriate), dates and approximate timings so the ceremony can be planned meticulously.Whatever the circumstances and size of your choir, there will be a something within this volume that will suit you. But more than that, the versatility of the Concerts for Choirs series is such that it can be used as an invaluable resource for choral material, whatever your requirements.nuto) is the perfect choice for the person who wants a real Piano look. The Privia's slim body is a mere 298 mm slim.New slide-type keyboard coverA new slide-type keyboard cover protects the keyboard from dust, dirt, and damage, and easily slides out of the way into the compact body.Box-type speakers for richer soundHigh-volume box-type speakers underneath the keyboard output rich, beautiful Piano sound. Speakers can be installed so they are pointing inwards or outwards.Versatile features to support Piano lessonsYou can turn off the left hand part or right part during playback of a Music Library tune, and play along with the remaining part.Duet mode allows two people to play within the same range. In the Duet Mode, the left (soft) pedal functions as aimaire, en collège, en lycée, FINALE 2009 est l?outil essentiel de votre pédagogie.L?éducation musicale
37.90 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |  Musicroom | Best Of Grade 1 Piano
A compilation of the best Grade 1 piano pieces ever selected by the major examination boards. Selected and edited by Anthony Williams. Features the works of - Attwood, Bach, Bartok, Beethoven, Blow, Bullard, Gillock, Gritton, Haydn, Head, Henkel, Jackson, Mozart, Neefe, Purcell, Schumann, Telemann, and Witthauer. 9.90 EUR - Voir plus - Acheter en ligne Voir couverture | | | Musicroom | Brice Pauset : Canons (8)
Comme le laisse supposer le sous-titre, ce cycle de canons prend sa source dans les huit premières notes du thème de ' l'aria mit verschiedenen Veraenderungen ' (Variations Goldberg) de Johann Sebastian Bach. Lui-même, dans une page récemment découverte, avait envisagé des extensions spécifiques à ce thème (en fait celui d'une chaconne pour clavier de Henry Purcell) sous forme de 14 miniatures écrites sous forme traditionnelle, énigmatique. C'est sans doute la pesanteur de l'époque désastreuse que je suis contraint de vivre et d'observer qui me porte vers les citations (ou les détournements) d'auteurs littéraires et philosophiques du passé. Malgré mon peu d'attirance particulière pour le petit jeu des citations musicales, en revanche, la mise en œuvre critique des techniques du passé (en particulier les techniques canoniques prolationnelles) permettent un conflit potentiellement riche d'expériences esthétiques entre la surface rhétorique de la musique, ce qu'elle laisse entrevoir de son organisation à des niveaux plus intermédiaires, et les plans architectoniques, dans leur nécessaire rigidité. On pourrait dire que le véritable sujet de ces huit pièces, plus que huit notes aux propriétés certes remarquables dans le contexte tonal, serait un arsenal de techniques disponibles dans l'histoire, toutes susceptibles d'élargissements du domaine symbolique vers le domaine conceptuel. L'élargissement en question devrait idéalement être perçu dans l'acception hégélienne du mot, où le rapport de l'opposition qualitative et de la diversité quantitative fait voir le caractère inessentiel et inconceptuel de la relation de grandeur. Le spectre de la rhétorique est toujours très présent dans mon travail. Ici, les techniques de la persuasion ne sont mise en œuvre que dans les canons impairs, qui prennent apparemment des formes connues, avérées : un détournement de ricercare pour le canon I, un mouvement de sonate échappé de son milieu baroque pour le canon III, un récitatif accompagné (qui aurait oublié son texte - sa raison d'être) pour le canon V, une aria mythomaniaque pour le canon VII. Les trois premiers canons (nocturnes 1, 2, 3) tentent de limiter autant que possible les actions compositionnelles intermédiaires en évidenciant jusqu'au dénudement la théorisation de leur architecture. L'ambition stylistique est ici aussi absentée que possible, ouvrant l'écoute vers des 78.00 EUR - Voir plus - Acheter en ligne | |  Musicroom | British Classics Arranged For Intermediate Piano Solo
Une sélection de choix de morceaux tirés du triple CD de Classic FM. Inclues les musiques d'Elgar, Holst, Nyman, Parry, Purcell, Sullivan, Tavener et Vaughan Williams. 16.40 EUR - Voir plus - Acheter en ligne Voir couverture | |  Musicroom | Bruce Wood: Purcell - An Extraordinary Life
In this vivid portrait, Bruce Wood illuminates the sometimes shadowy figure of Henry Purcell, richly evoking the atmosphere of 17th-century England - full of intrigues and plots. By interweaving the events during an unparalleled period of social and political change with the life and music of Purcell, Wood creates an account of this elusive English genius that is hard to put down.'The quality of the writing, the concision, colour and grittiness of the narrative, sets this book apart from all others on the subject.' Professor Sir Curtis Price 21.90 EUR - Voir plus - Acheter en ligne Voir couverture | |  Musicroom | Burgon: First Was The World (Vocal Score)
Quoting Burgon: My first thought on receiving this commission was what sort of text would suit. Something on the general idea of growth - starting very small and blossoming was the obvious way to go, but it wasn't until I found the Andrew Marvell poem Music's Empire that I really got going. The poem is about the invention and development of music; this might sound a bit dry, but in fact it is both charming and dramatic, and it is also apt in that it can be set for both solo voice and chorus. The other factor to be considered in writing this piece was the Purcell connection. Purcell wrote Come Ye Sons of Art in 1964, the year the bank was founded, and this piece is also included in the celebratory concert. So I wanted to include some homage to HP as well. Marvell's poem is the sort of text that Purcell might have set had he come across it. It is a sort of Ode of text that Purcell might have set had he come across it. It is a sort of Ode to St Cecelia and he wrote one of those as we know. So I have referred to Purcell in two particular ways; I have quoted Come Ye sons of Art directly, and I have used the countertenor. Purcell himself sang countertenor in many of his own pieces, and wrote some of the most gorgeous music ever written for that voice. I also happened to love both Purcell's music and the countertenor so writing this piece was really a labour of love. It is scored for countertenor, mixed chorus and symphony of orchestra - rather larger than any orchestra that Purcell had access to as far as I know, but one in which I'm sure he would have revelled in given the opportunity. It is about ten minutes in duration. 7.80 EUR - Voir plus - Acheter en ligne Voir couverture | |  Di-Arezzo | by Henry Purcell; arranged by Bram Wiggins - Wonderful World of Purcell for Trumpet and Piano
Following the success of the Wonderful World series for piano which transcribed orchestral and ballet works, the same concept is applied here for trumpet with piano accompaniment. Each of the twelve pieces in this book has been expertly arranged for the... 11.20 EUR - Voir plus - Acheter en ligne Voir couverture | |  Di-Arezzo | Bärenreiter Piano Album Baroque
Various composers / Partitur/Score/Partition / Contenu : Byrd, Farnaby, Lawes, Blow, Purcell, Barrett, Frescobaldi, Pasquini, Corelli, Scarlatti, Zipoli, Couperin, le Roux, Rameau, Telemann, Handel, Bach 16.30 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |  Musicroom | C.H. Trevor: Music For Memorial And Thanksgiving Services For Manuals.
This edition includes a diverse selection of music designed for the intermediate standard organist, especially designed for wedding, thanksgiving and other festival occasions. The volume includes works by composers from Purcell, through Bach, Handel and Mozart to Beethoven and Elgar. Although the pieces in this book had suggestions for registration on an organ of two (and sometimes three) manuals, they can be played effectively on a one manual instrument with appropriate stops. This edition will prove to be a handy companion in all celebratory services. 16.40 EUR - Voir plus - Acheter en ligne Voir couverture | |  Musicroom | Celebrate This Festival (Full Score)
Purcell composed six of his finest odes to honour the birthdays of Queen Mary in successive years from 1689. Celebrate this festival (1693) contains writing on all scales, from eloquent chamber music to joyous choruses with strings, Trumpet and Oboes. This authoritative performing edition is prepared by the leading Purcell expert, Robert King. 26.40 EUR - Voir plus - Acheter en ligne Voir couverture | |  Di-Arezzo | Cello (Phil) Vielharmonie (12 Bearbeitungen von Praetorius bis Comedian Harmonists)
4 und 5 Celli - Partitur und Stimme(n) (Celli) - [ Cello (Phil) Vielharmonie (12 Arrangements from Praetorius to Comedian Harmonists) / 32pp+8pp+8pp+8pp+8pp, 2004, Bearbeitungen von : Roswitha Bruggaier / Praetorius, Michael & Caroubel, Pierre Francisque : Drei Gavotten (aus 'Terpsichore' 1612) / Phalèse, Pierre : Branle V / Purcell, Henry : Trumpet Tune / Haydn, Franz Josef : Chorale St. Antonii / Mozart, Wolfgang Amadeus : Marsch der Priester (aus 'Die Zauberflöte') / Beethoven, Ludwig van : Hymne an die Nacht (nach 'Klaviersonate f-moll Opus 57') / Schubert, Franz : Der Tod und das Madchen D 531 / Flotow, Friedrich von : Letzte Rose (aus 'Martha') / Sibelius, Jean : Festliche Hymne (aus 'Finlandia' Opus 26) / Gilkyson, Terry : The Bare Necessities (aus 'Das Dschungelbuch') / Reisfeld, Bert : Mein kleiner grüner Kaktus / Jurmann, Walter : Veronika, der Lenz ist da 15.30 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |  Musicroom | Chester's Piano Starters Volume One
Beginner to pre-Grade 1. Ideal for the beginner, with five-finger positions, alternating hands and very simple hands together. Pieces include Purcell's Rigadoon and the beautiful Au Clair De La Lune.
8.20 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | | | Musicroom | Christopher Steel: Fantasy On A Theme Of Purcell Organ
| |  Di-Arezzo | CLARINETTE In Play - CD-Rom Musicalis
# clarinette - CD-Rom - Travailler la clarinette sur les incontournables du répertoire : Robert Schuman, KarlCzerny, Henry Purcell, Cornélius Gurlitt...
# Contenu : Vous pouvez aborder Clarinette in Play de façon progressive en suivant l'ordre des morceaux, ou, en fonction de votre niveau, par le morceau de votre choix.
Chaque morceau est accompagné de conseils de travail.
De plus, tous les morceaux sont imprimables avec une qualité professionnelle.
Jouez, exercez-vous, enregistrez-vous, amusez-vous et progressez ! 60.00 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition |  |  Di-Arezzo | Classic Remix *Cd* Vol 1
De 11 à 15 ans - Classic Remix propose l'étude instrumentale ou vocale de thèmes classiques dans des versions remixées. La présence de la version originale permet d'inscrire cet apprentissage au sein du cours d'Éducation Musicale. Certains thèmes ont parfois été déclinés en deux versions : l'une conforme à l'originale, et l'autre simplifiée. - Par ailleurs, la présence d'une fiche (jointe à chaque morceau) permettra de recenser des propositions pédagogiques (caractéristiques thématiques essentielles, situation de l'oeuvre, éléments à étudier permettant la construction d'un cours, reprises existantes de ce thème...). - Les titres : - - King Arthur - Cold Genius, H. Purcell - - Les quatres saisons - Inferno, A. Vivaldi - - Suite n°3 pour orchestre - Every step, J.S. Bach - - Dies Irae - Dies Irae, mélodie grégorienne - CD - livret
13.80 EUR - Voir plus - Acheter en ligne |  | | Musicroom | Classical Duets For Flute
Classical duets for Flute is a collection of well-known classical themes for two Flutes. The duets have been arranged chronologically so that you can make a musical journey beginning in Purcell's time, continuing through Haydn and Schubert, and ending with Grieg. 18.10 EUR - Voir plus - Acheter en ligne |  |  Musicroom | Classical Masters for Acoustic Guitar - Volume 3 (TAB)
Seven composers including Bach, Beethoven, Mendelssohn and Purcell arranged by Lee Mitchell with tab and score.Lee Mitchell first began studying the Guitar at the age of ten, and has studied in the styles of Classical, Blues, Folk, Jazz, Pop, and others. 16.50 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |  Di-Arezzo | Classical Repertoire for Violin Volume One - by Costel Puscoiu
First in a series of three volumes of simple melodies from classical literature transcribed to easy keys for the beginning violinist. Features 65 themes by Mozart, Beethoven, Handel, Purcell, Brahms, Telemann, and others. Piano accompaniment included. 17.50 EUR - Voir plus - Acheter en ligne Voir couverture Extrait de partition | |
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| (VENDEURS AMERICAINS) - PARTITIONS : Purcell | | 'Twas within a furlong of Edinborough Town
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| 10 Sonatas Of Four Parts For Cello (Sonatas I-IV) Voir couverture | | 
| 10 Sonatas Of Four Parts For Cello (Sonatas V-VII) Voir couverture | | 
| 10 Sonatas Of Four Parts For Cello (Sonatas VIII-X) Voir couverture | | 
| 10 Sonatas Of Four Parts For Violin 1 (Sonatas I-IV) Voir couverture | | 
| 10 Sonatas Of Four Parts For Violin 1 (Sonatas V-VII) Voir couverture | | 
| 10 Sonatas Of Four Parts For Violin 1 (Sonatas VIII-X) Voir couverture | | 
| 10 Sonatas Of Four Parts Violin 2 (Sonatas I-IV) Voir couverture | | 
| 10 Sonatas Of Four Parts Violin 2 (Sonatas V-VII) Voir couverture | | 
| 10 Sonatas Of Four Parts Violin 2 (Sonatas VIII-X) Voir couverture | | | 12 Sonatas of 3 Parts, No. 1-6
| | | 12 Sonatas of 3 Parts, No. 7-12
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| 12 Sonatas Of Three Parts (Sonatas IV-VI) Voir couverture | | | 15 Fantasias; Vol 1: Nos. 1-7 (Just) - full score
By Henry Purcell. Arranged by Just, Herbert, Editor. For strings (3- and 4-part). This edition: full score. Reprint source: Nagels Music Verlag. English: Baroque. Composed c1680. Duration 6 minutes. Published by Edwin F. Kalmus. $8.00 - Voir plus - Acheter en ligne | | | 15 Fantasias; Vol 1: Nos. 1-7 (Just) - set of parts
By Henry Purcell. Arranged by Just, Herbert, Editor. For strings (3- and 4-part). This edition: set of parts. Reprint source: Nagels Music Verlag. English: Baroque. Composed c1680. Duration 6 minutes. Published by Edwin F. Kalmus. $50.00 - Voir plus - Acheter en ligne | | | 15 Fantasias; Vol 2: Nos. 8-15 (Just) - full score
By Henry Purcell. Arranged by Just, Herbert, Editor. For strings (4-, 5-, 6-, 7-part). This edition: full score. Reprint source: Nagels Music Verlag. English: Baroque. Composed c1680. Published by Edwin F. Kalmus. $15.00 - Voir plus - Acheter en ligne | | | 15 Fantasias; Vol 2: Nos. 8-15 (Just) - set of parts
By Henry Purcell. Arranged by Just, Herbert, Editor. For strings (4-, 5-, 6-, 7-part). This edition: set of parts. Reprint source: Nagels Music Verlag. English: Baroque. Composed c1680. Published by Edwin F. Kalmus. $35.00 - Voir plus - Acheter en ligne | | | 2 Original Compositions
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| 2 Wedding Processionals
By George Frideric Handel, Henry Purcell. Arranged by Gordon Cherry. Brass Quintet. For 2 Trumpets, Horn in F, Trombone, Tuba. Baroque Wedding. Level: advanced. Full score and parts. Published by Cherry Classics. $15.00 - Voir plus - Acheter en ligne Voir couverture Extrait de partition | | 
| 3 Parts Upon a Ground Voir couverture | | | 3 Pieces for Solo Guitar
| | | 3 Pieces from The Fairy Queen
| | | 3 Symphonies
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| 300 Years of Keyboard Music
28 Piano Solos in Their Original Form. By Alexander Gretchaninoff; Anonymous; Arcangelo Corelli; Bela Bartok; Carl Reinecke; Daniel Gottlob Turk; Daniel Steibelt; Dmitri Kabalevsky; Dmitri Shostakovich; Franz Joseph Haydn; Georg Bohm; George Frideric Handel; Henry Purcell; Ignaz Joseph Pleyel. Edited by George Walter Anthony. Solo piano. For Piano Solo. Composers for The Keyboard. Classical. Solo part. 32 pages. Published by Theodore Presser Company.
$6.95 - Voir plus - Acheter en ligne Voir couverture Extrait de partition | | | 4 Pavans (wonderful dissonances) - Score and parts
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| | | 5 Pieces from Abdelazar
| | | 6 Sonatas or Solos for Violin. PF 108
| | | 6 Vocal Duets
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| 7 Classical Favorites Arranged for Two Pianos, Eight Hands
Selections by Brahms, Elgar, Grieg, Handel, Haydn, Mozart, and Purcell Arranged for Intermediate Piano. Arranged by Virginia Speiden Carper. For Piano. This edition: 2 copies included. Piano Quartet (2 Pianos, 8 Hands). Alfred's Classic Editions. Level: Intermediate. 116 pages. Published by Alfred Publishing. $16.95 - Voir plus - Acheter en ligne Voir couverture Extrait de partition | | 
| 8 Variations On A Minuet by Purcell Voir couverture Extrait de partition | | | 9 Pieces
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| 9 Pieces for Recorders and Piano Voir couverture | | 
| 9 Program Solos (George Frideric Handel, Franz Joseph Haydn, Felix Mendelssohn)
For Trombone, with Piano Accompaniment. By Felix Mendelssohn; Franz Joseph Haydn; George Frideric Handel; Henry Purcell; Johann Sebastian Bach; Modest Mussorgsky; Robert Schumann. Edited by Gregory Castleton; Walter Eckard. Arranged by Gregory Castleton; Walter Eckard. For Trombone Solo, Piano. Solo part with piano reduction. 31 pages. Published by Theodore Presser Company. $11.95 - Voir plus - Acheter en ligne Voir couverture Extrait de partition | | | A Choice Collection
| | | A Fantasy about Purcell's Fantasia upon One Note
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| A Purcell Collection for Recorder Consort
Fifty Solo, Duets, Trios and Quartets. By Henry Purcell. Arranged by Arnold Freed. (Recorder). Boosey and Hawkes Chamber Music. Size 9x12 inches. 46 pages. Published by Boosey and Hawkes. $19.95 - Voir plus - Acheter en ligne Voir couverture | |
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