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AKAI Professional EWI5000 - Wireless, Battery-Powered MIDI Controller Electronic Wind Instrument With On-Board Sound Library
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Free returns are available for the shipping address you chose. You can return the item for any reason in new and unused condition: no shipping charges
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Purchase options and add-ons
Color | Black |
Brand | Akai Professional |
Material | Horn |
Model Name | EWI 5000 |
Item Dimensions LxWxH | 26.64 x 2.4 x 1.68 inches |
About this item
- Next Generation Performance - Ultra-portable electronic wind instrument with authentic feel, layout and response coupled multiple fingering modes that adapt to your preferred playing style
- The Freedom to Perform - Seamless 2.4 GHz ultra-low latency wireless connectivity for unrestricted performance capability with support for stereo wireless audio (receiver included)
- Responsive - Ultra-responsive mouth piece with air-pressure level and bite sensors, plus eight dedicated precision dials for on-the-fly adjustment of instrument or effect parameters
- Battery Powered - Long-lasting play time using the rechargeable lithium-ion battery (charging adapter included) plus USB port for USB-MIDI connection and battery recharging
- Pro-Grade Sound Library - 3 GB of onboard, performance-ready world-class acoustic and synth sounds created by leading virtual instrument developer SONiVOX
- Connectivity Covered - 1/4" audio output connects to virtually all audio receivers, mixers and PA systems and 1/8" headphone output for private practicing
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Product information
Item Weight | 1.98 pounds |
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Product Dimensions | 26.64 x 2.4 x 1.68 inches |
Country of Origin | China |
ASIN | B00IJF00GW |
Item model number | EWI 5000 |
Batteries | 1 D batteries required. (included) |
Customer Reviews |
4.2 out of 5 stars |
Best Sellers Rank | #9,185 in Musical Instruments (See Top 100 in Musical Instruments) #21 in Saxophones (Musical Instruments) |
Is Discontinued By Manufacturer | No |
Date First Available | April 14, 2014 |
Color Name | Black |
Connector Type | usb,wireless |
Material Type | Horn |
Instrument Key | A |
Number of Keyboard Keys | 12 |
Proficiency Level | Professional |
Battery type | Lithium Ion |
Power Source | Battery Powered |
Standing screen display size | 1 |
Warranty & Support
Feedback
Product guides and documents
What's in the box
Product Description
The Next-Generation Wind Instrument EWI5000 Black, the ultimate addition to the EWI series, combines innovative instrument design, wireless connectivity, and a sound library by SONiVOX to create the most expressive and versatile electronic wind instrument available today - all in a sleek, striking all-new black finish Building upon the legacy of the original Electronic Wind Instrument, Akai Professional created EWI5000 Black with the same objective in mind—deliver unprecedented musical expression to wind players everywhere. Experience the next generation in wind-performance technology with an instrument that’s built for the contemporary player. Performance Freedom With 2.4GHz low-latency wireless connectivity, EWI5000 Black empowers you to perform freely with a dynamic performance instrument in hand. It supports stereo wireless audio and includes a receiver for instant mobility on the stage or in the studio. Versatile EWI5000 Black also supports wired audio and MIDI connections for integrating with additional external performance and production hardware. Plus, it’s powered by a rechargeable lithium-ion battery, so you can take EWI5000 Black with you and play it anywhere. Expressive For precisely controlling volume and pitch dynamics, EWI5000 Black features an ultra-responsive mouth piece with an air-pressure level sensor and bite sensor. In addition, eight dedicated precision dials allow you to adjust instrument or effect parameters on the fly Multiple Finger Modes EWI5000 is a powerful instrument that expands the performance capabilities of woodwind and brass musicians alike. With support for multiple playing styles, its interface can be switched to flute, oboe, and saxophone fingering modes. An EVI Electronic Valve Instrument Mode is also included for brass players Effortless Connectivitynbsp; USB-MIDI connectivity and a 5-pin MIDI output enable you to expand your sonic palette by controlling software synths, virtual samplers, or traditional MIDI modules. EWI5000 Black comes with a built-in 1/4-inch output for connecting it directly to PA systems and a 1/8-inch headphone output for practicing privately. Any Sound for Any Performance EWI5000 Black comes loaded with more than 3GB of built-in high-quality sounds designed by SONiVOX. These instruments span just about every music genre and put both traditional orchestral sounds e.g. horn, brass, and woodwind and non-traditional sounds e.g. progressive synths, basses, and leads at your fingertips. EWI5000 Sound Editor Expand your creative capabilities with the EWI5000 Black Sound Editor software. This custom software editor is a powerful platform for manipulating EWI5000's sound library on your Mac or PC. Connect EWI5000 Black to your computer via USB; call up any instrument from the library; and use the filter, two LFOs, pan knob, tune control, and multiple envelopes to tweak it into something entirely new. Then, store your edits directly on your EWI5000 Black for a customized instrument library that's ready to perform whenever you are.
From the manufacturer
Express Yourself
Charter unexplored sonic heights and take your performance to the next level with EWI 5000 - the most expressive, sonically-varied and versatile wind instrument in the world. Fusing a one-of-a-kind, innovative instrument design, reliable wireless connectivity and a divergent, professional sound library from the critically acclaimed leading software developer SONiVOX, EWI 5000 delivers unprecedented musical expression to wind players everywhere. Experience the next generation in wind-performance technology with an instrument built for the contemporary player.
Performance Freedom
Your performance matters. With 2.4GHz low-latency wireless connectivity, support for stereo wireless audio and an included receiver for instant mobility on stage or in the studio, EWI5000 empowers unrestricted performance freedom without the unnecessary complications of cumbersome signal routing and unexpected dropouts. Whatever your needs, EWI 5000 ensures simple, rapid assimilation into existing setups courtesy of wired audio and MIDI connections that integrate seamlessly with additional external performance and production hardware; plus, the inclusion of a long-lasting rechargeable lithium-ion battery allows you to take EWI5000 with you and play it anywhere.
Total Control
Your performance demands unrestricted control to maximize your expressive potential. EWI5000 features an ultra-responsive mouthpiece with an air-pressure level sensor and bite sensor for precisely controlling volume and pitch dynamics. In addition, eight dedicated precision dials allow you to adjust instrument or effect parameters on the fly; tweak Filter, Reverb, Chorus, LFO, Breath Amount, Bite Amount, Semitone Tuning and Fine Tuning for a sound that’s as expressive as your playing.
Play Your Way
Whatever and however you play, EWI5000 ensures to readily adapt to your needs. With support for multiple playing styles, its interface can be switched to flute, oboe and saxophone fingering modes. An EVI (Electronic Valve Instrument) Mode is also included for brass players. Whether you're a classically trained flutist looking for a modern alternative, or a seasoned EWI player looking for finger-position flexibility, EWI5000 has you covered.
Express Yourself
Performance Freedom
Total Control
Play Your Way
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Get ConnectedWhether you’re honing your skills, performing live or recording in a studio, EWI5000’s plethora of connectivity options ensures seamless, rapid integration. Combining USB-MIDI connectivity, a 5-pin MIDI output, a built-in 1/4-inch output for connecting it directly to PA systems and a 1/8-inch headphone output for practicing privately, EWI5000 instantly adapts to whatever scenario you throw at it. |
Premium Sounds for Any PerformanceEWI5000 comes loaded with more than 3GB of built-in high-quality sounds designed by the critically-acclaimed virtual instrument developer SONiVOX. From traditional orchestral sounds to contemporary synthesised textures, EWI5000’s on-board sound library allows you to experience your instrument live never before, opening up a world of creative expression, immediately accessible at your fingertips |
Find Your SoundExpand your sonic palate with the easy-to-use EWI5000 Sound Editor software. Connect EWI5000 to your computer via USB, call up any instrument from the on-board library and use the filter, two LFOs, pan knob, tune control and envelope generators to transform it into something entirely new. Then, store your edits directly on your EWI5000 for a customised instrument library that's ready to perform whenever you are. |
From the brand
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With 5 decades of experience, Akai Professional continues to empower music creators with the innovative technology needed to make inspiring music.
The Akai Professional MIDI Production Center (MPC) pattern-based devices revolutionized music creation around the world. Now alongside the next generation of standalone MPC, we lead the way with world-class hardware controllers, software DAWs, plugin instruments, and insert effects products.
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Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers are satisfied with the customization of the musical instruments. They also disagree on quality, sound quality, performance, ease of assembly, and wireless.
AI-generated from the text of customer reviews
Customers appreciate the many nested menus of settings and tweaks in the musical instruments. They say they like all of the options and increased opportunities.
"...; and 5 for the ability to edit the programs..." Read more
"...There are many nested menus of settings and tweaks and it takes a long time to get the EWI adjusted so it feels comfortable, so don’t get..." Read more
"Good sound even with built in speaker. Numerous custom settings. Excellent customer service...." Read more
"...Nevertheless, I can truly say that I really like all of the options and the increased opportunities to express my emotions musically...." Read more
Customers are mixed about the quality of the musical instruments. Some mention that it's well built, while others say that it was defective.
"...and how many different sounds and styles you can come up with.. Great instrument." Read more
"...4 1/4 " X 30-45 (this is the general size listed), makes a good case. Cut up an old yoga mat to line the tube for extra protection...." Read more
"...Advise - get a good case. These types of instruments are not very road worthy, so I would not consider a gig bag/soft case, especially given the..." Read more
"...I did before I bought it. Extra for wireless on the 5000; worth it. If you are a sax/reed player, you will be able to just jump on it, and play...." Read more
Customers are mixed about the sound quality of the musical instruments. Some mention that it sounds great, well built, and has the ability to mimic the sounds of others. However, others say that the sounds are very harsh, bright, and cheesy, and the glissando glide sounds very synthetic. They also say that there is a dreaded rattling sound coming from the body of the instrument.
"...Do it right. Plenty of tutorials on YouTube. Built-in sounds are pretty good. Overall, I am happy with my purchase." Read more
"...I took it out of its case to practice and immediately noticed a dreaded rattling sound coming from the body of the instrument..." Read more
"...I was really impressed with the range and how many different sounds and styles you can come up with.. Great instrument." Read more
"...notes, random programs changing by themselves, notes sustaining when not being played, etc. I had purchased it from Patchman, who had set it up...." Read more
Customers are mixed about the performance of the musical instruments. Some mention that it works quite well, while others say that it just stops working. The bocktave rollers work well once you figure out how they work. However, some customers say that the product fails within hours or fails erratically.
"Plays beautifully. I was really impressed with the range and how many different sounds and styles you can come up with.. Great instrument." Read more
"...I found this appealing. I would order from this seller again! Everything works perfectly...." Read more
"...Not a good idea. It simply didn't work for me...." Read more
"...The BASS CLAIRNET is amazingly real and responsive to the EWI. I wish they'd used those sounds. Check them out on the web...." Read more
Customers are mixed about the ease of assembly of the musical instruments. Some mention that the fingerings are easy to learn and the transpose function makes it easy to practice songs and exercises in any key. However, others say that the programming is not easy to understand and takes a while to get used to. There is also a bit of a learning curve and lots of setup and tweaking required.
"...The transpose function makes it easy to practice songs and exercises in any key and the earphone function allows you to practice any place, any..." Read more
"...I've only had it for a few days, and the programming is not easy to learn, but it works, and I can, with a little effort play a tune...." Read more
"...Onboard sounds are OK for practice and definitely convenient...." Read more
"...It is fast and easy to be sloppy. You have to be attentive to not accidentally touch keys (mostly the accidental keys--a fitting name!),..." Read more
Customers are mixed about the wireless capabilities of the musical instruments. Some mention that it works flawlessly and has a good range, while others say that it doesn't transmit MIDI wirelessly.
"...The wireless function was fast and easy to set up and seems to have good range. The rechargeable battery has several hours of life." Read more
"...my biggest disappointment with this product is that they didn't include wireless MIDI, only wireless Audio...." Read more
"...But any new instrument requires practice. The wireless capability works flawlessly...." Read more
"...To not include wireless is a major shortcoming...." Read more
Customers are dissatisfied with the responsiveness of the musical instruments. They mention that the unit is completely unresponsive, including the power button. Some customers also report that the mouthpiece is not as responsive as others. However, the instrument can work against even moderately fast tonguing, and the rollers take some practice.
"...up unwanted notes (sloppy fingering) but it can also work against even moderately fast tonguing. The rollers take some practice...." Read more
"...it pops and cracks, cuts out, and then the unit becomes unresponsive for a few moments before being OK again...." Read more
"...The power stays on, but the unit is completely unresponsive, including the power button...." Read more
"...Even after contacting the manufacturer, there has been no response for over a week...." Read more
Customers are dissatisfied with the battery of the musical instruments. They mention that it only runs on battery, it has to be charged, and it's not a standard battery. Some say that the charging circuit stopped feeding it power after it was charged.
"...Most often the power switch does not work, and the battery has to be removed.I Notified Akai technical support on 08.22...." Read more
"...remained active and drained the battery, but the charging circuit stopped feeding it power (it was, after all, charged)...." Read more
"...This is beyond crap - the instrument is fine BUT it only runs on the internal battery which, if it gets too low, will not be able to be recharged..." Read more
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I took it out of its case to practice and immediately noticed a dreaded rattling sound coming from the body of the instrument (which had never fallen, been jostled or impacted). It sounded like a screw rolling inside the instrument in response to gravity. Curious, I listened to it rolling up towards the mouthpiece, or down towards the bell in response to tilting the instrument. I had no idea what internal screw could have come free, or why…until my neck strap ring fell off. Then the grim reality of a cheaply constructed, poorly designed instrument hit me. Had this been any of the previous models, I would have gotten my screwdriver and screwed the ring back into place. Those were always external screws (duh). These were screwed in place prior to assembly, thus winding up in an inaccessible place, permanently rattling about inside my now strap ringless instrument. My options were to send it to Akai for repair (more inaccessible internal screws for four days, or perhaps four months before failure), or returning the instrument. I returned this otherwise wonderful instrument due to boneheaded construction failure.
I am a flautist and whistle player. After changing the sensitivity and velocity to something more realistic to my accustomed play style, both needing to be considerably more sensitive, I am quite happy with my purchase!
The SOLO might play for hours or it might fail immediately. Generally: The failure occurs after a few minutes of playing—there’s a pop followed by a sustained tone which cannot be stopped except by turning the SOLO off. Most often the power switch does not work, and the battery has to be removed.
I Notified Akai technical support on 08.22. I sent them videos, with audio, showing the failure described above, with close ups of the power switch, fingering and blowing into the SOLO, removing and replacing the battery, etc. Akai got back to me on 11.02: "Thank you for your email and please accept our sincerest apologies for the delay in correspondence. We are currently experiencing a delay with turnaround times due to an increase in support traffic."
Despite this problem, here is my original, positive, review:
NOTE: The EWI SOLO was introduced August 25, 2020. Most of the reviews here, as of when I posted this note, are for instruments sold well before that date, and are not EWI SOLOs.
There is a difference between early impressions and observations made after much time. However, in the month I have had the EWI SOLO, I’ve practiced over 100+ hours, had four rehearsals and played one gig, and so far I am impressed. If I could apportion stars: 4 for it as a controller (given my style of playing, the mouthpiece is not as responsive as others); 3+ for onboard programs/tones/patches (some are good some are bad; but learning to play some patches takes time, easily more than a month); and 5 for the ability to edit the programs (not as in depth as the VL70-m, better than Roland’s Aerophone Editor).
With regard to the EWI SOLO, my early impressions require some context.
I have been playing Yamaha’s WX5 and WX11 (wind controllers) since they were introduced in the 1990s. Unfortunately due to age, wear and tear, they are dying, and Yamaha stopped making them some years ago. As a backup, I tried Akai’s EWI 5000 in late 2014. It failed within hours: detuning, distorted notes, random programs changing by themselves, notes sustaining when not being played, etc. I had purchased it from Patchman, who had set it up. I assumed it was set up correctly, so, because it uses capacitance switching, I thought it was either me (dry or wet hands, body capacitance, etc.), something environmental (grounding—flooring: concrete, natural/synthetic carpeting, wood, etc.—humidity, temperature, etc.), what I was playing (disjunct vs. conjunct motion, fast vs slow, etc.), or the specific patch. I assumed there was something I could do that would fix the problems. But nothing recommended by Akai or suggestions on forums—Patchman had no suggestions-- i.e. nothing I did, fixed it.
Patchman simply referred me to Akai. Akai replaced it, and the replacement failed in the same way. This time, I had to set it up, so that introduced a new variable. I tried everything I could think of and everything Akai suggested. I kept a journal of what I did, and what might effect things. I tried to work with Akai technical support. In the end, half a year later, Akai had sent me 5 replacement units, and all failed. They said the returned EWIs were fine. Examples of the problems were witnessed, recorded, and in several cases, videod. Despite documented problems both Akai and Patchman maintained the problem was me, “he doesn’t know what he was doing.” Akai claimed the EWI 5000s played perfectly.
In 2019, after quite a few firmware updates and a Bernie Kenerson video which talked about a setting that eliminated random program changes, I bought a new EWI 5000. This was number 7. It failed within hours. Akai was no help. Bernie Kenerson and Ingo Scherzinger of Dynasample.com, tried to help, but nothing eliminated the problems—although, I must commend them for their time, assistance, and expertise.
Three Roland Aerophone AE-10s all failed (detuning, dropped notes, etc.—also recorded). So that’s 10 failures out of 10 instruments. Whereas, I have had 2 WX5s and 4 WX11s, and all have worked for years! (3 died of old age, and 3 I bought used, and they are what I have been performing on for the last few years).
What did these 10 malfunctioning electronic wind instruments have in common? Me and where I live. I do not believe 10 instruments bought over a span of 5 years were coincidentally defective in their manufacture. I do not believe it was me—e.g. I forgot to hit button A or turn off B. If it were something I was doing or not doing, someone should have said what: no one did.
My theory is that altitude (I’m at 5200+ feet) causes or exacerbates design or manufacturing flaws in the EWI 5000 and AE10. The transducer (the device that converts air pressure changes from the mouthpiece to electrical signals) is probably vented (although, I don’t know because I have not seen it, in either instrument, nor has anyone commented about this). The nuances that it responds to (pressure, air speed, embouchure, throat and tongue positions) are remarkable and subtle. I hypothesize that there is a difference between venting at sea level (101kPa) and venting at a mile in altitude (83 kPa), which causes problems with the output signal—perhaps this could be called aliasing.
I still need a either a new backup, or a new instrument to perform with. The EWI SOLO is a redesigned and retooled instrument, which also has new firmware. And that is why I purchased it.
KEYWORK: The key sensitivity is somewhat erratic compared to the EWI 5000. This may be a setting issue (key delay and sensitivity), this particular instrument, or it may be me—120 hours is not much time to develop muscle memory.
The capacitance switching keys and the octave rollers will take time to adjust to. There are key settings that help. Note: Key Delay helps clean up unwanted notes (sloppy fingering) but it can also work against even moderately fast tonguing. The rollers take some practice. I, for one, cannot play accurately without first applying hand cream. Goldbond works well for me; whereas Eucerin, for example, stays slippery too long (it's okay if I put it on an hour before I need to play).
It is fast and easy to be sloppy. You have to be attentive to not accidentally touch keys (mostly the accidental keys--a fitting name!), which will raise or lower the pitch.
MOUTHPIECE: Like all Akai EWIs, the mouthpiece is not as responsive as the WX5 or WX11 (the Roland Aerophone mouthpiece is poorly designed, it pinches the lips, and is not as responsive as the Yamahas—nor does it have pitch up). You can’t lip up/bend a note (some people can use the pitchbend plate effectively this way), but you can give the beginning pitch a little (momentary and small) bend. Keeping the mouthpiece secure between your teeth stabilizes the instrument, assisting in more accurate fingering.
PITCHBEND PLATE: It does not have a pitchbend up plate, as the EWI 5000 does.
PATCHES/SOUNDS: The onboard acoustic instrument patches are, to my ear, not as good as the comparable patches on the Yamaha VL70-m and the DynaSample Xpresso, and are the same as the EWI 5000, but with 100 more synth sounds. However, the other members of one group I play with thought the sounds are “richer.” Bernie Kenerson’s adjustments (for the EWI 5000), available through his website, in conjunction with the EWI SOLO editor are good tweaks, and may be better once/if he has revised them for the EWI SOLO. I’ve been using it both as a controller with both the VL70m and the Xpresso, and as a stand-alone system.
CONTROLS: As for the onboard controls: The various buttons (FX, Global, Programs, etc.) are directly accessible without removing a cover; and the display window with the “encoder” (a dial that also pushes in to confirm settings) is great and, it uses whole words not abbreviations! Breaking the saved programs into 4 banks of 25 makes accessing them much easier.
MIDI CONTROLLER: The EWI SOLO is set up for a USB MIDI connection. It functions well with MIDI 5-pin DIN using a USB MIDI Host (not to be confused with an inexpensive USB MIDI to 5-pin DIN adapter).
DEFAULT: You can reset either the entire instrument to the factory defaults or everything but the favorite banks! This can be done on the instrument or inside the EWI SOLO Editor.
SPEAKER: The speaker is not good; but for some practicing or rehearsals where you can’t be loud, it’s great feature.
CASE: The EWI SOLO will not fit a soprano (or similar) case. An expandable document/drafting/drawing tube, approx. 4 1/4 " X 30-45 (this is the general size listed), makes a good case. Cut up an old yoga mat to line the tube for extra protection. If there is a strap, move the upper connection to the body of the tube, not the lid—if the lid is not secure, it won’t inadvertently come off, flipping the EWI to the ground.
Update: 02.04.21, the instrument is playing as well as it did the first day I got it, no problems.
Top reviews from other countries
The quality of the onboard sounds are decent enough, more of them than you’ll probably need.
The bite and breath sensors are adjustable from 0 to 100. You can save these settings with your favourites. This means you can program individual instruments to respond realistically and appropriately to the instrument. For example, a trumpet typically takes more breath pressure than a flute. When you use this ability correctly, it feels closer to the real instrument and can be played genuinely.
The one shortcoming of this design is the onboard speaker. No speaker that runs off a battery like that could possibly be adequate for the volume threshold of a real instrument. Because it is so quiet you will find yourself overblowing in order to be heard. I use the instrument with a 100 watt amplifier which allows me to play everything from a breathy whisper up to a “full blown” howl. It’s easy to fine tune the volume with the knob.
As a MIDI controller this has unlimited possibilities.
The sensors relay information to the DAW which captures the expressions perfectly and brings plugin instruments to life. The touch keys are incredibly responsive and can be adjusted (though I have not needed to adjust the sensitivity). It is possible to play bagpipe grace notes like the taorluath and throw on D with this instrument, which would be near impossible to do on a saxophone or an instrument with mechanical parts.
This is the EWI to get if you are a serious musician, however plan to buy a good portable amplifier if you want to be able to play it properly. It is okay with headphones connected, but even here an in-line amplifier is a good idea.
Soy maestro de música y toco varios instrumentos, siendo el piano y el violín los que más he cursado en conservatorio y escuela de música. Teniendo en cuenta que no soy ningún especialista en instrumentos de viento, más allá de flautas de pico... Me lo estoy pasando bomba desde el minuto cero.
Los sonidos están muy conseguidos, aunque tengo que reconocer que tuve que cambiar varios ajustes porque al principio me hacía cosas raras, en gran medida debido a que hay que cogerle el truco a los rodillos traseros. Quizás sea éste el aspecto más complicado de controlar (si quieres correr mucho vas a hacer glisandos por todas partes). Por lo demás es muy fluido de tocar, a veces demasiado, por el hecho de trabajar con sensores táctiles y no botones o llaves físicas.
Lo dicho, por el precio que tiene (que es bastante más contenido que el de otras opciones de Yamaha y Roland), la batería que te da una buena autonomía, el que posee un altavoz integrado, la cantidad y calidad de los sonidos y la conectividad; sin duda ha sido una compra de 10.
Die Hotline konnte erstmals nicht weiterhelfen.
Ein Austausch des Gerätes hat ebenfalls bei Inbetriebnahme des Ersatzgerät zum gleichen Problem geführt.
Ein weiterer Anruf bei der Hotline brachte dann doch zum Erfolg. Leider findet man in der Betriebsanleitung kaum Hinweise.
Ebenso bleibt die Frage offen, wie man das Mundstück pflegt.
Der Sound ist synthetisch und kommt beim Saxophon nicht am Original Sound heran.