 | The 'School of Bowing Technique? op. 2 is the second important violin tutor by Otakar ?evcík (1852-1934) and deals with the elementary technical demands of the right hand. Divided into three sections, the tutor contains more than 4,000 systematically arranged bowing exercises in increasing order of difficulty.This new edition of the 'School of Bowing Technique? combines the original six volumes in groups of two. It is largely based on the first edition, published in the early 20th century, and on other sources from ?evcík's estate. The editor, Jaroslav Foltýn, is a professor of violin at the Prague Conservatory, as was ?evcík himself.- New edition of a tutor that generations of violinists have grown up with- Fundamental work by a leading violin educator- Three volumes in increasing order of difficulty: easy - moderate - difficult- Methodological notes by the editor (Cz/Eng/Ger) / Violon Arr : ViolonEditeur : Barenreiter 15.70 EUR - Voir plus - Acheter |
 | Sevcik Otakar
Opus 2, Part I: Preparatory exercises for the Right Arm No. 1 How to hold the Bow No. 2 Movement of the Bow No. 3 Rhythmic Exercises and Bow
Length Division No. 4 Study in Minims, with 75 Variants No. 5 Detached and Springing Bowing Styles No. 6 Study in Quavers, with 214 Changes of Bowling Style No. 7 Study in Quavers in 6/8 Time, with 91 Changes of Bowling Style The preceding Bowing Exercises in the high Positions: No. 8 No. 9 No. 10 Exercises in broken Chords over 3
4 Strings, using Bowing Styles from preceding Exercises: No. 11 No. 12 No. 13 Study in Triplets, with 105 Changes of Bowling Style No. 14 Study in Triplets in 3/4 Time, with 77 Changes of Bowling Style No. 15 Study in Semiquavers in 6/8 Time, with 64 Changes of Bowling Style No. 16 Study in Semiquavers in 3/4 Time, with 68 Changes of Bowling Style No. 17 Study in Semiquavers in 4/4 Time, with 131 Changes of Bowling Style Exercises in pp over the Fingerboard, in order to develop Softness of Tone: No. 18 No. 19 No. 20 Study in sustained Notes and for Economising the Bow: Exercises in broken Chords over 3 and 4 Strings, using Bowing Styles from preceding Exercises:No. 21 No. 22 No. 23 No. 24 No. 25 No. 26 No. 27 No. 28 |
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