| Wolfgang Amadeus Mozart: Arias and Waltzes from The Magic Flute: Clarinet Duet: 2 Clarinettes (duo) Universal Edition
A selection of arias and waltzes from Mozart's opera Die Zauberflöte (The Magic Flute) arranged by Georg Friedrich Fuchs for clarinet duet. Edited by Pamela Weston.
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| Wolfgang Amadeus Mozart: Mozart Arias for Soprano: Vocal Solo: Vocal Album Voix Soprano [Partition + CD] Music Minus One
Accompaniment: John Wustman piano A lovely selection from the master of the Classical Era Wolfgang Amadeus Mozart. Not to be missed! Includes a high-quality printed vocal score and a compact disc with stereo accompaniments to each piece.
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| Mozart, Wolfgang Amadeus : Concert Arias for High Soprano Voix Soprano, Piano [Partition] Barenreiter
These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.
Unlike the NMA the musical text presented in these editi…
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| Wolfgang Amadeus Mozart: Concert Arias For Tenor: Voice: Vocal Score Voix Tenor, Piano Barenreiter
This Barenreiter Urtext edition Vocal score of Mozart’s insert and Concert Arias is based on the New Mozart Edition (NMA).The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant …
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| Wolfgang Amadeus Mozart: Concert Arias for Soprano: Soprano: Score Voix Soprano, Piano Barenreiter
Concert Arias-Concert Arias For Soprano is a collection of 15 arias expertly composed by Mozart. Concert Arias For Soprano is free from practical references on performance aspects or suggestions on performance practice. Instead the piece contains a comprehensive supplement with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Vocal Score Voix Soprano, Piano Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: SATB: Score Chorale SATB [Partition] Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Mixed Choir: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Viola: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Cello: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Exsultate jubilate K.165: Violin: Part Barenreiter
Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158…
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| Wolfgang Amadeus Mozart: Arie D'Opera - Airs D'Opera: Baritone or Bass Voix Baryton, Piano Ricordi
Opern-Arien-Four comprehensive anthologies of Mozarts opera arias. Includes Mozart’s complete vocal repertoire from the first opera to the final masterpieces plus historical notes and plot information. The song texts are in their original languages as well asItalian French and German.
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| Wolfgang Amadeus Mozart: Opera Arias - Mezzo-Soprano: Mezzo-Soprano: Vocal Album Voix Mezzo-Soprano, Piano Ricordi
Opern-Arien-An essential new edition for every singer and voice studio! This is the most comprehensive multi-volume collection of Mozart opera arias ever published with editions for Soprano Mezzo-Soprano Tenor and Bass/Baritone with 31 to 41 arias per volume. Includes historical and plot notes about each opera and aria and English translations for study.The most familiar arias of course are …
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| Wolfgang Amadeus Mozart: Two Arias: Clarinet: Instrumental Album Clarinette et Piano Oxford University Press
Two favourite and popular Arias by W.A. Mozart arranged by A.W. Benoy and A. Bryce for B flat Clarinet and Piano accompaniment. The Arias are Voi Che Sapete from The Marriage Of Figaro and Ah Perdona from Titus.
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| Wolfgang Amadeus Mozart: Regina coeli in C major K.108: Mixed Choir: Vocal Score Soprano, Choeur Mixte (SATB), Orchestre Et Orgue Barenreiter
In its expression and structure the ?Regina coeli? K.108 (74d) in four movements composed in Salzburg in May 1771 clearly shows that Neapolitan church music served as Mozart?s model. The two outer movements in which a primarily homophonic chorus unfolds against a rich orchestral backdrop enclose two soprano arias sparkling with coloraturas of which the first aria has a choral epilogue at th…
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| Wolfgang Amadeus Mozart: Regina coeli in C major K.108: Vocal: Score Chorale SATB SATB, Orchestre [Partition] Barenreiter
In its expression and structure the ?Regina coeli? K.108 (74d) in four movements composed in Salzburg in May 1771 clearly shows that Neapolitan church music served as Mozart?s model. The two outer movements in which a primarily homophonic chorus unfolds against a rich orchestral backdrop enclose two soprano arias sparkling with coloraturas of which the first aria has a choral epilogue at th…
27.00 GBP - Expédié par Musicroom UK |
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| Wolfgang Amadeus Mozart: Recorder Quartets 6 Vol. 6: Recorder Ensemble: Score Quatuor de Flûtes à bec Zen-On
Mozart-Arien-Recorder Quartets 6 - Selected Opera Arias of Mozart arranged for Recorder Quartet by Fumio Kitamika. Arias from: Die Zauberflote Don Giovanni Die Entfuhrung aus dem Serail Le Nozze di Figaro
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| Wolfgang Amadeus Mozart: Mozart: Eight Operatic Arias for the Soprano Voice: Voix Soprano, Piano Schirmer
Eleanor Steber was one of the greatest interpreters of Mozart ever to grace the opera stage. In this unique aria collection she has given intricate editings that convey her ideas about vocal style in Mozart. All of Miss Steber'seditings are printed in gray giving them clarity against the black of the music. A plot synopsis character analysis translation and musical coaching precedes each aria. …
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