Une belle sélection de chefs-d'oeuvre les plus célèbres de Franz Joseph Haydn, contenant la partition à la fois et audio complète sur CD. Chaque morceau a été composé, ou spécialement aménagé, pour piano solo et est accompagné par de hautes performances de démonstration de qualité sur un CD de musique spécialement commandée. Un complément indispensable à votre bibliothèque de piano. / Piano

Haydns Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82-87) and the London symphonies (Hob. I: 93-104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791-92 and 1794-95. Continuing the collaboration between Barenreiter and the G. Henle publishing company regarding …

Nombreux débutant et les joueurs intermédiaires inférieurs sont intimidés ou mettre des oeuvres par certains des grands compositeurs, craignant que les pièces sont tout simplement trop difficiles d'essayer. À la rescousse vient la je peut jouer que ! série et cette fabuleuse édition fournit l'occasion de jouer ces pièces majestueuses et merveilleuses. Ce livre contient un grand choix soixante-neuf…

Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the 'Paris? symphonies (Hob. I:82-87) and their 'London? counterparts (Hob. I: 93-104) - the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece, possibly owing to deadline press…

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two…

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two…

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two…

This four-movement work with a slow introduction is Haydn's last symphony for 'small' orchestra, i.e. without trumpets and timpani.However it has long passages for solo violoncello and is also scored for two bassoons.The editor of this edition recommends a performance with low horns (additionally included in the wind set) to prevent the musical character of the 'Andante? from being compromised by …

Haydn 'Symphonie des adieux' est une des oeuvres les plus jouées du répertoire symphonique. Le titre populaire ne découle pas de l'auteur, mais se réfère au mouvement final, à l'issue de laquelle (Adagio) les musiciens arrêter de jouer l'un après l'autre, ne laissant que deux violons à la fin des travaux. Selon une anecdote, sortie des musiciens était un moyen de faire référence aux exigences du t…

Haydn 'Symphonie des adieux' est une des oeuvres les plus jouées du répertoire symphonique. Le titre populaire ne découle pas de l'auteur, mais se réfère au mouvement final, à l'issue de laquelle (Adagio) les musiciens arrêter de jouer l'un après l'autre, ne laissant que deux violons à la fin des travaux. Selon une anecdote, sortie des musiciens était un moyen de faire référence aux exigences du t…