Notebooks - Journals - Logs - Lists. Par SIMOS MARK. Become a more productive songwriter! Learn to organize the full range of your creative content, from starting inspirations to finished songs. This book offers pragmatic tools, resources, practices, and principles for managing the many kinds of creative materials gathered or generated across a song's life cycle. Organize your ideas and sources of…

The Edexcel: A2 Revision Guide - 3rd Edition is designed to prepare you fully for Section B of your final A2 Music exam. Written in a clear and concise manner by an experienced examiner and teacher, it includes:An introduction to the exam that explains what you'll be expected to know.A succinct revision section that presents all the key facts for each set work, broken down into individual segments…

Little Suite for Orchestra No. 1: Op 53. Par ARNOLD MALCOLM. Malcolm Arnold is one Britain’s best-loved composers. In 1948 he composed a very short suite for the National Youth Orchestra of Great Britain - entitled simply To Youth. Seven years later he took To Youth and made some fairly major revisions, including a complete new movement, and the Little Suite for Orchestra was born. The Little Suit…

Regarded as the greatest Spanish composer of the 20th century, Manuel De Falla (1876-1946) had a distinctively nationalistic style. His Andalusian influences are clearly seen in his ballet El Amor Brujo , which is often praised for its originality, while at the same time preserving the beauty of the Andalusian folk themes. The libretto was written by Gregorio Martínez Sierra, and the ballet was fi…

This is a new edition of Béla Bartók's popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery, this publication is essential for pianists interested in the work of the Hungarian composer.When Bartók was just 23 years old, he visited the Transylvanian town of Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named …

Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performa…

Critical Edition. Par VAUGHAN WILLIAMS RALPH. The numerous revisions and fine adjustments made by Vaughan Williams to the music of A Sea Symphony over a long lifetime are faithfully recorded in this benchmark new edition of the work. It draws on invaluable primary sources, including the conducting scores of Sir Adrian Boult and Norman Del Mar, and those in the extensive VW archive in the British L…

The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was long considered as Mozart?s first horn concerto - it is, however, his last, and was written between March and December 1791. Mozart undertook revisions in the autograph ? which contains the most important orchestral parts next to the entire solo horn part ? in order to adjust the work to the modest technical abilities o…

Par BEETHOVEN LUDWIG VAN. The Donald Tovey edition with recent minor revisions./ Répertoire / Violoncelle et Piano

Par ZEMLINSKY ALEXANDER. If, as the editor states, Zemlinsky's A Florentine Tragedy is one of the milestones of 20th century music theatre, its path to acceptance was rather arduous. Beginning with the troubled text by Oscar Wilde, Zemlinsky dove into the work as if in a fever. A problem arose in requesting the rights to Wilde's text, not helped by timing (and World War I), and this was but one im…

(Das Wohltemperierte Klavier, Teil I). By Johann Sebastian Bach (1685-1750). Edited by Ernst-Gunter Heinemann. For piano solo. This edition: Urtext edition. Henle Music Folios. Book only, paperbound. 136 pages

(Clarinet and Piano (Revised Edition)). Composed by Johannes Brahms (1833-1897). For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. 92 pages. G. Henle #HN987. Published by G. Henle

Revised Edition. Composed by Franz Liszt (1811-1886). Edited by Ernst Herttrich and Marc-Andre Hamelin. Henle Music Folios. Softcover. 52 pages. G. Henle #HN559. Published by G. Henle (HL.51480559).

Composed by Antonin Dvorak (1841-1904). Edited by Frantisek Bartos and Antonin Pokorny. For string quintet. Level 3. Set of parts. Opus 77. 11/11/11/12/11 pages. Published by Baerenreiter Verlag

(Version for Viola Revised Edition). By Johannes Brahms (1833-1897). Edited by Egon Voss and Johannes Behr. For Viola (VIOLA WITH PIANO ACCOMPANIMENT). Henle Music Folios. Softcover. G. Henle #HN988. Published by G. Henle

By John W. Schaum. For Piano. Piano - Schaum Method Supplement. Schaum Method Supplement. Book. 32 pages. Published by Alfred Publishing.

Piano Solo. Composed by Leos Jan�¡cek. Edited by Jir�­ Zahr�¡dka. Henle Music Folios. Softcover. 24 pages. G. Henle #HN1247. Published by G. Henle (HL.51481247).

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al

(Revised Edition). By Ludwig van Beethoven (1770-1827). Edited by Murray Perahia and Norbert Gertsch. For Piano. Henle Music Folios. Softcover. 41 pages. G. Henle #HN946. Published by G. Henle

By Franz Schubert. Edited by Fischer-Dieskau(Urtext). For medium voice, piano. Op.37 through Op.80(Urtext Edition by Dietrich Fischer-Dieskau with musicological revisions by Elmar Budd)(Ger). Published by C.F. Peters.

By Richard F. Grunow, Edwin E. Gordon, Christopher D. Azzara. Band Method. Instructional. Book Only. Text language: English. 336 pages. Published by GIA Publications

(Revised Edition). Composed by Johannes Brahms (1833-1897). For Piano Solo (Piano). Henle Music Folios. Softcover. G. Henle #HN1216. Published by G. Henle

Revision 1997. Composed by Johann Sebastian Bach (1685-1750). Edited by Walther Dehnhard. Arranged by Walther Dehnhard. With Standard notation. Wiener Urtext/Vienna Urtext #UT50050. Published by Wiener Urtext/Vienna Urtext

Composed by Antonin Dvorak (1841-1904). Edited by Robin Tait. This edition: Urtext edition. Score and parts in slipcover. Published by Baerenreiter Verlag (BA.BA9574).