| Symphony 'Romane', Op. 73 (Organ) Orgue United Music Publishers
Significantly remembered for his Organ works, Charles-Marie Widor 's (1844-1937) renowned Symphony 'Romane' is essential to the repertoire of all passionate organists. Widor became Director of Organ Studies at the Paris Conservatoire in 1890 and soon followed this by taking charge of the composition class. Nicknamed the 'Romane', the Symphony #10 reflects Widor 's mastery of the Organ, exploring a…
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| Symphonie N06 Op. 42 (WIDOR CHARLES-MARIE) Orgue [Partition] Hamelle
Par WIDOR CHARLES-MARIE. Charles-Marie Widor 's Symphonies for Organ, Op. 42 No. 2. Charles-Marie Widor (b. Lyons 1844, d. Paris 1937) first began his studies in his hometown, but later pursued them in Brussels, taking lessons with Nicolas-Jacques Lemmens on the Organ, and composition lessons with François-Joseph Fetis. In 1868, he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also de…
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| Suite (WIDOR CHARLES-MARIE) Flûte traversière et Piano [Partition] Heugel
Par WIDOR CHARLES-MARIE. Charles-Marie Widor (1844-1937) was a great organist who did not only focus on Organ composition. From orchestra pieces to chamber music, he wrote various different compositions, including Suite for Flute and Piano, Op. 34 which was composed for Paul Taffanel. This suite, a subtle mix of Romanticism and Classicism, particularly stands out for its nuances and is composed of…
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| Messe Op. 36 (2 Choeurs 2 Orgues) (WIDOR CHARLES-MARIE) 2 Barytons, SATB, Orgue Acc (Duet) [Partition] Hamelle
Par WIDOR CHARLES-MARIE. Charles-Marie Widor (1844-1937) composed this Mass, Op. 36 in 1878 for the St Sulpice church in Paris. The initial two choirs for which it was composed were comprised of around 200 and 40 voices, while the score for this version is for a choir of baritones and an SATB choir. The Organ part requires an advanced-level of ability as it contains some difficult parts. Divided i…
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| Introduction Et Rondo (WIDOR CHARLES-MARIE) Clarinette et Piano [Partition] Heugel
Par WIDOR CHARLES-MARIE. French organist, composer and teacher, Charles-Marie Widor (1844-1937) is predominantly known for his Organ symphonies. However, his Introduction et Rondo for Clarinet and Piano also remains popular and is still regularly performed today. Widor became Director of Organ Studies at the Paris Conservatoire in 1890 and soon followed this by taking charge of the composition cla…
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| Complete Organ Symphonies II (WIDOR CHARLES-MARIE) Orgue ou Clavecin ou Harmonium [Partition] Dover Publications
Par WIDOR CHARLES-MARIE. The greatest French organist of his day, Widor (1844–1937) composed 10 organ 'symphonies'—actually solo compositions usually consisting of 6 or 7 short movements, that treat the organ as a kind of self-contained orchestra. Series II includes Symphonies 6-8, Symphonie Gothique and Symphonie Romane, frequently performed today. Also includes a glossary of French terms./ Réper…
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| Complete Organ Symphonies I (WIDOR CHARLES-MARIE) Orgue [Partition] Dover Publications
Par WIDOR CHARLES-MARIE. Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these 'symphonies' - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Ca…
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| Adagio (Extrait Symphonie N05) (WIDOR CHARLES-MARIE) Orgue [Partition] Hamelle
Par WIDOR CHARLES-MARIE. / Répertoire / Orgue
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| Symphonie Romane Op. 73 (WIDOR CHARLES-MARIE) Orgue [Partition] Hamelle
Par WIDOR CHARLES-MARIE. / Répertoire / Orgue
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| Symphonie N07 Op. 42 (WIDOR CHARLES-MARIE) Orgue Hamelle
Par WIDOR CHARLES-MARIE. / Répertoire / Orgue
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| Symphonie N04 Op. 13 (WIDOR CHARLES-MARIE) Orgue [Partition] Hamelle
Par WIDOR CHARLES-MARIE. / Répertoire / Orgue
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| Symphonie N05 Op. 42 (WIDOR CHARLES-MARIE) Orgue [Partition] Hamelle
Par WIDOR CHARLES-MARIE. / Répertoire / Orgue
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| Symphonie N08 Op. 42 (WIDOR CHARLES-MARIE) Orgue [Partition] Hamelle
Par WIDOR CHARLES-MARIE. / Répertoire / Orgue
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| Symphonie N03 Op. 13 (WIDOR CHARLES-MARIE) Orgue [Partition] Hamelle
Par WIDOR CHARLES-MARIE. / Répertoire / Orgue
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| Symphonie N02 Op. 13 (WIDOR CHARLES-MARIE) Orgue [Partition] Hamelle
Par WIDOR CHARLES-MARIE. / Répertoire d'Examen / Répertoire / Orgue
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| Symphonie N01 Op. 13 (WIDOR CHARLES-MARIE) Orgue [Partition] Hamelle
Par WIDOR CHARLES-MARIE. / Répertoire / Orgue
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| Charles-Marie Widor: Symphonie For Organ No.6 Op.42 No.2: Organ: Instrumental Orgue Hamelle
Charles-Marie Widor’s Symphonies for Organ Op.42 No.2. Charles-Marie Widor (b. Lyons 1844 d. Paris 1937) first began his studies in his hometown but later pursued them in Brussels taking lessons with Nicolas-Jacques Lemmens on the Organ and composition lessons with François-Joseph Fétis. In 1868 he inaugurated the Organ at Notre-Dame Cathedral in Paris. He also deputized for Saint-Saën…
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| Charles-Marie Widor: Mass Op. 36: SATB: Vocal Work Chorale SATB [Vocal Score] Shawnee Press
Charles-Marie Widor is best known for the Toccatta the finale from his Fifth Symphony for Organ but the real heart of his compositional oeuvre lies in the ten Organ symphonies and there is much to be discovered in the rest of his compositional output. This Mass was originally written in 1878 for a choir of Baritones the Chorus of the seminary next door to St Sulpice in Paris the church where…
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| Charles-Marie Widor: Mass Op. 36: Baritone Voice: Vocal Score [Vocal Score] Hamelle
Charles-Marie Widor (1844-1937) composed this Mass Op. 36 in 1878 for the St Sulpice church in Paris. The initial two choirs for which it was composed were comprised of around 200 and 40 voices while the score for this version is for a choir of baritones and an SATB choir. The Organ part requires an advanced-level of ability as it contains some difficult parts. Divided into five sections the e…
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