From his setting of the Gloria French composer Francis Poulenc (1899-1963) has set this text in a rich incandescent manner which seems to portray a cosmic dance before the throne of heaven itself. Available for the first timeas a single exerpted movement in octavo form.

A cappella motet from Gloria-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to t…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Tonalité : C-Moll - Kv 427. Par MOZART WOLFGANG AMADEUS. The Mass in C minor, K. 427, Mozart's 'Great Mass' remaines a torso - a circumstance which is extremely regrettable, especially given the monumentality of this work. Mozart finished only the Kyrie, Gloria, Sanctus, 'Osanna', and Benedictus of the Mass. For two movements from the Credo he only completed sketches without instrumentation. In Ma…

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

Schöpfungsmesse. Par HAYDN FRANZ JOSEF. Within approximately six weeks Haydn, in 1801, composed his 'Creation Mass' as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterházy. The sobriquet 'Creation Mass' is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio 'Die Schöpfung'. / Messe / Répertoire / So…

By Francis Poulenc. (SATB). Classical. Size 6.75x10.5 inches. 12 pages. Published by Salabert.

(SSATB(B) a cappella). Composed by Karl Jenkins. For Choral (SSATBB). Boosey and Hawkes Sacred Choral. Octavo. 8 pages. Boosey and Hawkes #M060129278. Published by Boosey and Hawkes

(SATB and Piano). By Karl Jenkins. SATB. Boosey & Hawkes Sacred Choral. 8 pages. Boosey & Hawkes #M051481033. Published by Boosey & Hawkes

SATB choir, keyboard accompaniment, 2 C instruments, violin 1, violin 2, viola, cello, guitar - Early intermediate

SKU: GI.G-8208

Composed by Chris De Silva. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8208. Published by GIA Pub…

SATB choir, cantor, assembly, organ accompaniment, flute 1, flute 2, oboe, clarinet in B-flat, violin 1, violin 2, viola, cello

SKU: GI.G-6681INST

Composed by Jeffrey Honore. Trinity Sunday A. Sacred. Full score and parts. GIA Publications #6681INST. Published by GIA Publi…

SATB choir, cantor, assembly, organ accompaniment, flute 1, flute 2, oboe, clarinet in B-flat, violin 1, violin 2, viola, cello - Beginning

SKU: GI.G-6681

Composed by Jeffrey Honore. Trinity Sunday A. Choral. Sacred. Octavo. 16 pages. GIA Publications #6681. Published by G…

By Luigi Boccherini. Edited by Martin Banner. Arranged by Luigi Boccherini. Text: From the Ordinary of the Mass; Series editor: Martin Banner. For Horn 1-2, Violin 1-2, Viola Continuo; Keyboard accompaniment. (SATB). Martin Banner Series. Sacred, Concert. Level: Medium Advanced …