Originally published in the 1940s Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians these were produced by a man who could play every instrument of the orchestra could compose a satisfying piece for almost every kind of ensemble and who was one of the most stimulating teachers of his day. It i…

Originally published in the 1940s Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians these were produced by a man who could play every instrument of the orchestra could compose a satisfying piece for almost every kind of ensemble and who was one of the most stimulating teachers of his day. It i…

A fantastic 20th century composition by German composer Paul Hindemith. His Sonata in the Key of C demonstrates his talent for creating fabulous chamber music and expressionist operas. For Horn in F with Piano accompaniment.

This is a tricky but rewarding Trumpet Sonata by German composer Paul Hindemith. He was a distinguished viola player and an important composer during the first half of the 20th century. With leaps and very deliberate textured melody this is a dramatic and sombre work exemplifying Hindemith's skill and instrumental sensitivity.The solo trumpet part is also included on a separate insert.

Foxtrott aus dem Weihnachtsmarchen Tuttifantchen-Paul Hindemith's Tanz Der Holzpuppen for solo Piano.

Originally published in the 1940s Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians these were produced by a man who could play every instrument of the orchestra could compose a satisfying piece for almost every kind of ensemble and who was one of the most stimulating teachers of his day. It i…

This Concert music for string orchestra and brass instruments op. 50 was commissioned for the 50th anniversary of the Boston Symphony Orchestra in 1930. It stands in a series with the Concert music for solo viola and large chamber orchestra Op. 48 and the Concert music for piano brass instruments and two harps Op. 49. All three works show Hindemith endeavouring to explore new possibilities in …

Paul Hindemith's Bearbeitungen for Orchestra.

Paul Hindemith's musical style is heavily influenced from the music of the Reformation. From composers such as Bach Schumann Brahms and Reger he has inherited a love of all things German such as chorales and a preoccupation with the symphony chamber music and opera. This is his Sonata for Flute and Piano.

Studies in Counterpoint Tonal Organisation and Piano Playing-Th cycle of fugues is introduced and concluded by a Praeludium and Postludium the second formed by turning the Praeludium upside down and reading it backwards. In solving technical problems he posed himself Hindemith created not a dry exercise but a work of considerable imagination. Intellectual achievement and sheer delight in playin…

for organ and chamber orchestra-The chamber music works are among Hindemith's most successful instrumental works of the 1920s. But the title is misleading: The individual pieces actually have concertante soloistic features instead of submitting to chamber music traditions.Chamber Music No. 7 is centred on the organ. Written for the broadcaster Frankfurter Sender the work took then virulent music …

The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of 'Chamber Music No. 1' the audience even demanded a repetition of the third and fourth movements.However the title of the series of works consisting of seven compositions altogether is misleading: The individual pieces rather have concertante soloistic features. No. 1 is charact…

The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of 'Chamber Music No. 1' the audience even demanded a repetition of the third and fourth movements. But the title of the series of works consisting of seven compositions altogether is misleading: The individual pieces rather have concertante soloistic features. No. 1 is characteris…

Puisque tout passe ' [Since all is passing] is one of six songs for mixed choir from 1939. It is one of the most natural and spontaneous pieces among Hindemith's a cappella choral works. This work is framed by further poems of Rainer Maria Rilke.

The edition is part of the Trinity syllabus 2007 (grade 6)