| Ludwig van Beethoven: Sonatas For Piano And Violoncello: Cello: Instrumental
Violoncelle, Piano G. Henle
Alongside Bach’s Solo Suites a further highlight for cellists are Beethoven’s five Cello Sonatas. They were published between 1797 and 1817 and thus cover a large part of Beethoven’s compositional lifetime mirroring important stages of his musical development. This revised edition incorporates the findings contained in the critical report of the Beethoven Complete Edition which …
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| Ludwig van Beethoven: Sonata For Violoncello And Piano: Cello: Instrumental Work Violoncelle, Piano [Partition] Barenreiter
Ludwig van Beethoven consistently worked on violoncello-sonatas in between 1796 and 1817. From the early by King Friedrich-Wilhelm II. von Preußen devoted oeuvres to the two late sonatas C-major and D-major he wrote five
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| Complete Sonatas For Violoncello And Piano Violoncelle, Piano Music Minus One
/ Violoncelle Et Piano
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| Beethoven L. (van) - Sonata For Cello And Piano Violoncelle, Piano Wiener Urtext
Incl. Cello Version of the Horn Sonata op. 17 Edited from the sources by Christiane Wiesenfeldt Arrangement of the cello part and notes on interpretation by Heinrich Schiff. Fingerings of the piano part by Christian Ubber Urtext With his sonatas for violoncello and piano, Beethoven laid the foundations for a totally new chamber music genre which inspired subsequent composers such as Johannes Bra…
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| Ludwig van Beethoven: Sonata Op. 17: Mixed Duet: Instrumental Work Wiener Urtext
Violoncello and Piano-Originally Beethoven wrote Sonata Op. 17 for Horn and Piano. This composition was intended for the famous Horn virtuoso Johann Wenzel Stich who called himself Giovanni Punto. Punto had greatly expanded the playing techniques on the natural Horn. Accordingly Beethoven tailored the solo part completely to the unique playing skills of this virtuoso musician. Punto performed th…
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| Beethoven L. (van) - Sonata Op.17 - Cor (violoncelle) Et Piano Wiener Urtext
Arrangement Violoncello: Schiff, Heinrich Fingering: Ubber, Christian Editor: Wiesenfeldt, Christiane Preface: Reutter, Jochen Originally, Beethoven wrote Sonata Op. 17 for horn and piano. This composition was intended for the famous horn virtuoso Johann Wenzel Stich who called himself Giovanni Punto. Punto had greatly expanded the playing techniques on the natural horn. Accordingly, Beethoven t…
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