| Wolfgang Amadeus Mozart: Piano Pieces - Volume 2: Piano: Instrumental Album Piano seul Wiener Urtext
As early as the age of four Mozart amazed his father with his quickness of mind as regards Piano-playing. The first works are easy dance movements by the five-year-old who developed with extraordinary speed. During his lifetime he created several Piano pieces apart from the sonatas and variations. The pieces from his youth most of them written down in the music book for Maria Anna Mozart and i…
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| Oscar Rieding: Concerto in B Minor Op. 35 for Violin and Piano: Violin: Violon et Piano G. Henle
The name Oskar Rieding may seldom appear in concert programmes but for students of the violin it is all the more familiar. To this day his short concert pieces for violin and piano written at the start of the twentieth century especially for beginners on the instrument have maintained their place in lessons and class recitals. Restricted to the first position the b-minor Concerto op. 35 is …
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| Pablo de Sarasate: Spanish Dances for Violin and Piano: Violin: Instrumental Violon et Piano G. Henle
with marked and unmarked string part-Just like many other violin virtuosos of the 19th century Pablo de Sarasate also composed a series of pieces for violin and piano (or orchestra) for his own concert use. Highly virtuosic salon pieces with echoes of national folkmusic traditions from all over Europe are at the centre. Sarasate published his eight Spanish dances in four books between 1878 and 18…
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| Bach, Johann Sebastian : Pièces et danses faciles pour piano / Easy Piano Pieces and Dances Piano seul [Partition] Barenreiter
[Leichte Klavierstücke und Tänze] / Classique / Editeur : Michael Töpel - Doigtés : Annette Töpel / Partition / Agrafé / Edition Urtext
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| 5 Pieces In Folk Style Op. 102 Version For Violn And Piano (SCHUMANN ROBERT) Violon et Piano [Partition] G. Henle
Par SCHUMANN ROBERT. De même que la plupart des duos de Schumann pour instrument solo et piano, les «Pièces dans le style populaire», pour violoncelle et piano dans la version originale, sont parues dans une formation instrumentale alternative. L’éditeur escomptait d’une édition supplémentaire pour le violon une meilleure diffusion de l’oeuvre et des chances de vente accrues. À côté de quelques ch…
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| Edward Elgar: Chanson de matin- Chanson de nuit: Violin: Instrumental Work Violon et Piano [Partition] Peters
In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular. Chanson de Nuit and Chanson de Matin both carried his name far and wide before he composed his larger orchestral works. These two pieces which together complete Op.15 were published in several versions at once: for string orchestra for small orchestra for violin and piano and so on -…
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| Johann Sebastian Bach: Prelude and Fugue in D major for Organ: Piano: Piano seul G. Henle
Arrangement for Piano-Aside from the Violin Chaconne (HN 557) and the ten Chorale Preludes for Organ (HN 1293) the Prelude and Fugue in D major ranks among the best-known Piano transcriptions Busoni fashioned from J. S. Bach?s works. Considerable evidence suggests that he viewed these three pieces as paradigmatic examples of his transcription technique. Busoni?s explicit labelling of the Prelude …
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| Robert Schumann: Fairy Tales Op.132: Piano: Parts Clarinette, Alto et Piano (trio) [Conducteur et Parties séparées] G. Henle
Opus 132-No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today we can assume that the title of the pieces originally entitled 'Romances' was merely supposed to conjure up a poetic andfairytale world. Presumably inspired by Mozart’s 'Kegelstatt' Trio K. 498 Schumann occupied himself intensively with plans for a work for this distinctive combi…
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| Antonín Dvo?ák: Romantic Pieces for Piano and Violin op. 75: Violin: Violon et Piano [Conducteur et Parties séparées] G. Henle
La production de musique de chambre d?Antonín Dvorák englobe plus de quarante ?uvres. Sans doute doit-il en grande partie le fait que sa notoriété ait franchi aussi rapidement les frontières de la Bohème aux nombreux amateurs de musique exigeants qui prenaient plaisir à jouer ses ?uvres. En effet il était très courant au 19e siècle de jouer de la musique chez soi. Les ?uvres romantiques de Dvorák…
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| Fantasy Pieces For Violoncello And Piano Op. 73 Violoncelle, Piano Wiener Urtext
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarine…
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| Pyotr Ilyich Tchaikovsky: Works for Violin and Piano: Violin: Score and Part Violon et Piano G. Henle
This substantial volume contains all of the works that Tchaikovsky composed or arranged himself for Violin and Piano. The three larger Violin works opp. 26 34 and 42 which G. Henle Publishers also offers in individual practical editions are particularly well-known and popular. By contrast the three brief single movements with which Tchaikovsky presents charming adaptations of his own pieces p…
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| Gabriel Fauré: Élégie Op.24 For Violoncello And Piano: Cello: Instrumental Work Violoncelle, Piano G. Henle
?l?gie for Violoncello and Piano op. 24-Following the enthusiastic reception of his first Violin Sonata (HN980) it was clear to Faur? that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as theslow movement for a sonata. However Faur? gave up the sonata project instead publishing the piece under the title ??l?gie. It was so success…
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| Antonín Dvo?ák: Romance In F Minor Op.11: Violin: Score and Parts Violon et Piano [Reduction] G. Henle
With marked and unmarked string part-In 1873 following the rejection of his opera 'The King and the Charcoal Burner' Anton n Dvorák reached somewhat of a turning point in his career. Inspired to give his compositions a new direction he started to writepieces such as his String Quartet In F Minor Op. 9 in a new style that was less orientated towards Wagner. However much to his disappointment t…
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| Wolfgang Amadeus Mozart: Violin Sonatas Volume 2: Violin: Instrumental Album Violon et Piano [Partition] Peters
This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases o…
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| Ignaz Josef Pleyel: Six Duos (op. 48) for two Violins: Violin: Parts 2 Violons (duo) G. Henle
Six Duos (op. 48) for two Violins-These easy duets were published around 1796/97 by Pleyel???s own publishing house both as Six Duos faciles et progressives for two violins and as Six nouvelles Sonatines progressives for piano and violin though we do not know today which version came first. To this day the violin duets are favorites for use in violin lessons but also for making music at home. T…
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| Ignace Pleyel: Sechs Kleine Duos Opus 8: Violin Duet 2 Violons (duo) G. Henle
During his lifetime composer Piano manufacturer and publisher Ignaz Pleyel bestowed upon the world of music an almost unimaginable number of published compositions some of them in multiple arrangements too. Of those what has remained in the repertoire today are primarily works for small chamber ensembles. Several Violin duos for instance have maintained their place among enthusiasts and st…
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| Sevcik Op. 22 Ernst Hungarian Airs: Violin and Accomp.: Instrumental Album Lauren Keiser Music Publishing
Heinrich Wilhelm Ernst was the most famous violinist in the world at the time of Paganini's death. As a composer he is chiefly known for his virtuoso pieces such as these Hungarian Airs. His music was in the standard repertoire into the early part of the 20th Century but was forgotten for many decades. With the advent of the CD Ernst's compositions have been recorded and have begun re-emerging i…
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| Mozart Wofgang Amadeus - Violin Sonatas Vol.3 - Violin And Piano Violon et Piano Peters
Instrumentation: Vln?Pf Editor: Cliff Eisen Format: Sheet Music Details: This projected complete edition of the MozartSonatas for Keyboard and Violin has been researched and prepared by Cliff Eisen, one of the most distinguished Mozart scholars of our time. Professor Eisen recognises that many of the apparent inconsistencies and idiosyncrasies of Mozart's notation are per…
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| Mozart Wolfgang Amadeus - Violin Sonatas Vol.2 - Violin And Piano Violon et Piano Peters
Instrumentation: Vln?Pf Editor: Eisen ISMN: M-57708-560-9 Format: Sheet Music Details: Contents: Sonatas K296, K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler). Contents: This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen, one of the mostdistinguished Mozart schola…
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| Schumann R. - Pieces De Fantaisie Op. 73 - Violon, Piano Violon et Piano Breitkopf & Härtel
EDITION URTEXT Compositeur : Schumann, Robert Instrumentation : Stimme (V,Va,Vc etc) Nombre de pages : 44
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| Ludwig van Beethoven: The Beethoven Folio: Violin and Accomp.: Instrumental Lauren Keiser Music Publishing
Critical Urtext Edition - The Heifetz Collection-Contents: Jascha Heifetz: Three Cadenzas to the Beethoven Concerto for Violin and Orchestra in D Major op.61. Critical Urtext Edition Edited by Endre Granat (after Auer and Joachim); Ludwig van Beethoven: Turkish March for Violin and Piano op. 113.Critical Urtext Edition Edited by Endre Granat; Ludwig van Beethoven: Chorus of the Dervishes for Violi…
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| Camille Saint-Saëns: Romance in D flat major op. 37: Flute: Score and Part Flûte traversière et Piano G. Henle
The Romance for a melodic instrument and Piano was a very popular genre in French salon music of the nineteenth century. Saint-Saëns also wrote several such pieces for Violin Cello and Horn. His only Romance for Flute was composed in 1871 shortly after the Société nationale de musique had been founded. It was premiered in this new forum for Piano music and chamber works a year later too. In sp…
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| Drei Romanzen op. 22 (SCHUMANN CLARA) Violon et Piano Barenreiter
für Violine und Klavier. Par SCHUMANN CLARA. The Romances op. 22 are today among Clara Schumann’s most popular chamber music works. For violinists and pianists, they’re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces.
While working on the composition and publicati…
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| Mozart: Triosonaten Kv 10-15 (MOZART WOLFGANG AMADEUS) Piano Trio: piano, violon, violoncelle [Partition] Carus Verlag
Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accomp…
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| Trio in B-flat major op. 97 (BEETHOVEN LUDWIG VAN) Piano Trio: piano, violon, violoncelle [Conducteur] Barenreiter
Archduke. Par BEETHOVEN LUDWIG VAN. By the time Beethoven completed the ?Archduke? Trio in 1811 he had been working on it for several years. In April 1814 he could finally give the work its première together with Ignaz Schuppanzigh and Joseph Linke, this being Beethoven?s last public appearance as a pianist. He dedicated the piece to his friend, pupil and patron, Archduke Rudolph of Austria. Today…
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